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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti. Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 451-475 of 617 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Gramophone | 904½c | 12-in. | approximately 1906 | O ciel di quest' alma | Giuseppe Acerbi ; Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich | Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 928c | 12-in. | approximately 1906 | Via da brava | Linda Brambilla ; Antonio Pini-Corsi ; Augusto Scipioni | Vocal trio (soprano, baritone, and bass), with orchestra | composer | |
Gramophone | 1189c | 12-in. | Spring 1907 | D'un guardo, un sorrisetto | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1198c | 12-in. | 1907 | Pronta io son | Ernesto Badini ; Josephina Huguet | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | BE1216 | 10-in. | 6/20/1923 | Non sai tu | Roberto D'Alessio ; Ezio Pinza | Vocal duet (tenor and bass), with orchestra | composer | |
Gramophone | 1389c | 12-in. | 1907 | Quando rapita in estasi | Graziella Pareto | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1390½c | 12-in. | 1907 | Rondo | Graziella Pareto | Soprano vocal solo, with flute and orchestra | composer | |
Gramophone | 1417c | 12-in. | October 1907 | Di pescatore ignobile | Francesco Marconi | Tenor vocal solo, with piano | composer | |
Gramophone | 1454c | 12-in. | May 1908 | Spargi d'amaro pianto | Maria Galvany | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1458c | 12-in. | May 1908 | Spirto gentil | Gennaro De Tura | Tenor vocal solo, with orchestra | composer | |
Gramophone | 1506½c | 12-in. | 1908 | So anch'io la virtù magica | Olimpia Boronat | Soprano vocal solo, with orchestra | composer | |
Gramophone | CF1580 | 12-in. | 3/10/1928 | Le ricchezze | Toti Dal Monte | Soprano vocal solo, with orchestra and male vocal chorus | composer | |
Gramophone | CF1581 | 12-in. | 3/10/1928 | Ciascun lo dice | Toti Dal Monte | Soprano vocal solo, with orchestra and male vocal chorus | composer | |
Gramophone | BK1819 | 10-in. | 12/17/1924 | Splendon piu belle | Ezio Pinza | Bass vocal solo, with orchestra | composer | |
Gramophone | 0W2038 | 10-in. | 10/4/1933 | Tornami a dir che m'ami | Toti Dal Monte ; Franco Ghione ; Tito Schipa ; Teatro alla Scala Orchestra | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 2176f | 12-in. | 12/20/1907 | Mad scene | Albert Fransella ; Luisa Tetrazzini | Soprano vocal solo, with orchestra and flute obbligato | composer | |
Gramophone | 02240v | 12-in. | 12/2/1911 | Salut à la France | Rose Heilbronner | Soprano vocal solo, with orchestra | composer | |
Gramophone | 02288v | 12-in. | 2/16/1912 | Chi mi frena | Vincenzo Bettoni ; Adelaide Di Anna ; Gino Giovanelli ; Gino Lussardi | Vocal sextet, with orchestra | composer | |
Gramophone | 02302v | 12-in. | 2/21/1912 | Ah paventa il furor | Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala | Vocal quartet, with chorus and orchestra | composer | |
Gramophone | 2309c | 12-in. | 8/26/1911 | Wohl drang aus ihrem Herzen | Otakár Mařák | Tenor vocal solo, with orchestra | composer | |
Gramophone | 2703b | 10-in. | 10/26/1902 | Sextette | Jan Kubelík | Violin solo, with piano | composer | |
Gramophone | 2843b | 10-in. | Nov. 1902 | Una vergine | Edoardo Garbin | Tenor vocal solo, with piano | composer | |
Gramophone | 2867L | 10-in. | 1905 | Lucia 'Mad scene' | M. A. Michailova | Soprano vocal solo, with flute obbligato | composer | |
Gramophone | 2894ah | 10-in. | 11/12/1913 | Tu che a Dio spiegasti l'ali | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Gramophone | 3077f | 12-in. | 5/25/1909 | Regnava nel silenzio | Luisa Tetrazzini | Soprano vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed September 5, 2024, https://adpprod1.library.ucsb.edu/names/102598.
Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved September 5, 2024, from https://adpprod1.library.ucsb.edu/names/102598.
"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 5 September 2024.
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External Sources
Wikipedia: Gaetano Donizetti
Discogs: Gaetano Donizetti
Allmusic: Gaetano Donizetti
IMSLP: Gaetano Donizetti
RILM: Gaetano Donizetti
RISM: Gaetano Donizetti
IMDb: Gaetano Donizetti
Britannica: Gaetano Donizetti
Linked Open Data Sources
LCNAR: Donizetti, Gaetano, 1797-1848 - http://id.loc.gov/authorities/names/n79132358
Wikidata: Gaetano Donizetti - http://www.wikidata.org/entity/Q101698
VIAF: http://viaf.org/viaf/74037336
MusicBrainz: Gaetano Donizetti - https://musicbrainz.org/artist/b8ecf204-6be8-4041-ab11-6d9971ea2711
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