Georges Cailly
Date Range of DAHR Recordings: 1930 - 1936
Roles Represented in DAHR: recording engineer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Gramophone | 0LA1015 | 10-in. | 4/4/1936 | Te Deum | Marian Anderson ; Kosti Vehanen | Contralto vocal solo, with piano | recording engineer | |
| Gramophone | 0LA1029 | 10-in. | 4/7/1936 | Ch'io mai vi possa lasciar d'amare | Marian Anderson ; Kosti Vehanen | Contralto vocal solo, with piano | recording engineer | |
| Columbia (U.K.) | WLX1209 | 12-in. | 3/4/1930 | Louis XIV | Philippe Pares | Orchestra | recording engineer | |
| Columbia (U.K.) | WLX1210 | 12-in. | 3/4/1930 | Louis XIV | Philippe Pares | Orchestra | recording engineer | |
| Columbia (U.K.) | WLX1245 | 12-in. | 1/7/1930 | Ballade de Nedda | Jane Laval ; J. E. Szyfer | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1246 | 12-in. | 1/7/1930 | Air de Rozenn: Tais-toi Margared, quel délire t'entraîne? | Jane Laval ; J. E. Szyfer | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1247 | 12-in. | 1/8/1930 | Douce image évanouie | Germaine Féraldy | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1263 | 10-in. | 2/3/1930 | Baïlèro | Élie Cohen ; Madeleine Grey | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1264 | 10-in. | 2/3/1930 | Songs of the Auvergne | Élie Cohen ; Madeleine Grey | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1267 | 10-in. | 2/5/1930 | Bresairola (Lullaby) | Élie Cohen ; Madeleine Grey | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1269 | 10-in. | 2/5/1930 | Songs of the Auvergne | Élie Cohen ; Madeleine Grey | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1277 | 12-in. | between February 6 and 11, 1930 | Danse japonaise à lanternes | Orchestre Symphonique de Lutetia Wagram | Instrumental ensemble | recording engineer | |
| Columbia (U.K.) | WLX1278 | 12-in. | 2/12/1930 | C'en est fait, le rêve cesse | Germaine Féraldy | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1289 | 12-in. | 2/24/1930 | Prélude à l'après-midi d'une faune | Orchestre des concerts Straram ; Walter Straram | Orchestra | recording engineer | |
| Columbia (U.K.) | WLX1294 | 12-in. | 3/6/1930 | O Jesu Christe | Chanteurs de la Sainte Chapelle ; Henri Delépine | Vocal chorus | recording engineer | |
| Columbia (U.K.) | WLX1295 | 12-in. | 3/6/1930 | O vos omnes | Chanteurs de la Sainte Chapelle ; Henri Delépine | Vocal chorus | recording engineer | |
| Columbia (U.K.) | WLX1296 | 10-in. | 3/6/1930 | Bannis la crainte et les alarmes | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1299 | 12-in. | 3/7/1930 | Récit du Graal: Aux bords lointains dont nul mortel n'approche | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1301 | 12-in. | 3/8/1930 | Ninon | Maurice Faure ; Georges Thill | Tenor vocal solo, with piano | recording engineer | |
| Columbia (U.K.) | WLX1313 | 12-in. | 4/1/1930 | Ballade Op. 19 | Philippe Gaubert ; Marguerite Long ; Orchestre Symphonique | Piano with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1314 | 12-in. | 4/1/1930 | Ballade Op. 19 | Philippe Gaubert ; Marguerite Long ; Orchestre Symphonique | Piano with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1315 | 12-in. | 4/1/1930 | Ballade Op. 19 | Philippe Gaubert ; Marguerite Long ; Orchestre Symphonique | Piano with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1316 | 12-in. | 4/1/1930 | Ballade Op. 19 | Philippe Gaubert ; Marguerite Long ; Orchestre Symphonique | Piano with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1328 | 12-in. | 4/4/1930 | Fantasia | Simone Plé | Harpsichord solo | recording engineer | |
| Columbia (U.K.) | WLX1329 | 12-in. | 4/4/1930 | Toccata | Simone Plé | Harpsichord solo | recording engineer | |
| Columbia (U.K.) | WLX1334 | 12-in. | 4/15/1930 | Sur la mer calmée | Eugène Bigot ; Jane Laval | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1335 | 12-in. | 4/15/1930 | On m'appelle Mimi | Eugène Bigot ; Jane Laval | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1355 | 12-in. | 5/8/1930 | Le pas d'armes du Roi Jean | Armand Narçon ; J. E. Szyfer | Bass vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1423 | 12-in. | 6/12/1930 | D'art et d'amour | Marise Beaujon ; Eugène Bigot | Soprano vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1424 | 12-in. | 6/12/1930 | Sur la mer calmée | Marise Beaujon | Soprano vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1593 | 12-in. | 4/14/1932 | Concerto pour piano et orchestre | Marguerite Long ; Maurice Ravel | Piano, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1594 | 12-in. | 4/14/1932 | Concerto pour piano et orchestre | Marguerite Long ; Maurice Ravel | Piano, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1595 | 12-in. | 4/14/1932 | Concerto pour piano et orchestre | Marguerite Long ; Maurice Ravel | Piano, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1596 | 12-in. | 4/14/1932 | Concerto pour piano et orchestre | Marguerite Long ; Maurice Ravel | Piano, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1597 | 12-in. | 4/14/1932 | Concerto pour piano et orchestre | Marguerite Long ; Maurice Ravel | Piano, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1598 | 12-in. | 4/14/1932 | Pavane pour une infante défunte | Luís de Freitas Branco ; Jean Fernand Devémy | Orchestra, with horn solo | recording engineer | |
| Columbia (U.K.) | WLX1613 | 12-in. | 6/11/1932 | Deux novelettes pour piano: 1) En ut majeur; 2) En si bémol mineur | Francis Poulenc | Piano solo | recording engineer | |
| Columbia (U.K.) | WLX1614 | 12-in. | 6/11/1932 | Caprice pour piano d'après le final du "bal masqué" | Francis Poulenc | Piano solo | recording engineer | |
| Columbia (U.K.) | WLX1627 | 12-in. | 6/7/1932 | Coppélia : Mazurka | Philippe Gaubert ; Orchestre Symphonique | Orchestra | recording engineer | |
| Columbia (U.K.) | WLX1628 | 12-in. | 6/7/1932 | Coppélia : Entr'acte et valse | Philippe Gaubert ; Orchestre Symphonique | Orchestra | recording engineer | |
| Columbia (U.K.) | WLX1629 | 12-in. | 6/7/1932 | Printemps qui commence | Germaine Cernay | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1631 | 12-in. | 6/7/1932 | La cloche | Germaine Cernay | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1633 | 12-in. | 9/24/1932 | Minuit Chrétiens | Armand Bernard ; Georges Thill | Tenor vocal solo, with organ and orchestra | recording engineer | |
| Columbia (U.K.) | WLX1634 | 12-in. | 9/24/1932 | Agnus dei | Armand Bernard ; Georges Thill | Tenor vocal solo, with organ and orchestra | recording engineer | |
| Columbia (U.K.) | WLX1635 | 12-in. | 9/24/1932 | Unis dès ma plus tendre enfance | Eugène Bigot ; Georges Thill | Tenor vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1636 | 12-in. | 9/24/1932 | Suspendez à ces murs | Eugène Bigot ; Georges Thill | Tenor vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | WLX1639 | 12-in. | 11/2/1932 | L'invitation au voyage | Eugène Bigot | Orchestra | recording engineer | |
| Columbia (U.K.) | CLX1660 | 12-in. | 2/2/1933 | Ah! Tout est bien fini! | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1661 | 12-in. | 2/2/1933 | O noble lame étincelante | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1665 | 12-in. | 2/7/1933 | La veuve | Pierre Chagnon ; Damia | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1666 | 12-in. | 2/13/1933 | Connais-tu le pays | Germaine Cernay ; Élie Cohen | Mezzo-soprano vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1668 | 12-in. | 2/13/1933 | Rien ne peut changer mon âme | Élie Cohen ; Germaine Féraldy | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1669 | 12-in. | 2/13/1933 | Rien ne peut changer mon âme | Élie Cohen ; Germaine Féraldy | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1687 | 12-in. | 4/28/1933 | Mon coeur s'ouvre à ta voix | Eugène Bigot ; Germaine Cernay ; Georges Thill | Female-male vocal duet, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1688 | 12-in. | 4/28/1933 | Mon coeur s'ouvre à ta voix | Eugène Bigot ; Germaine Cernay ; Georges Thill | Female-male vocal duet, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1689 | 12-in. | 4/28/1933 | Le fou | Pierre Chagnon ; Damia | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1697 | 12-in. | 4/28/1933 | Acte I, duo; Tu t'enfermes | Eugène Bigot ; Bernadette Delprat ; Georges Thill | Female-male vocal duet, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1698 | 12-in. | 4/28/1933 | Acte I, duo; Tu t'enfermes | Eugène Bigot ; Bernadette Delprat ; Georges Thill | Female-male vocal duet, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1707 | 12-in. | 7/8/1933 | Des mots nouveaux | Lucienne Boyer ; Iza Volpin | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1708 | 12-in. | 7/8/1933 | Je ne savais pas | Lucienne Boyer ; Iza Volpin | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1711 | 12-in. | 6/21/1933 | Marche hongroise de la damnation de Faust | Pierre Dupont ; Musique de la Garde Republicaine | Band | recording engineer | |
| Columbia (U.K.) | CLX1717 | 12-in. | 6/28/1933 | Marche du sacre | Pierre Dupont ; Musique de la Garde Republicaine | Band | recording engineer | |
| Columbia (U.K.) | CLX1719 | 12-in. | 6/28/1933 | Marche des fiancailles | Pierre Dupont ; Musique de la Garde Republicaine | Band | recording engineer | |
