George Frideric Handel

George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven.

Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)

Date Range of DAHR Recordings: 1898 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 251-275 of 475 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 77484 10-in. 11/2/1917 Angels ever bright and fair Alfred Jack McGuire Male vocal solo composer  
Columbia 78109 10-in. 10/10/1918 Largo Trio de Lutece Instrumental trio composer  
Columbia 80489 10-in. 8/2/1922 Eastern intermezzo Percy Grainger Piano solo composer  
Columbia 80994 10-in. 4/27/1923 O sleep, why dost thou leave me? Cyrena Van Gordon Contralto vocal solo, with orchestra composer  
Columbia 81572 10-in. 2/16/1924 Minuet Pablo Casals Cello solo, with piano composer  
Columbia 81588 10-in. 2/27/1924 Water music : Hornpipe Percy Grainger Piano solo composer  
Columbia 81623 10-in. 3/17/1924 What's sweeter than a new blown rose? Florence Macbeth Soprano vocal solo, with orchestra composer  
Columbia 30186 12-in. 10/23/1908 Largo von Händel Victor E. Sorlin Cello solo, with piano composer  
Columbia 30211 12-in. 8/7/1907 O, ruddier than the cherry David Scull Bispham Baritone vocal solo, with orchestra composer  
Columbia 30219 12-in. between January and May 1909 Where'er you walk David Scull Bispham Baritone vocal solo, with orchestra composer  
Columbia 30252 12-in. ca. Jan.-Aug. 1909 Le printemps Lillian Blauvelt Soprano vocal solo, with piano composer  
Columbia 30255 12-in. ca. 1909 Rejoice greatly Lillian Blauvelt Soprano vocal solo composer  
Columbia 30316 12-in. 11/6/1909 Dead march Prince's Band Band composer  
Columbia 30544 12-in. 10/4/1910 Honor and arms David Scull Bispham Baritone vocal solo, with orchestra composer  
Columbia 30545 12-in. 10/4/1910 Why do the nations? David Scull Bispham Baritone vocal solo, with orchestra composer  
Columbia 30672 12-in. 2/9/1911 He shall feed his flock Margaret Keyes Contralto vocal solo, with orchestra composer  
Columbia 30826 12-in. ca. Jan.-Nov. 1911 Hallelujah chorus Columbia Oratorio Chorus Vocal chorus, with orchestra composer  
Columbia 30840 12-in. 9/6/1911 Ombra mai fu Rosa Olitzka Contralto vocal solo, with orchestra composer  
Columbia 30912 12-in. ca. 1911 Hallelujah chorus Creatore's Band Band composer  
Columbia 30929 12-in. ca. 1911 And the glory of the Lord Oratorio Society of New York Vocal chorus composer  
Columbia 30982 12-in. ca. Jan.-Oct. 1912 Ombra mai fu Alexander Heinemann Male vocal solo, with violin, harp, and organ composer  
Columbia 36443 12-in. 9/10/1912 And the glory of the Lord Columbia Oratorio Chorus Mixed vocal chorus, with orchestra composer  
Columbia 36492 12-in. 11/18/1912 Rejoice greatly, O daughter of Zion Walter Lawrence Boy soprano vocal solo, with orchestra composer  
Columbia 36759 12-in. 7/11/1913 Come unto him Walter Lawrence Boy soprano vocal solo, with orchestra composer  
Columbia 36781 12-in. ca. 1913 Comfort ye, my people Reed Miller Tenor vocal solo, with orchestra composer  
(Results 251-275 of 475 records)

Citation

Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/102593.

Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/102593.

"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod1.library.ucsb.edu/names/102593

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