Gramophone matrix 0GA891. Kryphes maties (Κρυφές ματιές) / Marina Demertzi (Μαρίνα Δεμερτζή)

TitleSource
Kryphes maties (Κρυφές ματιές) (Primary title)Disc label
Vals (Βαλς) (Title descriptor)Disc label
Kryfes maties (Alternate title)Disc label
Secret glances (Parallel (translated) title)Disc label
Authors and ComposersNotes
M. Souyioul (Μ. Σουγιουλ) (songwriter)Disc label: "Souyoul"; M. Souyioul probable, but not confirmed.
Kōstas St. Kophiniōtēs (Κωστας Στ. Κοφινιωτης) (songwriter)Disc label: "Cofiniotis"; Kōstas St. Kophiniōtēs probable, but not confirmed.
Composer information source: Disc label.
PersonnelNotes Hide Additional Titles
Marina Demertzi (Μαρίνα Δεμερτζή) (vocalist)
  • Description: Female vocal solo
  • Category: Vocal
  • Marketing Genre: Greek
  • Language: Greek
  • Master Size: 10-in.
Notes
Source(s): John Bolig files (master take: issues; take date); Victor blue history card; Victor ledgers; disc.
Take Date and PlaceTakeStatusLabel Name/NumberFormatNote Hide Additional Titles
March 1939 Athens, Greece 1 Master Gramophone (Greece) AO-2548 10-in.
March 1939 Athens, Greece [1]1R Master Orthophonic S-509 10-in. Issued from dub BS-038351, made 7/14/1939.
March 1939 Athens, Greece [1]1R Master Victor 26-8130 10-in. Issued from dub BS-038351, made 7/14/1939.

Citation

Discography of American Historical Recordings, s.v. "Gramophone matrix 0GA891. Kryphes maties (Κρυφές ματιές) / Marina Demertzi (Μαρίνα Δεμερτζή)," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000265510/0GA891-Kryphes_maties_.

Gramophone matrix 0GA891. Kryphes maties (Κρυφές ματιές) / Marina Demertzi (Μαρίνα Δεμερτζή). (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/index.php/matrix/detail/2000265510/0GA891-Kryphes_maties_.

"Gramophone matrix 0GA891. Kryphes maties (Κρυφές ματιές) / Marina Demertzi (Μαρίνα Δεμερτζή)." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.

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