Chris Smith
Christopher M. Smith (October 12, 1879 – October 4, 1949) was an American composer and popular vaudeville performer. |
Birth and Death Data: Born October 12, 1879 (Charleston), Died October 4, 1949 (New York City)
Date Range of DAHR Recordings: 1901 - 1949
Roles Represented in DAHR: composer, songwriter, lyricist
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | [Pre-matrix B-]920 | 10-in. | 10/30/1902 | Good morning, Carrie | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix A-]920 | 7-in. | 7/18/1901 | Good morning, Carrie | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]952 | 10-in. | 10/30/1901 | Good morning, Carrie | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]952 | 7-in. | 9/10/1901 | Good morning, Carrie | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]997 | 10-in. | 10/11/1901 | Good morning, Carrie | Williams and Walker | Male vocal duet, with piano | composer | |
Victor | [Pre-matrix A-]997 | 7-in. | 10/11/1901 | Good morning, Carrie | Williams and Walker | Male vocal duet, with piano | composer | |
Victor | [Pre-matrix B-]1121 | 10-in. | 12/3/1901 | Good morning Carrie | Silas Leachman | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1121 | 7-in. | 12/3/1901 | Good morning, Carrie | Silas Leachman | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3522 | 10-in. | 7/18/1901 | Good morning Carrie | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3556 | 10-in. | 9/10/1901 | Good morning, Carrie | Harry Macdonough | Male vocal solo | composer | |
Victor | A-639 | 7-in. | 11/6/1903 | Good morning, Carrie | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | A-894 | 7-in. | 1/11/1904 | 'Tain't no disgrace to run, when you're skeered | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-894 | 10-in. | 1/11/1904 | 'Tain't no disgrace to run, when you're skeered | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-1118 | 10-in. | 3/16/1904 | T'ain't no disgrace to run, when you're skeered | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | A-1118 | 7-in. | 3/16/1904 | T'ain't no disgrace to run, when you're skeered | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-1919 | 10-in. | 11/10/1904 | Shame on you | Billy Murray ; Len Spencer | Male vocal duet, with orchestra | composer | |
Victor | B-1960 | 10-in. | 11/22/1904 | Does you love me as you used to Miss Jane? | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2116 | 10-in. | 1/6/1905 | Dat ain't nothin' but talk | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-2437 | 10-in. | 4/4/1905 | The Mormon coon | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-2504 | 10-in. | 4/29/1905 | Who's there? | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-2523 | 10-in. | 5/4/1905 | Dinner bells | Haydn Quartet ; Billy Murray | Male vocal solo and male vocal quartet, with orchestra | composer | |
Victor | B-2683 | 10-in. | 6/27/1905 | Mr. Moon, kindly come out and shine | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-2761 | 10-in. | 9/19/1905 | Bye-bye, ma Eva | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-4019 | 10-in. | 11/9/1906 | He's a cousin of mine | Clarice Vance | Female vocal solo, with orchestra | composer | |
Victor | B-4035 | 10-in. | 11/13/1906 | Down and out | Clarice Vance | Female vocal solo, with orchestra | composer | |
Victor | E-4173 | 8-in. | 1/15/1907 | All in, down and out | Arthur Collins | Male vocal solo | composer | |
Victor | B-4173 | 10-in. | 1/15/1907 | All in, down and out | Arthur Collins | Male vocal solo | composer | |
Victor | B-4335 | 10-in. | 3/26/1907 | Yo' eyes are open but you're sound asleep | Clarice Vance | Female vocal solo, with orchestra | composer | |
Victor | B-4710 | 10-in. | 7/25/1907 | Just a friend of the family | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-4769 | 10-in. | 8/7/1907 | That's where friendship ends | Clarice Vance | Female vocal solo, with orchestra | composer | |
Victor | E-4988 | 8-in. | 12/31/1907 | He's a cousin of mine | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-5090 | 10-in. | 2/21/1908 | That's where friendship ends | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-6263 | 10-in. | 6/11/1908 | The right church but the wrong pew | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-6672 | 10-in. | 12/16/1908 | Down among the sugar cane | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-8092 | 10-in. | 7/6/1909 | Abraham Lincoln Jones | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-8321 | 10-in. | 10/26/1909 | Dinah, dear | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-9322 | 10-in. | 7/25/1910 | If he comes in, I'm going out | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-9656 | 10-in. | 11/16/1910 | Slip on your gingham gown | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-11594 | 10-in. | 2/14/1912 | The last shot got him | Ed Morton | Male vocal solo, with orchestra | lyricist, composer | |
Victor | B-11650 | 10-in. | 3/1/1912 | I want a little lovin' sometimes | American Quartet ; Elsie Baker | Female vocal solo and male vocal quartet, with orchestra | lyricist, composer | |
Victor | B-11692 | 10-in. | 3/11/1912 | I want a little lovin' sometimes | Edna Brown | Female vocal solo, with orchestra | composer, lyricist | |
