Columbia (U.K.) matrix CL7245. Le tango de nine / Bruno Clair ; Mario Melfi Orchestre de Tangos ; Mario Melfi

TitleSource
Le tango de nine (Primary title)Disc label
Le club des fadas [Motion picture] (Work title)Disc label
Authors and ComposersNotes
Mario Melfi (composer)
André Viaud (lyricist)
Max-Horys (lyricist)
PersonnelNotes Hide Additional Titles
Bruno Clair (vocalist)
Mario Melfi Orchestre de Tangos (Musical group)
Mario Melfi (leader)
Eugène Ravenet (recording engineer)
  • Description: Instrumental ensemble, with male vocal solo
  • Category: Instrumental with vocal refrain
  • Language: French
  • Master Size: 10-in.
Notes
Information on this recording derives from label copy and has not been verified from any other primary sources or evaluated by a DAHR editor, except as indicated. It is included here as it has been digitized by the University of California Santa Barbara.
Source(s): Gray (recording date and location); disc.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
2/24/1940 Paris, France. Studio Albert 1 Master Columbia (France) DF-2763 10-in.

Le tango de nine / Bruno Clair ; Mario Melfi Orchestre de Tangos ; Mario Melfi

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Audio of this recording from the UCSB Library

Citation

Discography of American Historical Recordings, s.v. "Columbia (U.K.) matrix CL7245. Le tango de nine / Bruno Clair ; Mario Melfi Orchestre de Tangos ; Mario Melfi," accessed November 25, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000432446/CL7245-Le_tango_de_nine.

Columbia (U.K.) matrix CL7245. Le tango de nine / Bruno Clair ; Mario Melfi Orchestre de Tangos ; Mario Melfi. (2024). In Discography of American Historical Recordings. Retrieved November 25, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000432446/CL7245-Le_tango_de_nine.

"Columbia (U.K.) matrix CL7245. Le tango de nine / Bruno Clair ; Mario Melfi Orchestre de Tangos ; Mario Melfi." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 November 2024.

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