Victor matrix G-1849. Adiós, Buenos Aires / Orquesta Típica Eduardo Arolas
| Title | Source |
|---|---|
| Adiós, Buenos Aires (Primary title) | Victor catalog |
| Tango de despedida (Title descriptor) | Victor catalog |
| Authors and Composers | Notes |
| Eduardo Arolas (composer) | |
| Composer information source: BHC. | |
| Personnel | Notes Hide Additional Titles |
| Orquesta Típica Eduardo Arolas (Musical group) | |
| L. Ricardi (instrumentalist : piano) | |
| R. Tuegolo (instrumentalist : violin) | |
| C. Lombardo (instrumentalist : violin) | |
| Eduardo Arolas (instrumentalist : bandoneón) | |
| Eduardo Arolas (leader) | |
- Description: Instrumental quintet
- Instrumentation: Bandoneón, 2 violins, piano, and cello
- Category: Instrumental
- Marketing Genre: Spanish (Argentina)
- Master Size: 10-in.
| Notes |
|---|
| Source(s): Victor blue history card; trade catalog; Victor ledgers. |
| Victor ledgers for 4/23/1917 show Orquesta Tipica E. Arolas as comprising five instrumentalists, with names provided for all but the cellist. It is unclear whether the cellist participated in the later 1917 recording dates by this group. |
| Take Date and Place | Take | Status | Label Name/Number | Format | Note Hide Additional Titles |
|---|---|---|---|---|---|
| 4/23/1917 Buenos Aires, Argentina | 1 | Master | Victor 72607 | 10-in. |
Citation
Discography of American Historical Recordings, s.v. "Victor matrix G-1849. Adiós, Buenos Aires / Orquesta Típica Eduardo Arolas," accessed November 22, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/600001020/G-1849-Adis_Buenos_Aires.
Victor matrix G-1849. Adiós, Buenos Aires / Orquesta Típica Eduardo Arolas. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/600001020/G-1849-Adis_Buenos_Aires.
"Victor matrix G-1849. Adiós, Buenos Aires / Orquesta Típica Eduardo Arolas." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
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