Jules Massenet
Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries. Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné. By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque. |
Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)
Date Range of DAHR Recordings: 1901 - 1947
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 551-575 of 638 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia (U.K.) | WLX349 | 12-in. | 4/13/1928 | Manon : Adieu notre petite table | Élie Cohen ; Germaine Féraldy | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX350 | 12-in. | 4/14/1928 | Légende de la sauge | Élie Cohen ; Lucien Fugère | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX352 | 12-in. | 4/14/1928 | Air d' Alexandre | Élie Cohen ; Louis Guénot | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL434 | 10-in. | 2/6/1927 | J'aurais sur ma poitrine | Maurice Frigara ; Georges Thill | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX525 | 12-in. | 10/4/1928 | Il est doux, il est bon | Marise Beaujon ; Élie Cohen | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX555 | 12-in. | 10/9/1928 | Charme de jours passés | Marise Beaujon ; Élie Cohen | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX638 | 12-in. | 11/13/1928 | Astres etingleants | Armand Narçon ; Georges Truc | Bass vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX656 | 12-in. | 12/5/1928 | Oh, pardonnez-moi | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WLX661 | 12-in. | 3/13/1929 | Ah! Rends-moi ton amour | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WLX676 | 12-in. | 12/7/1928 | Air de "La petite table" et "Recitatif de Des Grieux" | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX677 | 12-in. | 12/7/1928 | Le rêve | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX689 | 12-in. | 12/12/1928 | Je suis seul; Ah!, Fuyez, douce image | Élie Cohen ; Joseph Rogatchewsky | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX693 | 12-in. | 12/12/1928 | Scene et air du Comte des Grieux | Élie Cohen ; Louis Guénot ; Joseph Rogatchewsky | Vocal duet (tenor and baritone), with orchestra | composer | |
Columbia (U.K.) | WLX724 | 12-in. | 12/30/1928 | Quelqu'un! Vite a mon banc de Pierre! | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WLX725 | 12-in. | 12/30/1928 | Non!, Je ne veux pas croire | Andrée Bernadet ; Élie Cohen ; Germaine Féraldy ; Jeanne Rambert ; Joseph Rogatchewsky ; Andrée Vavon ; Georges Villier | Vocal sextet with orchestra | composer | |
Columbia (U.K.) | WLX726 | 12-in. | 12/30/1928 | Manon! Avez-vous peur? | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WLX727 | 12-in. | 12/30/1928 | On l'appelle Manon | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WL837 | 10-in. | 1/7/1928 | Clair de lune | Adolphe Frezin ; Fernand Goeyens ; Georges Lykoudi | Piano trio | composer | |
Columbia (U.K.) | WL838 | 10-in. | 1/7/1928 | Nocturne | Adolphe Frezin ; Fernand Goeyens ; Georges Lykoudi | Piano trio | composer | |
Columbia (U.K.) | WL863 | 10-in. | 1/20/1928 | Scenes alsaciennes : Au cabaret, 1re partie | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WL864 | 10-in. | 1/20/1928 | Comte Des Grieux | Élie Cohen ; Louis Guénot | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL865 | 10-in. | 1/21/1928 | Scenes alsaciennes : Dimanche matin, 1re partie | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WL866 | 10-in. | 1/21/1928 | Scenes alsaciennes : Dimanche matin, 2e partie | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WL867 | 10-in. | 1/21/1928 | Scenes alsaciennes : Au cabaret, 2e partie | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WL934 | 10-in. | 2/25/1928 | Larmes | Fernand Heurteur ; Dolorès de Silvera | Contralto vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/103068.
Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/103068.
"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Jules Massenet
Discogs: Jules Massenet
Allmusic: Jules Massenet
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RISM: Jules Massenet
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Britannica: Jules Massenet
Linked Open Data Sources
LCNAR: Massenet, Jules, 1842-1912 - http://id.loc.gov/authorities/names/n81023023
Wikidata: Jules Massenet - http://www.wikidata.org/entity/Q194436
VIAF: http://viaf.org/viaf/14959005
MusicBrainz: Jules Massenet - https://musicbrainz.org/artist/85d783d6-6795-4726-b817-9d83095ad7be
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