L. E. Freeman
Date Range of DAHR Recordings: 1936 - 1947
Roles Represented in DAHR: songwriter
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Victor | BS-102402 | 10-in. | 8/1/1936 | Until the real thing comes along | Fats Waller and his Rhythm | Jazz/dance band, with male vocal solo | songwriter | |
| Victor | BS-102406 | 10-in. | 8/3/1936 | Until the real thing comes along | Charlie Barnet ; Glen Island Casino Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
| Victor | D7VB-0131 | 10-in. | 2/10/1947 | Until the real thing comes along | Leslie Scott | Male vocal solo, with jazz/dance band | songwriter | |
| Columbia | 32408 | 10-in. | 2/10/1942 | Until the real thing comes along | Billie Holiday ; Teddy Wilson Orchestra | Jazz/dance band, with female vocal solo | songwriter |
Citation
Discography of American Historical Recordings, s.v. "Freeman, L. E.," accessed November 9, 2024, https://adpprod1.library.ucsb.edu/names/316419.
Freeman, L. E.. (2024). In Discography of American Historical Recordings. Retrieved November 9, 2024, from https://adpprod1.library.ucsb.edu/names/316419.
"Freeman, L. E.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 9 November 2024.
DAHR Persistent Identifier
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