George Frideric Handel

George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven.

Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)

Date Range of DAHR Recordings: 1898 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 376-400 of 475 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Brunswick DB116 10-in. 10/30/1928 Care selve Miss [?] Fearnley Female vocal solo, with piano composer  
Brunswick DB158 10-in. 11/22/1928 While shepherds watched their flocks by night Cavendish Choir Vocal chorus, with organ composer  
Brunswick 231½bg 10-in. 1926 Larghetto Erica Morini Violin solo, with piano composer  
Brunswick 906½bm 12-in. 1928 Dank sei dir, Herr Emmi Leisner Contralto vocal solo, with organ and orchestra. composer  
Brunswick 934½bm 12-in. 1928 Xerxes : Largo and recitative Emmi Leisner Contralto vocal solo, with orchestra composer  
Brunswick 1494bm 12-in. Dec. 1928 Il pensioroso : Aria Manfred Gurlitt ; Gabrielle Ritter-Ciampi Soprano vocal solo, with orchestra composer  
Brunswick [Br (U.K.) cat 20074-a] 12-in. approximately Sept. 1928 O Lord whose mercies Master Frederick Firth Male vocal solo, with organ composer  
Edison 810 Not documented 9/28/1911 Trust in the Lord Nevada Van der Veer Contralto vocal solo, with orchestra composer  
Edison 1249 10-in. Sept. 1912 Largo String orchestra (unidentified; Edison Records) String orchestra composer  
Edison 1330 10-in. 11/4/1912 Largo American Symphony Orchestra Orchestra composer  
Edison 3078 10-in. May-June 1914 Ah! Let me weep, Lord Adelaide Fischer Soprano vocal solo, with orchestra composer  
Edison 3205 10-in. July 1914 Largo von Handel Emmi Leisner Contralto vocal solo, with orchestra composer  
Edison 3336 10-in. between 10/3/1914 and 10/8/1914 Leave me to languish Adelaide Fischer Contralto vocal solo, with orchestra composer  
Edison 3723 10-in. 4/21/1915 Why do the nations Arthur Middleton Tenor vocal solo, with orchestra composer  
Edison 3995 10-in. 7/21/1915 Comfort ye, my people Reed Miller Tenor vocal solo, with orchestra composer  
Edison 4002 10-in. 7/22/1915 Ev'ry valley shall be exalted Reed Miller Tenor vocal solo, with orchestra composer  
Edison 4126 10-in. 9/17/1915 There were shepherds Anita Rio ; Vocal chorus (unidentified; Edison) Soprano vocal solo and vocal chorus, with orchestra composer  
Edison 4130 10-in. 9/20/1915 Largo American Symphony Orchestra Orchestra composer  
Edison 4143 10-in. 9/24/1915 Hallelujah chorus Sodero's Band Band, with male vocal ensemble composer  
Edison 4300 10-in. 11/29/1915 I know that my Redeemer liveth Julia Heinrich Soprano vocal solo, with orchestra composer  
Edison 4336 10-in. 12/13/1915 He shall feed His flock Christine Miller Contralto vocal solo, with orchestra composer  
Edison 4433 10-in. 1/19/1916 Hallelujah chorus Oratorio Chorus Mixed vocal chorus, with orchestra composer  
Edison 4435 10-in. 1/20/1916 Why do the nations Arthur Middleton Tenor vocal solo, with orchestra composer  
Edison 4438 10-in. 1/21/1916 The trumpet shall sound Arthur Middleton Baritone vocal solo, with orchestra composer  
Edison 4502 10-in. 2/16/1916 Where'er you walk Redferne Hollinshead Tenor vocal solo, with orchestra composer  
(Results 376-400 of 475 records)

Citation

Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/102593.

Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/102593.

"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod1.library.ucsb.edu/names/102593

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