Decca matrix GB 6977. Where the black-eyed Susans grow / Embassy Rhythm Eight
| Title | Source |
|---|---|
| Where the black-eyed Susans grow (Primary title) | Ruppli Decca |
| Personnel | Notes Hide Additional Titles |
| Embassy Rhythm Eight (Musical group) | |
| Max Bacon (instrumentalist : drums) | |
| Dick Ball (instrumentalist : string bass) | |
| Bert Barnes (instrumentalist : piano) | |
| Joe Brannelly (instrumentalist : guitar) | |
| Lew Davis (instrumentalist : trombone) | |
| Max Goldberg (instrumentalist : trumpet) | |
| Danny Polo (instrumentalist : clarinet) | |
| Billy Amstell (instrumentalist : tenor saxophone) |
- Master Size: 10-in.
| Notes |
|---|
| Ruppli session personnel note: Max Goldberg (trumpet), Lew Davis (trombone), Danny Polo (clarinet), Billy Amstell (tenor saxophone), Bert Barnes (piano), Joe Brannelly (guitar), Dick Ball (bass), Max Bacon (drums). |
| Documentation of Decca Records derives from Michel Ruppli's "The Decca labels: a discography" (Greenwood Press, 1996). Data has not been systematically reviewed or edited by ADP staff, except as indicated. |
| Take Date and Place | Take | Status | Label Name/Number | Format | Note Hide Additional Titles |
|---|---|---|---|---|---|
| 2/15/1935 London, England | 1/2/2018 | Master | Champion 40036 | 10-in. |
Citation
Discography of American Historical Recordings, s.v. "Decca matrix GB 6977. Where the black-eyed Susans grow / Embassy Rhythm Eight," accessed November 22, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000355465/GB_6977-Where_the_black-eyed_Susans_grow.
Decca matrix GB 6977. Where the black-eyed Susans grow / Embassy Rhythm Eight. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000355465/GB_6977-Where_the_black-eyed_Susans_grow.
"Decca matrix GB 6977. Where the black-eyed Susans grow / Embassy Rhythm Eight." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
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