Richard Wagner
Wilhelm Richard Wagner ( VAHG-nər; German: [ˈʁɪçaʁt ˈvaːɡnɐ] (listen); 22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg). Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment – particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 1151-1175 of 1208 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia (U.K.) | CAX8245 | 12-in. | 6/21/1938 | Preislied-Morgenlich leuchtend im rosigen Schien | Walter Goehr ; Charles Kullman | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | CAX8246 | 12-in. | 6/21/1938 | Gralserzählung-In Fernen [sic] Land | Walter Goehr ; Charles Kullman | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WA10378 | 10-in. | between March and May 1930 | Bridal march | Quentin M. Maclean | Organ solo | composer | |
Columbia (U.K.) | WBX90 | 12-in. | January-May 1927 | Prova maggior | Francesco Merli | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX461 | 12-in. | 1/19/1929 | Coro delle corporazione | Teatro alla Scala Coro ; Teatro alla Scala Orchestra | Chorus, with orchestra | composer | |
Columbia (U.K.) | WBX462 | 12-in. | 1/21/1929 | I maestri cantoir | Teatro alla Scala Coro ; Teatro alla Scala Orchestra | Chorus, with orchestra | composer | |
Columbia (U.K.) | WB1325 | 10-in. | April 1927 | O re del ciel | Tancredi Pasero | Bass vocal solo | composer | |
Columbia (U.K.) | WB1342 | 10-in. | April 1927 | Cigno fedel | Alexander Vesselovsky | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1641 | 10-in. | November 1927 | Aurette a cui si spesso | Maria Zamboni | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1701 | 10-in. | November 1927 | O re del ciel | Umberto Di Lelio | Bass vocal solo | composer | |
Columbia (U.K.) | WB1839 | 10-in. | 2/20/1928 | Mercè mercè | Dino Borgioli | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1877 | 10-in. | 3/28/1928 | Incantesimo del fuoco | Luigi Rossi-Morelli | Baritone vocal solo | composer | |
Columbia (U.K.) | WB1878 | 10-in. | 3/28/1928 | Quest'occhi tuoi | Luigi Rossi-Morelli | Baritone vocal solo | composer | |
Columbia (U.K.) | WB1925 | 10-in. | 4/28/1928 | Deh! Non t‘incantan | Giuseppe Borgatti | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB1936 | 10-in. | 5/1/1928 | Mercè mercè | Ettore Parmeggiani | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1942 | 10-in. | 5/2/1928 | Canto della primavera | Ettore Parmeggiani | Tenor vocal solo | composer | |
Columbia (U.K.) | WB2490 | 10-in. | January-July 1929 | Walkiria : Canto della primavera | Isidoro de Fagoaga | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2513 | 10-in. | approximately 1929 | Allorché tu | Enrico Molinari | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2515 | 10-in. | approximately 1929 | O tu bell'astro | Enrico Molinari | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2589 | 10-in. | January-July 1929 | Canto della primavera | Giuseppe Borgatti | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2657 | 10-in. | January-July 1929 | Sola nei miei prìmi anni | Maria Zamboni | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2703 | 10-in. | between January and July 1929 | Racconto | Ettore Parmeggiani | Tenor vocal solo | composer | |
Columbia (U.K.) | WB2706 | 10-in. | between January and July 1929 | Deh! non ti incantan | Ettore Parmeggiani | Tenor vocal solo | composer | |
Columbia (U.K.) | WB3608 | 10-in. | 1/3/1930 | Sola nè miei prim'anni | Maria Caniglia | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB3610 | 10-in. | 1/3/1930 | Aurette a cui sì spesso | Maria Caniglia | Soprano vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Wagner, Richard," accessed October 14, 2024, https://adpprod1.library.ucsb.edu/names/102472.
Wagner, Richard. (2024). In Discography of American Historical Recordings. Retrieved October 14, 2024, from https://adpprod1.library.ucsb.edu/names/102472.
"Wagner, Richard." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 14 October 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Richard Wagner
Discogs: Richard Wagner
Allmusic: Richard Wagner
Apple Music: Richard Wagner
Grove: Richard Wagner
IMSLP: Richard Wagner
RISM: Richard Wagner
IMDb: Richard Wagner
Britannica: Richard Wagner
Linked Open Data Sources
LCNAR: Wagner, Richard, 1813-1883 - http://id.loc.gov/authorities/names/n79089831
Wikidata: Richard Wagner - http://www.wikidata.org/entity/Q1511
VIAF: http://viaf.org/viaf/29732107
MusicBrainz: Richard Wagner - https://musicbrainz.org/artist/eefd7c1e-abcf-4ccc-ba60-0fd435c9061f
Getty ULAN: Wagner, Richard - http://vocab.getty.edu/ulan/500223295
Wikipedia content provided under the terms of the Creative Commons BY-SA license
Feedback
Send the Editors a message about this record.