Gramophone matrix 0PG1673. Adiós, mi chaparrita / Rico's Creole Band
Title | Source |
---|---|
Adiós, mi chaparrita (Primary title) | Disc label (Vi 32393) |
Son (Title descriptor) | Disc label (Vi 32393) |
Authors and Composers | Notes |
Tata Nacho (composer) | |
Composer information source: Disc label. | |
Personnel | Notes Hide Additional Titles |
Rico's Creole Band (Musical group) | |
Filiberto Rico (instrumentalist : clarinet) | |
Filiberto Rico (instrumentalist : flute) | |
Filiberto Rico (leader) | |
Abel Beauregard (instrumentalist : trumpet) | |
Orquesta Criolla de Rico (Musical group) | Listing on Victor 32393 for Rico's Creole Band. |
George Woolliscroft Deakin (recordist) |
- Description: Instrumental ensemble, with male vocal solo and male vocal duet
- Instrumentation: Bass, flute, clarinet, trumpet, guitar, piano, bongos, and chacha
- Category: Instrumental with vocal refrain
- Marketing Genre: Spanish
- Language: Spanish
- Master Size: 10-in.
Notes |
---|
Instrumentation and personnel is not confirmed. |
Source(s): Diaz (take date); Victor blue history card; disc. |
Take Date and Place | Take | Status | Label Name/Number | Format | Note Hide Additional Titles |
---|---|---|---|---|---|
6/18/1934 Paris, France | 1 | Master | Gramophone (France) K-7450 | 10-in. | |
6/18/1934 Paris, France | 1 | Master | Victor 32393 | 10-in. |
Citation
Discography of American Historical Recordings, s.v. "Gramophone matrix 0PG1673. Adiós, mi chaparrita / Rico's Creole Band," accessed November 7, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/1000002315/0PG1673-Adis_mi_chaparrita.
Gramophone matrix 0PG1673. Adiós, mi chaparrita / Rico's Creole Band. (2024). In Discography of American Historical Recordings. Retrieved November 7, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/1000002315/0PG1673-Adis_mi_chaparrita.
"Gramophone matrix 0PG1673. Adiós, mi chaparrita / Rico's Creole Band." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 November 2024.
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