Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 401-425 of 638 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 1386 10-in. Feb. 1913 Ouvre tes yeux bleus Constance Drever Soprano vocal solo, with orchestra composer  
Edison 1415 10-in. May 1913 Je suis encore tout étourdie Marguerite Sylva Soprano vocal solo, with orchestra composer  
Edison 2324 10-in. 6/10/1913 Méditation Reed orchestra (unidentified; Edison Records) Reed orchestra composer  
Edison 2379 10-in. 7/18/1913 Méditation Hans Kronold Cello solo, with piano composer  
Edison 2394 10-in. 7/24/1913 Méditation André Benoist ; Albert Spalding Violin solo, with piano composer  
Edison 2595 10-in. 11/28/1913 Vision fugitive Artists vary Bass vocal solo, with orchestra composer  
Edison 2759 10-in. Nov. 1913 O casto fior del mio sospir Fritz Feinhals Baritone vocal solo, with orchestra composer  
Edison 2770 10-in. Dec. 1913 Voyons Manon, plus de chimères Aino Ackté Soprano vocal solo,with orchestra composer  
Edison 2839 10-in. Feb. 1914 Open thy blue eyes Lillian Wiesike Soprano vocal solo, with orchestra composer  
Edison 3417 10-in. Nov. 1914 Meditation Orchestra (unidentified; Edison Records) Orchestra composer  
Edison 3423 10-in. Nov. 1914 Elégie Helen Stanley Soprano vocal solo, with orchestra composer  
Edison 3489 10-in. between 12/29/1914 and 12/31/1914 Danse sacrée Trio de Lutece Instrumental trio composer  
Edison 3762 10-in. 5/7/1915 Meditation André Benoist ; Albert Spalding Violin solo, with piano composer  
Edison 3873 10-in. 6/14/1915 Elégie Bruno Steindel Cello solo, with orchestra composer  
Edison 3963 10-in. 7/14/1915 Pleurez! Pleurez, mes yeux! Julia Heinrich Soprano vocal solo, with orchestra composer  
Edison 4783 10-in. 6/12/1916 Te souvient-il Arthur Middleton ; Alice Verlet Vocal duet (soprano and baritone), with orchestra composer  
Edison 4844 10-in. 7/5/1916 Promesse de mon avenir Orphée Langevin Baritone vocal solo, with orchestra composer  
Edison 5065 10-in. 10/11/1916 Oui, dans le bois Yvonne de Tréville Soprano vocal solo, with orchestra composer  
Edison 5067 10-in. 10/11/1916 Obeissons quand leur voix appelle Alice Verlet Soprano vocal solo, with orchestra composer  
Edison 5464 10-in. 3/21/1917 Elegie Guido Ciccolini Tenor vocal solo, with orchestra composer  
Edison 5556 10-in. 5/11/1917 Gavotte Blanche Skrainka Soprano vocal solo, with orchestra composer  
Edison 5883 10-in. 11/15/1917 Phedre overture American Symphony Orchestra Orchestra composer  
Edison 5884 10-in. 11/15/1917 Phedre overture American Symphony Orchestra Orchestra composer  
Edison 5912 10-in. 12/6/1917 Meditation Robert Gayler ; Irma Seydel Violin solo, with piano composer  
Edison 6052 10-in. March 1918 Elégie Marie Tiffany Soprano vocal solo, with orchestra composer  
(Results 401-425 of 638 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed October 6, 2024, https://adpprod1.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved October 6, 2024, from https://adpprod1.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 6 October 2024.

DAHR Persistent Identifier

URI: https://adpprod1.library.ucsb.edu/names/103068

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