Jorge Anckermann
Jorge Anckermann (22 March 1877 – 3 February 1941) was a Cuban pianist, composer and bandleader. Havana-born, he started in music at eight with his father. At age ten he was able to substitute in a trio. In 1892, he went to Mexico as musical director of the bufo company of Nachos Lopez, visiting various Mexican states, and touring California. Anckermann lived in Mexico City for a number of years, teaching music. In Cuba, he was for many years the musical director of leading theatres. He composed and produced pieces for zarzuelas, reviews and comedies. He also composed boleros, and was apparently the originator of the guajira. The grand theatre Alhambra was the scene of his greatest hits, such as La isla de cotorras. Famous pieces include El arroyo que murmura; El quitrín; Flor de Yumurí; Un bolero en la noche. His father, Carlos Anckermann, and his brother, Fernando Anckermann, were also prominent composers and musicians. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 51-75 of 83 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia | 82215 | 10-in. | approximately 1918 | Cuba aliada : Punto cubano | Antonio Carbonero ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82220 | 10-in. | either 1917 or 1918 | Congos de luvine : Diálogo y rumba | Sergio Acebal ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82221 | 10-in. | either 1917 or 1918 | Los estibadores : Diálogo y rumba | Sergio Acebal ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82222 | 10-in. | either 1917 or 1918 | El postrero adiós : Canción | Sergio Acebal ; Luz Gil | Vocal duet with orchestra | composer | |
Columbia | 82280 | 10-in. | approximately 1918 | Se vá la conga : Diálogo y rumba | Francisco ("Pancho") Bas ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82281 | 10-in. | approximately 1918 | La mulata sabrosona : Diálogo y rumba | Mariano Fernández ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82282 | 10-in. | approximately 1918 | La mulata es como el pan : Diálogo y rumba | Mariano Fernández ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82283 | 10-in. | approximately 1918 | La prieta santa : Diálogo y rumba | Luz Gil ; Carlos Zarzo | Vocal duet, with orchestra | composer | |
Columbia | 82286 | 10-in. | approximately 1918 | La chambelona : Diálogo y rumba | Mariano Fernández ; Luz Gil | Vocal duet, with orchestra | composer | |
Columbia | 82745 | 10-in. | 1919 | Te quiero siempre : Canción | Trío Villalón | Male vocal solo, with guitar | composer | |
Columbia | 82746 | 10-in. | 1919 | Cruel amor : Canción | Trío Villalón | Male vocal solo, with guitar | composer | |
Columbia | 93042 | 10-in. | approximately September 1920 | La república griega | Orquesta Francesa de Antonio Romeu | Instrumental ensemble | composer | |
Columbia | 93536 | 10-in. | approximately August 1923 | La isla de las cotorras | Orquesta del Teatro Alhambra | Instrumental ensemble | composer | |
Columbia | 93537 | 10-in. | approximately August 1923 | La carretera central | Orquesta del Teatro Alhambra | Instrumental ensemble | composer | |
Columbia | W95967 | 10-in. | October 1927 | Dí si me quieres : Clave | Cruz, Bienvenido y Villalon | Vocal duet, with guitar | composer | |
Columbia | W95968 | 10-in. | 1927 | Carmela | Juan De la Cruz ; Bienvenido León | Male vocal duet, with guitar | composer | |
Columbia | W96114 | 10-in. | early 1928 | Eva | Orquesta del Teatro Alhambra | Instrumental ensemble | composer | |
Columbia | W96117 | 10-in. | early 1928 | Remajea que me voy tumbando | Orquesta del Teatro Alhambra | Instrumental ensemble | composer | |
Columbia | S96231 | 10-in. | approximately 1927 | Marisa o raìscame aquiì : Son | Sexteto Nacional | Instrumental ensemble | composer | |
Columbia | W96822 | 10-in. | October 1928 | El país las botellas | Orquesta Típica Criolla | Instrumental ensemble | composer | |
Columbia | W97176 | 10-in. | May 1929 | Notas de mi son : Son | María Cervantes | Female vocal solo, with piano | composer | |
Columbia | W97179 | 10-in. | May 1929 | Capitolio : Punto Cubano | María Cervantes | Female vocal solo, with piano | composer | |
Columbia | W97201 | 10-in. | June 1929 | Marita : Bolero | María Cervantes | Female vocal solo, with piano | composer | |
Columbia | W97211 | 10-in. | June 1929 | Para ti | María Cervantes | Female vocal solo, with piano | composer | |
Columbia | W97333 | 10-in. | July 1929 | Negra mandinga : Tango congo | Rita Montaner | Female vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Anckermann, Jorge," accessed September 14, 2024, https://adpprod1.library.ucsb.edu/names/101314.
Anckermann, Jorge. (2024). In Discography of American Historical Recordings. Retrieved September 14, 2024, from https://adpprod1.library.ucsb.edu/names/101314.
"Anckermann, Jorge." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 14 September 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Anckermann, Jorge - http://id.loc.gov/authorities/names/n2008063413
Wikidata: Jorge Anckermann - http://www.wikidata.org/entity/Q6277653
VIAF: http://viaf.org/viaf/229665031
MusicBrainz: Jorge Anckermann - https://musicbrainz.org/artist/7127d4a4-2d59-49e7-b7fa-bc3a46688b45
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