George Frideric Handel
George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey. Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven. |
Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)
Date Range of DAHR Recordings: 1898 - 1951
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 326-350 of 475 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia | 74221 | 12-in. | 12/13/1920 | Water music suite : Allegro | Hallé Orchestra ; Hamilton Harty | Orchestra | composer | |
Columbia | 74222 | 12-in. | 4/20/1922 | Water music suite : Air | Hallé Orchestra ; Hamilton Harty | Orchestra | composer | |
Columbia | 74223 | 12-in. | 12/13/1920 | Water music suite : Hornpipe | Hallé Orchestra ; Hamilton Harty | Orchestra | composer | |
Columbia | 74224 | 12-in. | 10/20/1921 | Water music suite : Allegro deciso | Hallé Orchestra ; Hamilton Harty | Orchestra | composer | |
Columbia | 75181 | 12-in. | 9/12/1922 | The trumpet shall sound | Norman Allin | Bass vocal solo, with orchestra | composer | |
Columbia | 75182 | 12-in. | 9/12/1922 | The people that walked in darkness | Norman Allin | Bass vocal solo, with orchestra | composer | |
Columbia | 75189 | 12-in. | 9/19/1922 | Comfort ye my people | Albert W. Ketelbey ; Frank Mullings | Male vocal solo, with orchestra | composer | |
Columbia | 75190 | 12-in. | 9/19/1922 | Every valley shall be exalted | Albert W. Ketelbey ; Frank Mullings | Male vocal solo, with orchestra | composer | |
Columbia | 75191 | 12-in. | 9/21/1922 | Why do the nations? | Norman Allin ; Albert W. Ketelbey | Bass vocal solo, with orchestra | composer | |
Columbia | 75192 | 12-in. | 9/21/1922 | But who may abide the day of his coming? | Norman Allin ; Albert W. Ketelbey | Bass vocal solo, with orchestra | composer | |
Columbia | 75206 | 12-in. | 11/2/1922 | O thou that tellest | Carrie Herwin ; Albert W. Ketelbey | Female vocal solo, with orchestra | composer | |
Columbia | 75207 | 12-in. | 11/2/1922 | He was despised | Carrie Herwin ; Albert W. Ketelbey | Female vocal solo, with orchestra | composer | |
Columbia | 75360 | 12-in. | approximately 1917 | Where'er you walk | Gervase Elwes ; Frederick B. Kiddle | Male vocal solo, with piano | composer | |
Columbia | 75851 | 12-in. | approximately 1917 | Xerxes : Largo | Hamilton Harty ; W. H. Squire | Cello solo, with piano | composer | |
Columbia | 76072 | 12-in. | approximately 1918 | Honour and arms | Norman Allin | Bass vocal solo, with orchestra | composer | |
Columbia | 76341 | 12-in. | approximately 1919 | I rage I melt; O ruddier than the cherry | Norman Allin | Bass vocal solo, with orchestra | composer | |
Columbia | 76447 | 12-in. | approximately 5/5/1919 | Deeper and deeper still | Hamilton Harty ; Frank Mullings | Male vocal duet, with orchestra | composer | |
Columbia | 76448 | 12-in. | approximately 5/5/1919 | Where 'er you walk | Hamilton Harty ; Frank Mullings | Male vocal duet, with orchestra | composer | |
Columbia | 90275 | 10-in. | approximately 1921 | Pastoral symphony | Columbia Miniature Orchestra | Orchestra | composer | |
OKeh | 147 | 10-in. | ca. May 1918 | Larghetto | Vladimir Dubinsky | Cello solo, with piano | composer | |
Brunswick | [Br cat 5225-b] | 10-in. | approximately May 1918 | Handel's Largo | W. Durieux | Cello solo | composer | |
Brunswick | X9830 | 12-in. | approximately Feb. 1923 | Oh, sleep! Why dost thou leave me? | Marie Tiffany | Soprano vocal solo, with orchestra | composer | |
Brunswick | 4509-4511 | 10-in. | approximately Nov. 1920 | Joy to the world | Collegiate Choir | Mixed vocal chorus, with orchestra | composer | |
Brunswick | 6447-6450 | 10-in. | approximately Sept. 1921 | While shepherds watched | All Soul's Choir | Mixed vocal chorus, with orchestra | composer | |
Brunswick | 7862-7863 | 10-in. | approximately Apr. 1922 | Angels ever bright and fair | Irene Williams | Female vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/102593.
Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/102593.
"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: George Frideric Handel
Discogs: George Frideric Handel
Allmusic: George Frideric Handel
Apple Music: George Frideric Handel
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RILM: George Frideric Handel
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Britannica: George Frideric Handel
Linked Open Data Sources
LCNAR: Handel, George Frideric, 1685-1759 - http://id.loc.gov/authorities/names/n79129204
Wikidata: George Frideric Handel - http://www.wikidata.org/entity/Q7302
VIAF: http://viaf.org/viaf/5126950
MusicBrainz: George Frideric Handel - https://musicbrainz.org/artist/27870d47-bb98-42d1-bf2b-c7e972e6befc
Getty ULAN: Handel, George Frideric - http://vocab.getty.edu/ulan/500449411
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