Thomas Andrew Dorsey
Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was an American musician, composer, and Christian evangelist influential in the development of early blues and 20th-century gospel music. He penned 3,000 songs, a third of them gospel, including "Take My Hand, Precious Lord" and "Peace in the Valley". Recordings of these sold millions of copies in both gospel and secular markets in the 20th century. Born in rural Georgia, Dorsey grew up in a religious family but gained most of his musical experience playing blues at barrelhouses and parties in Atlanta. He moved to Chicago and became a proficient composer and arranger of jazz and vaudeville just as blues was becoming popular. He gained fame accompanying blues belter Ma Rainey on tour and, billed as "Georgia Tom", joined with guitarist Tampa Red in a successful recording career. After a spiritual awakening, Dorsey began concentrating on writing and arranging religious music. Aside from the lyrics, he saw no real distinction between blues and church music, and viewed songs as a supplement to spoken word preaching. Dorsey served as the music director at Chicago's Pilgrim Baptist Church for 50 years, introducing musical improvisation and encouraging personal elements of participation such as clapping, stomping, and shouting in churches when these were widely condemned as unrefined and common. In 1932, he co-founded the National Convention of Gospel Choirs and Choruses, an organization dedicated to training musicians and singers from all over the U.S. that remains active. The first generation of gospel singers in the 20th century worked or trained with Dorsey: Sallie Martin, Mahalia Jackson, Roberta Martin, and James Cleveland, among others. Author Anthony Heilbut summarized Dorsey's influence by saying he "combined the good news of gospel with the bad news of blues". Called the "Father of Gospel Music" and often credited with creating it, Dorsey more accurately spawned a movement that popularized gospel blues throughout black churches in the United States, which in turn influenced American music and parts of society at large. |
Birth and Death Data: Born July 1, 1899 (Villa Rica), Died January 23, 1993 (Chicago)
Date Range of DAHR Recordings: 1923 - 1951
Roles Represented in DAHR: piano, vocalist, composer, songwriter, lyricist, arranger, speaker, whistling
Notes: Used pseudonyms Georgia Tom and Memphis Mose.
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 1-25 of 184 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | BVE-48619 | 10-in. | 11/23/1928 | It's tight like that | McKinney's Cotton Pickers | Jazz/dance band, with male vocal solo | songwriter | |
Victor | BVE-48755 | 10-in. | 12/14/1928 | Rolling mill stomp | State Street Stompers | Jazz/dance band, with male vocal solo | composer | |
Victor | BVE-48756 | 10-in. | 12/14/1928 | Panama blues | State Street Stompers | Jazz/dance band | speaker | |
Victor | BS-87037 | 10-in. | 12/11/1934 | I'll be home some day | Carter Family | Mixed vocal trio, with 2 guitars | composer | |
Victor | BS-99398 | 10-in. | 2/27/1936 | Red's tight like that | Tune Wranglers | String band, with male vocal solo and ensemble | songwriter | |
Victor | BS-028116 | 10-in. | 10/18/1938 | It's tight like that | Eddie De Lange Orchestra ; Phil Sillman | Jazz/dance band, with male vocal solo and vocal ensemble | songwriter | |
Victor | BS-032653 | 10-in. | 2/5/1939 | If you see my Saviour | Charlie Monroe’s Boys | Male vocal duet, with guitar and mandolin | lyricist, composer | |
Victor | E1VB-0103 | 10-in. | 1/9/1951 | I want to be more like Jesus | Carpenter Trio | Vocal trio, with piano | arranger | |
Columbia | 140064 | 10-in. | 9/30/1924 | Freight train blues | Clara Smith | Female vocal solo ("blues singer"), with instrumental trio | songwriter | |
Columbia | W147890 | 10-in. | 1/26/1929 | It's tight like that | Clara Smith | Female vocal solo ("blues singer"), with trombone and piano | songwriter | |
Columbia | 147945 | 10-in. | 2/8/1929 | It's tight like that | Lou Gold Orchestra ; Robert Wood | Jazz/dance band, with male vocal solo | songwriter | |
Columbia | RHCO4101 | 10-in. | 6/20/1950 | If you see my savior | Cumberland Mountain Folks ; Molly O'Day | String band, with female vocal solo | composer, lyricist | |
Columbia | CO45593 | 10-in. | March 1951 | Peace in the valley | Original Stamps Quartet | Male vocal quartet, with piano | composer, lyricist | |
OKeh | 8484 | 10-in. | October 1923 | Riverside blues | King Oliver’s Jazz Band | Jazz/dance band | composer | |
OKeh | 9789 | 10-in. | 6/25/1926 | That Creole band | Gut Bucket Five ; Albert Wynn | Jazz/dance band | composer | |
OKeh | S-71595 | 10-in. | June 1923 | I just want a daddy | Alice Carter | Female vocal solo, with piano | composer, lyricist | |
OKeh | S-72858 | 10-in. | Sept. 1924 | Eagle Rock me, papa | Clarence Williams’ Blue Five ; Sara Martin | Female vocal solo, with jazz/dance quintet | songwriter | |
OKeh | W401534 | 10-in. | 1/15/1929 | It's tight like that | Burning Eight ; Luis Russell | Jazz/dance band, with male vocal solo | songwriter | |
OKeh | W402204 | 10-in. | 12/11/1928 | (Honey) It's tight like that | Harry Jones ; Papa Too Sweet | Male vocal duet, with piano and guitar | instrumentalist, piano, songwriter | |
OKeh | W402205 | 10-in. | 12/11/1928 | Big fat mama | Papa Too Sweet | Male vocal solo, with guitar and piano | instrumentalist, piano | |
OKeh | W403307 | 10-in. | 11/15/1929 | Lonesome man blues | Sylvester Palmer | Male vocal solo, with piano | composer, lyricist | |
Brunswick | VO100 | 10-in. | 1/21/1931 | Do it some more | Georgia Tom ; Kansas City Kitty | Female-male vocal duet, with piano | vocalist, composer, lyricist | |
Brunswick | VO101 | 10-in. | 1/21/1931 | Knife man blues | Georgia Tom ; Kansas City Kitty | Female-male vocal duet, with piano | vocalist, composer, lyricist | |
Brunswick | VO114 | 10-in. | 2/6/1931 | New stranger's blues | Georgia Tom ; Tampa Red | Male vocal duet, with guitar and piano | vocalist, instrumentalist, piano, songwriter | |
Brunswick | VO115 | 10-in. | 2/6/1931 | Georgia hound blues | Tampa Red | Male vocal solo, with guitar and piano | instrumentalist, piano |
Citation
Discography of American Historical Recordings, s.v. "Dorsey, Thomas Andrew," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/names/106306.
Dorsey, Thomas Andrew. (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/names/106306.
"Dorsey, Thomas Andrew." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Thomas A. Dorsey
Discogs: Thomas Andrew Dorsey
Allmusic: Thomas Andrew Dorsey
Grove: Thomas Andrew Dorsey
IMDb: Thomas Andrew Dorsey
Britannica: Thomas Andrew Dorsey
Linked Open Data Sources
LCNAR: Dorsey, Thomas Andrew - http://id.loc.gov/authorities/names/n91014968
Wikidata: Thomas A. Dorsey - http://www.wikidata.org/entity/Q562158
VIAF: http://viaf.org/viaf/37104273
MusicBrainz: Thomas A. Dorsey - https://musicbrainz.org/artist/6fb94460-3194-43cb-8b30-aecf862c93b9
Wikipedia content provided under the terms of the Creative Commons BY-SA license
Feedback
Send the Editors a message about this record.