Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 451-475 of 638 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 19223 10-in. 5/29/1929 Thaïs : Meditation Albert Spalding Violin solo, with piano composer  
Edison N-475 10-in. 10/2/1928 Elegie Josef Adler ; Erna Rubinstein Violin solo, with piano composer  
Edison N-495 12-in. 10/10/1928 Il est doux, il est bon Florence Easton Soprano vocal solo, with orchestra composer  
Edison N-496 12-in. 10/10/1928 Un bel dì, vedremo Florence Easton Soprano vocal solo, with orchestra composer  
Edison N-927 12-in. 5/29/1929 Thaïs : Meditation André Benoist ; Albert Spalding Violin solo, with piano composer  
Gramophone CA2 12-in. 5/21/1921 O casto fior Mattia Battistini ; Carlo Sabajno Baritone vocal solo, with orchestra composer  
Gramophone Bb98 10-in. 4/26/1921 Pourquoi, me réveiller Dmitriĭ Alekseevich Smirnov Tenor vocal solo, with orchestra composer  
Gramophone 2D28 12-in. 1/16/1931 Manon : Fantasia Marek Weber Orchestra Jazz/dance band composer  
Gramophone 2D29 12-in. 1/16/1931 Manon : Fantasia Marek Weber Orchestra Jazz/dance band composer  
Gramophone 257L 10-in. 1902 Vision fugitive Polikarp Davidovich Orlov Baritone vocal solo, with piano composer  
Gramophone 263aj 12-in. 6/2/1911 Ah, non mi ridestar! Mattia Battistini Baritone vocal solo, with orchestra composer  
Gramophone 278aj 12-in. 6/6/1911 D’acqua aspergimi Mattia Battistini ; Attilia Janni Vocal duet (soprano and bariton), with orchestra composer  
Gramophone 369y 10-in. 2/10/1909 El cid Banda del Real Cuerpo de Guardias Alabarderos de Madrid Band composer  
Gramophone 716G[b] 10-in. 1901 Roi de Lahore : Air Maurice Renaud Baritone vocal solo, with piano composer  
Gramophone 722aj 12-in. 11/10/1913 Ah dispar vision Tito Schipa Tenor vocal solo, with orchestra composer  
Gramophone BM1107 10-in. 9/20/1929 Ah! non mi ridestar Antonio Cortis ; Carlo Sabajno ; Teatro alla Scala Orchestra Tenor vocal solo, with orchestra composer  
Gramophone 1285ah 10-in. 7/27/1911 Perchè tanto severo Ebe Boccolini Soprano vocal solo, with chorus and orchestra composer  
Gramophone 1358F[o] 10-in. 12/29/1902 Air de Chimehe Félia Litvinne Soprano vocal solo, with piano composer  
Gramophone 0B1402 10-in. 6/26/1931 O dolce incanto (O charming hour) John Barbirolli ; Beniamino Gigli Tenor vocal solo, with orchestra composer  
Gramophone 1495F[o] 10-in. 1903 Vision fugitive Jean Noté Baritone vocal solo composer  
Gramophone 1514c 12-in. 1908 Mi raccomando Federico Federici ; Elisa Tromben Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 1518½c 12-in. 1908 Manon, la catena Reno Andreini ; RiccardoTegani Vocal duet (tenor and baritone) and chorus, with orchestra composer  
Gramophone 1541c 12-in. 1908 Io son solo (I'm alone at last) Gino Giovanelli Tenor vocal solo, with orchestra composer  
Gramophone 1729ah 10-in. 1/20/1912 Escenas pintorescas no. 2 Banda del Real Cuerpo de Guardias Alabarderos de Madrid Band composer  
Gramophone CR2027 12-in. 5/21/1928 Hérodiade—Ballet, no. 4 : Les Phéniciennes Eugene Goossens ; New Symphony Orchestra of London Orchestra composer  
(Results 451-475 of 638 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod1.library.ucsb.edu/names/103068

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