Victor matrix BVE-62259. How come you do me, like you do? / Connecticut Yankees ; Rudy Vallée

TitleSource
How come you do me, like you do? (Primary title)Disc label
Blue fox trot (Title descriptor)Disc label
¿Por qué me tratas asi? (Parallel (translated) title)Disc label
Authors and ComposersNotes
Roy Bergere (songwriter)
Gene Austin (songwriter)
Composer information source: Disc label.
PersonnelNotes Hide Additional Titles
Rudy Vallée (vocalist : tenor vocal)
Connecticut Yankees (Musical group)
Rudy Vallée (director)
Rudy Vallée (instrumentalist : saxophone)
  • Description: Jazz/dance band, with male vocal solo
  • Instrumentation: 3 violins, bass, 4 saxophones, 2 trumpets, trombone, tuba, guitar, piano, and traps
  • Category: Instrumental with vocal refrain
  • Language: English
  • Master Size: 10-in.
Notes
Source(s): Rigler-Deutsch Index; Victor blue history card; trade catalog; Victor ledgers; disc.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
6/3/1930 New York, New York. 155 E. 24th St. Studio 1 Destroy
6/3/1930 New York, New York. 155 E. 24th St. Studio 2 Destroy
6/3/1930 New York, New York. 155 E. 24th St. Studio 3 Master Victor 22445 10-in.

Audio of this recording from the Internet Archive

Citation

Discography of American Historical Recordings, s.v. "Victor matrix BVE-62259. How come you do me, like you do? / Connecticut Yankees ; Rudy Vallée," accessed November 7, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/800031828/BVE-62259-How_come_you_do_me_like_you_do.

Victor matrix BVE-62259. How come you do me, like you do? / Connecticut Yankees ; Rudy Vallée. (2024). In Discography of American Historical Recordings. Retrieved November 7, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/800031828/BVE-62259-How_come_you_do_me_like_you_do.

"Victor matrix BVE-62259. How come you do me, like you do? / Connecticut Yankees ; Rudy Vallée." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 November 2024.

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