| Columbia (U.K.) | CLX1720 | 12-in. | 6/28/1933 | Marche de Tannhauser | Pierre Dupont ; Musique de la Garde Republicaine | Band | recording engineer | |
| Columbia (U.K.) | CLX1726 | 12-in. | 7/7/1933 | Anges du Paradis | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1727 | 12-in. | 7/8/1933 | Jardins d'Alcazar | Eugène Bigot ; André Girard | Baritone vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1728 | 12-in. | 7/8/1933 | Invocation de Faust | André Girard | Baritone vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1729 | 12-in. | 7/7/1933 | Le bruit des chants | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1730 | 12-in. | 10/4/1933 | Les Saltimbanques, selection, 1 re partie | Choeurs du Théâtre Mogador ; Marthe Coiffier ; Gabriel Diot ; Henri Le Clézio ; Orchestre du Théâtre Mogador ; Lucienne Tragin | Vocal trio, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1731 | 12-in. | 10/4/1933 | Les Saltimbanques, selection, 2me partie | Choeurs du Théâtre Mogador ; Marthe Coiffier ; Gabriel Diot ; Henri Le Clézio ; Orchestre du Théâtre Mogador ; Lucienne Tragin | Vocal trio, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1734 | 12-in. | 10/9/1933 | Medjé | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1735 | 12-in. | 10/9/1933 | Chant hindou | Eugène Bigot ; Georges Thill | Male vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1743 | 12-in. | 12/11/1933 | No. 1 - Nicolette | Les Chanteurs de Lyon ; Léon Vietti | Vocal chorus | recording engineer | |
| Columbia (U.K.) | CLX1744 | 12-in. | 12/11/1933 | No. 3 - Trois beaux oiseaux du Paradis | Les Chanteurs de Lyon ; Léon Vietti | Vocal chorus | recording engineer | |
| Columbia (U.K.) | CLX1746 | 12-in. | 12/15/1933 | Récit et air de Lia | Eugène Bigot ; Ines Jouglet | Tenor vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1747 | 12-in. | 12/15/1933 | Le roi des Aulnes | Eugène Bigot ; Henri-Bertrand Etcheverry ; Claude Pascal ; Georges Thill | Vocal trio, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1748 | 12-in. | 12/15/1933 | Rêve d'amour | Eugène Bigot ; Georges Thill | Male vocal solo, with piano quintet | recording engineer | |
| Columbia (U.K.) | CLX1750 | 12-in. | 12/29/1933 | Nuits blanches | Lucienne Boyer ; Iza Volpin | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1751 | 12-in. | 12/29/1933 | Dans le petit café du coin | Lucienne Boyer ; Michel Emer | Female vocal solo, with piano | recording engineer | |
| Columbia (U.K.) | CLX1752 | 12-in. | 1/8/1934 | Depuis le jour | Eugène Bigot ; Ines Jouglet | Tenor vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1753 | 12-in. | 1/12/1934 | Giration | 11 soloistes des Concerts Colonne ; Gabriel Pierné | Instrumental ensemble | recording engineer | |
| Columbia (U.K.) | CLX1754 | 12-in. | 1/12/1934 | Giration | 11 soloistes des Concerts Colonne ; Gabriel Pierné | Instrumental ensemble | recording engineer | |
| Columbia (U.K.) | CLX1755 | 12-in. | 2/1/1934 | La dernière valse | Marcel Carivan ; Ninon Vallin | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1756 | 12-in. | 2/1/1934 | Imtimité | Marcel Carivan ; Ninon Vallin | Female vocal solo, with orchestra | recording engineer | |
| Columbia (U.K.) | CLX1773 | 12-in. | 4/19/1934 | Bergère captive | Joseph Benvenuti ; Marcel Moyse | Flute solo, with piano | recording engineer | |
| Columbia (U.K.) | CLX1774 | 12-in. | 4/19/1934 | Tosn-yan (la fête du double-cinq) | Joseph Benvenuti ; Marcel Moyse | Flute solo, with piano | recording engineer | |
| Columbia (U.K.) | CLX1798 | 12-in. | 6/8/1934 | Duo de Nadier et Zurga | Pierre Deldi ; José Luccioni | Vocal duet (tenor and baritone), with orchestra | recording engineer | |
| Columbia (U.K.) | CL4392 | 10-in. | 6/12/1933 | Les berceaux, op. 23, no. 1 | Marguerite Long ; Ninon Vallin | Soprano vocal solo, with piano | recording engineer | |
| Columbia (U.K.) | CL4395 | 10-in. | 6/12/1933 | J'ai rêvé de t'aimer | Lucienne Boyer ; Orchestre Iza Volpin ; Iza Volpin | Female vocal solo, with instrumental ensemble | recording engineer | |
| Columbia (U.K.) | WLBX129 | 12-in. | October 1932 | Duo des Hirondelles | Maurice Bastin ; Germaine Cernay ; Orchestre du Théâtre Royal de la Monnaie | Mezzo-soprano vocal solo, with orchestra | recording engineer |
Citation
Discography of American Historical Recordings, s.v. "Cailly, Georges," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/names/362355.
Cailly, Georges. (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/names/362355.
"Cailly, Georges." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.
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