Jules Massenet
Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries. Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné. By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque. |
Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)
Date Range of DAHR Recordings: 1901 - 1947
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 201-225 of 638 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | BS-011416 | 10-in. | 7/22/1937 | Gavotte : Obéissons, quand leur voix appelle | Frank Black ; Lucrezia Bori | Soprano vocal solo, with orchestra | composer | |
Victor | CS-011718 | 12-in. | 8/13/1937 | Manon | Frank Black ; Lucrezia Bori | Soprano vocal solo, with orchestra | composer | |
Victor | CS-014656 | 12-in. | 10/8/1937 | Ah! Fuyez, douce image | Richard Crooks ; Wilfrid Pelletier | Tenor vocal solo, with orchestra and electric organ | composer | |
Victor | BS-033735 | 10-in. | 2/16/1939 | Pourquoi me reveiller? | Richard Crooks ; Wilfrid Pelletier | Tenor vocal solo, with orchestra | composer | |
Victor | CS-048818 | 12-in. | 4/14/1940 | Angelus | Charles O'Connell ; Victor Symphony Orchestra | Orchestra | composer | |
Victor | CS-056449 | 12-in. | 10/7/1940 | Adieu, notre petite table | Grace Moore ; Wilfrid Pelletier ; Victor Symphony Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | CS-056450 | 12-in. | 10/7/1940 | Gavotte : Obéissons, quand leur voix appelle | Grace Moore ; Wilfrid Pelletier ; Victor Symphony Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | BS-060605 | 10-in. | 1/30/1941 | Elegie | Donald Lambert | Piano solo | composer | |
Victor | CS-071321 | 12-in. | 1/16/1942 | Elegie (Song of mourning) | Richard Crooks ; Charles O'Connell ; Victor Symphony Orchestra | Tenor vocal solo, with instrumental ensemble | composer | |
Victor | CS-075262 | 12-in. | 6/5/1942 | Il est doux, il est bon | Grace Moore ; Wilfrid Pelletier ; Victor Symphony Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | D7VB-3029 | 10-in. | 12/27/1947 | Whisper a word of love | Johnny Bradford ; Russ Case Orchestra | Male vocal solo, with instrumental ensemble | composer | |
Victor | D7RC-7124 | 12-in. | 1/14/1947 | Mort de Thaïs (Te souvient—il du lumineux voyage) | Dorothy Kirsten ; Robert Merrill ; Jean-Paul Morel ; RCA Victor Orchestra | Vocal duet (soprano and baritone), with orchestra | composer | |
Victor | CVE-Test-154 | 12-in. | 6/20/1928 | Ah, fuyez | Thomas Ifor | Male vocal solo, with piano | composer | |
Victor | BVE-Test-220 | 10-in. | 9/12/1928 | Hérodiade | Rachel Morton | Female vocal solo, with piano | composer | |
Victor | [Trial 1913-07-03-02] | Not documented | 7/3/1913 | Elegie | John Braun | Male vocal solo, with piano | composer | |
Victor | [Trial 1913-07-03-03] | Not documented | 7/3/1913 | Hear me | Harry Conwell | Male vocal solo, with piano | composer | |
Victor | [Trial 1917-11-08-02] | Not documented | 11/8/1917 | Thaïs : Meditation | Alexander Schmidt | Violin solo, with piano | composer | |
Victor | [Trial 1920-10-27-02] | Not documented | 10/27/1920 | Pleurez, mes yeux | Berthe Erza | Female vocal solo, with piano | composer | |
Columbia | 3138 | 10-in. | ca. Jan -Mar. 1906 | Recit...o' nature | Francisco Nuibo | Tenor vocal solo, with piano | composer | |
Columbia | 4059 | 10-in. | ca. Jan.-June 1909 | Chiudo gli occhi | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 4441 | 10-in. | ca. 1910 | Deh! Non mi ridestar | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 19755 | 10-in. | 2/8/1912 | L'amour est une vertu rare | Georgette Leblanc Maeterlinck | Soprano vocal solo, with orchestra | composer | |
Columbia | 19762 | 10-in. | 2/15/1912 | L'amour est une vertu rare | Zina Brozia | Soprano vocal solo, with orchestra | composer | |
Columbia | 19805 | 10-in. | 3/14/1912 | Gavotte | Alice Zeppilli | Female vocal solo, with orchestra | composer | |
Columbia | 19852 | 10-in. | 4/12/1912 | Je marche sur tous les chemins | Fély Dereyne | Soprano vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 21, 2024, https://adpprod1.library.ucsb.edu/names/103068.
Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod1.library.ucsb.edu/names/103068.
"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Jules Massenet
Discogs: Jules Massenet
Allmusic: Jules Massenet
Grove: Jules Massenet
IMSLP: Jules Massenet
RILM: Jules Massenet
RISM: Jules Massenet
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Britannica: Jules Massenet
Linked Open Data Sources
LCNAR: Massenet, Jules, 1842-1912 - http://id.loc.gov/authorities/names/n81023023
Wikidata: Jules Massenet - http://www.wikidata.org/entity/Q194436
VIAF: http://viaf.org/viaf/14959005
MusicBrainz: Jules Massenet - https://musicbrainz.org/artist/85d783d6-6795-4726-b817-9d83095ad7be
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