Claude Debussy
(Achille) Claude Debussy (French: [aʃil klod dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande. Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include sets of 24 Préludes and 12 Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments. With early influences including Russian and Far Eastern music and works by Chopin, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years. |
Birth and Death Data: Born August 22, 1862 (Saint-Germain-en-Laye), Died March 25, 1918 (Paris)
Date Range of DAHR Recordings: 1909 - 1950
Roles Represented in DAHR: composer, orchestrator
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 251-275 of 361 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Gramophone | BFR390 | 10-in. | 3/16/1927 | Interlude (Act 2, scene 2) | Piero Coppola ; Orchestre symphonique du Gramophone | Orchestra | composer | |
Gramophone | BFR391 | 10-in. | 3/16/1927 | Interlude (Act 2, scene 3) | Piero Coppola ; Orchestre symphonique du Gramophone | Orchestra | composer | |
Gramophone | BFR392 | 10-in. | 3/16/1927 | Interlude (Act 3, scene 2) | Piero Coppola ; Orchestre symphonique du Gramophone | Orchestra | composer | |
Gramophone | BFR393 | 10-in. | 3/16/1927 | Interlude (Act 4, scene 2) | Piero Coppola ; Orchestre symphonique du Gramophone | Orchestra | composer | |
Gramophone | CFR446 | 12-in. | 3/25/1927 | Vous ne savez pas | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano, and baritone), with orchestra | composer | |
Gramophone | CFR447 | 12-in. | 3/25/1927 | C'est au bord d'une fontaine | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | CFR448 | 12-in. | 3/25/1927 | Il fait beau cette nuit | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | CFR449 | 12-in. | 3/25/1927 | Je les tiens dans les mains | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | CFR450 | 12-in. | 3/30/1927 | Ah! je respire enfin! | Piero Coppola ; Orchestre du Théâtre national de l’opéra-comique (Paris, France) ; Charles Panzéra | Baritone vocal solo, with orchestra | composer | |
Gramophone | CFR451 | 12-in. | 3/30/1927 | Nous sommes venus ici | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano, and baritone), with orchestra | composer | |
Gramophone | CFR452 | 12-in. | 3/30/1927 | Quel est ce bruit? On ferme les portes | Yvonne Brothier ; Piero Coppola ; Charles Panzéra | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | CFR471 | 12-in. | 3/31/1927 | Maintenant que le père de Pelléas est sauvé | Piero Coppola ; Willy Tubiana | Bass-baritone vocal solo, with orchestra | composer | |
Gramophone | 0B867 | 10-in. | 5/12/1931 | Dancing virgins of Delphi | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B868 | 10-in. | 5/12/1931 | Voiles | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B869 | 10-in. | 5/12/1931 | La vent dans la plaine | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B870 | 10-in. | 5/12/1931 | Le sons et led parfums tournent dans l'aire du soir | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B871 | 10-in. | 5/12/1931 | Collines d'Anacapri | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B872 | 10-in. | 5/12/1931 | Des pas sur la niege | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B873 | 10-in. | 5/12/1931 | Ce qu'a vu le vent de l'quest | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B875 | 10-in. | 05/13/1931 | La sérénade interrompue | Alfred Cortot | Piano solo | composer | |
Gramophone | 0B878 | 10-in. | 5/13/1931 | Minstrels | Alfred Cortot | Piano solo | composer | |
Gramophone | 0G985 | 10-in. | 7/2/1931 | La fille aux cheveux de lin | Alfred Cortot | Piano solo | composer | |
Gramophone | 2PG188 | 12-in. | 10/25/1932 | La mer, part 5 | Piero Coppola ; Orchestre de la Société des concerts du Conservatoire | Orchestra | composer | |
Gramophone | 2PG189 | 12-in. | 10/25/1932 | La mer, part 6 | Piero Coppola ; Orchestre de la Société des concerts du Conservatoire | Orchestra | composer | |
Gramophone | 2PG190 | 12-in. | 10/25/1932 | La mer, part 1 | Piero Coppola ; Orchestre de la Société des concerts du Conservatoire | Orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Debussy, Claude," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/names/102597.
Debussy, Claude. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/names/102597.
"Debussy, Claude." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Claude Debussy
Discogs: Claude Debussy
Allmusic: Claude Debussy
Apple Music: Claude Debussy
Grove: Claude Debussy
IMSLP: Claude Debussy
RILM: Claude Debussy
RISM: Claude Debussy
IMDb: Claude Debussy
Britannica: Claude Debussy
Linked Open Data Sources
LCNAR: Debussy, Claude, 1862-1918 - http://id.loc.gov/authorities/names/n79132137
Wikidata: Claude Debussy - http://www.wikidata.org/entity/Q4700
VIAF: http://viaf.org/viaf/6219636
MusicBrainz: Claude Debussy - https://musicbrainz.org/artist/be50643c-0377-4968-b48c-47e06b2e2a3b
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