Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father, Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812). After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 1-25 of 1023 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | [Pre-matrix D-]2010 | 14-in. | 1903 | Egmont overture | Victor Symphony Orchestra | Orchestra | composer | |
Victor | B-1868 | 10-in. | 11/1/1904 | Die Ehres Gottes aus der Natur | Dr. Jul Hoffman | Male vocal solo, with piano | composer | |
Victor | C-3419 | 12-in. | 5/28/1906 | Egmont overture | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-4252 | 12-in. | 2/13/1907 | Egmont overture | Victor Symphony Orchestra | Orchestra | composer | |
Victor | C-6019 | 12-in. | 3/6/1908 | In questa tomba oscura | Emma Calvé | Soprano vocal solo, with piano | composer | |
Victor | C-6375 | 12-in. | 8/31/1908 | Adelaide | Evan Williams | Tenor vocal solo, with orchestra | composer | |
Victor | B-7002 | 10-in. | 4/16/1909 | German melodies : The tear ; Worship of God | Victor Brass Quartet | Brass quartet | composer | |
Victor | B-8802 | 10-in. | 4/6/1910 | Minuet in G, no. 2 | Mischa Elman | Violin solo, with piano | composer | |
Victor | C-8870 | 12-in. | 4/20/1910 | Leonore overture, no. 3 | Arthur Pryor's Band | Band | composer | |
Victor | B-9837 | 10-in. | 1/23/1911 | Ha! Welch ein Augenblick | Otto Goritz | Baritone vocal solo, with orchestra | composer | |
Victor | C-10205 | 12-in. | 4/7/1911 | Moonlight sonata : First movement | Vessella's Italian Band | Band | composer | |
Victor | B-10979 | 10-in. | 9/18/1911 | In questa tomba oscura | Herbert Witherspoon | Bass vocal solo, with orchestra | composer | |
Victor | C-11056 | 12-in. | 10/4/1911 | Die ehre Gottes aus der Natur | Albert G. Janpolski | Baritone vocal solo, with orchestra | composer | |
Victor | B-11633 | 10-in. | 2/28/1912 | Die Ehre Gottes aus der Natur | Arthur Van Eweyk | Male vocal solo, with piano | composer | |
Victor | B-11641 | 10-in. | 2/28/1912 | Unglückliche Liebe | Arthur Van Eweyk | Male vocal solo, with piano | composer | |
Victor | C-11788 | 12-in. | 3/25/1912 | Arie der Lenore | Margarete Matzenauer | Soprano vocal solo, with orchestra | composer | |
Victor | B-11789 | 10-in. | 3/25/1912 | Arie der Lenore | Margarete Matzenauer | Soprano vocal solo, with orchestra | composer | |
Victor | C-12451 | 12-in. | 10/2/1912 | Adagio from 5th concerto, op. 73 | Frank La Forge | Piano solo, with orchestra | composer | |
Victor | B-12561 | 10-in. | 11/4/1912 | Ich liebe dich | Frances Alda ; Victor Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | C-12600 | 12-in. | 11/8/1912 | Adagio from Fourth symphony | Vessella's Italian Band | Band | composer | |
Victor | C-12610 | 12-in. | 11/13/1912 | Leonore overture, no. 3 | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-12611 | 12-in. | 11/13/1912 | Leonore overture, no. 3 | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-12612 | 12-in. | 11/13/1912 | Leonore overture, no. 3 | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-12726 | 12-in. | 12/17/1912 | Andante from Beethoven's 5th symphony | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-13194 | 10-in. | 4/24/1913 | Sonatine (for mandolin) | William Place, Jr. | Mandolin solo, with piano | composer |
Citation
Discography of American Historical Recordings, s.v. "Beethoven, Ludwig van," accessed November 21, 2024, https://adpprod1.library.ucsb.edu/names/102527.
Beethoven, Ludwig van. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod1.library.ucsb.edu/names/102527.
"Beethoven, Ludwig van." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Ludwig van Beethoven
Discogs: Ludwig van Beethoven
Allmusic: Ludwig van Beethoven
Apple Music: Ludwig van Beethoven
Grove: Ludwig van Beethoven
IMSLP: Ludwig van Beethoven
RILM: Ludwig van Beethoven
RISM: Ludwig van Beethoven
IMDb: Ludwig van Beethoven
Britannica: Ludwig van Beethoven
Linked Open Data Sources
LCNAR: Beethoven, Ludwig van, 1770-1827 - http://id.loc.gov/authorities/names/n79107741
Wikidata: Ludwig van Beethoven - http://www.wikidata.org/entity/Q255
VIAF: http://viaf.org/viaf/32182557
MusicBrainz: Ludwig van Beethoven - https://musicbrainz.org/artist/1f9df192-a621-4f54-8850-2c5373b7eac9
Getty ULAN: Beethoven, Ludwig van - http://vocab.getty.edu/ulan/500339269
Wikipedia content provided under the terms of the Creative Commons BY-SA license
Feedback
Send the Editors a message about this record.