Victor | B-11751 | 10-in. | 3/21/1912 | Beans! Beans!! Beans!!! | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-11873 | 10-in. | 4/15/1912 | That precious little thing called love | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-11874 | 10-in. | 4/15/1912 | That sneaky snakey rag | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-12567 | 10-in. | 11/5/1912 | At the levee on revival day | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-13159 | 10-in. | 4/18/1913 | Please don't love anybody else but me | Edna Brown ; James F. Harrison | Female-male vocal duet, with orchestra | lyricist, composer | |
Victor | B-13251 | 10-in. | 5/8/1913 | Melinda's wedding day | Victor Military Band | Band | composer | |
Victor | B-13258 | 10-in. | 5/9/1913 | Please don't love anybody else but me | Helen Clark ; Walter Van Brunt | Female-male vocal duet, with orchestra | lyricist, composer | |
Victor | B-13371 | 10-in. | 5/29/1913 | Boom, tum, ta-ra-zing boom! | American Quartet | Male vocal quintet, with orchestra | composer | |
Victor | B-13399 | 10-in. | 6/6/1913 | When I want a little loving | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Victor | B-14098 | 10-in. | 11/19/1913 | All the little lovin' that I had for you is gone, gone, gone | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-14504 | 10-in. | 2/21/1914 | 'Tain't no disgrace to run when you're skeered | George O'Connor | Male vocal solo | composer | |
Victor | C-15221 | 12-in. | 9/25/1914 | Ballin' the jack | Victor Military Band | Band | composer | |
Victor | B-17201 | 10-in. | 2/24/1916 | He's my cousin if she's your niece | Marie Cahill | Female vocal solo, with orchestra | composer | |
Victor | C-17433 | 12-in. | 4/4/1916 | Down where the Swanee River flows | Victor Military Band | Band | composer | |
Victor | B-17492 | 10-in. | 4/13/1916 | Honky tonky one-step | Victor Military Band | Band | composer | |
Victor | B-18059 | 10-in. | 7/5/1916 | If you don't want me, send me to my ma | Morton Harvey | Male vocal solo, with orchestra | composer | |
Victor | B-18605 | 10-in. | 10/12/1916 | My Waikiki ukulele girl | Irving Kaufman | Male vocal solo, with orchestra | composer | |
Victor | B-25777 | 10-in. | 11/22/1921 | I've got my habits on | Isabelle Patricola | Female vocal solo, with orchestra | lyricist | |
Victor | B-28300 | 10-in. | 7/19/1923 | Struttin' blues | Rosa Henderson | Female vocal solo, with jazz/dance band | lyricist | |
Victor | B-30076 | 10-in. | 5/14/1924 | I'm haunted by that Swanee River song | Pennsylvanians ; Fred Waring | Jazz/dance band | composer | |
Victor | BVE-33614 | 10-in. | 11/14/1925 | The camel walk | Art Landry Orchestra | Jazz/dance band | composer | |
Victor | BVE-38632 | 10-in. | 6/6/1927 | Long gone | E. J. Derry ; Travis B. Hale | Male vocal duet, with banjo and mandolin (self-accompaniment) | composer | |
Victor | BVE-39667 | 10-in. | 7/18/1927 | Toot, toot, Dixie | Taskiana Four | Male vocal quartet, unaccompanied | lyricist, composer | |
Victor | BS-77172 | 10-in. | 12/4/1933 | All in, down and out | Harry Wall | Male vocal solo, with piano | composer | |
Victor | BS-041363 | 10-in. | 9/28/1939 | Ballin' the jack | Jelly Roll Morton ; New Orleans Jazzmen | Jazz/dance band, with male vocal solo | composer | |
Victor | BS-056493 | 10-in. | 10/15/1940 | The Irish were Egyptians long ago | Harry's Tavern Band ; Billy Murray | Male vocal solo, with instrumental ensemble | composer | |
Victor | D9VB-0912 | 10-in. | 2/22/1949 | Ballin' the jack | Three Suns | Instrumental quartet | composer | |
Columbia | 314 | 10-in. | ca. 1901 | Good morning, Carrie | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 314 | 7-in. | ca. 1901 | Good morning, Carrie | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 360 | 10-in. | ca. 1901-Sept. 1902 | Good morning, Carrie | Harry Macdonough | Male vocal solo, with piano | composer | |
Columbia | 360 | 7-in. | ca. 1901-Sept. 1902 | Good morning, Carrie | Harry Macdonough | Male vocal solo, with piano | composer | |
Columbia | 362 | 7-in. | ca. 1901-Sept. 1902 | Good morning, Carrie | Columbia Band | Band | composer | |
Columbia | 362 | 10-in. | ca. 1901 | Good morning, Carrie | Columbia Band | Band | composer | |
Columbia | 381 | 10-in. | ca. 1901-Sept. 1902 | Good morning, Carrie | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 381 | 7-in. | ca. 1901 | Good morning, Carrie | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 1719 | 10-in. | approximately 1903 | 'Tain't no disgrace to run when you're skeered | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 3185 | 10-in. | between January and June 1905 | Shame on you! | Bob Roberts | Male vocal solo, with orchestra | songwriter | |
Columbia | 3199 | 10-in. | ca. Jan.-June 1905 | The Mormon coon | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 3254 | 10-in. | ca. Jan.-Oct. 1905 | Dat ain't nothin' but talk | Bob Roberts | Male vocal solo, with orchestra | songwriter | |
Columbia | 3536 | 10-in. | ca. Oct. 1906 | He's a cousin of mine | Bert Williams | Male vocal solo, with orchestra | composer | |
Columbia | 3966 | 10-in. | ca. 1908 | The right church, but the wrong pew | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 4156 | 10-in. | ca. Jan.-Sept. 1909 | Abraham Lincoln Jones | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 4289 | 10-in. | ca. 1909-Feb. 1910 | Come after breakfast (Bring 'long your lunch and leave 'fore supper time) | Arthur Collins | Male vocal solo, with orchestra | songwriter | |
Columbia | 4470 | 10-in. | ca. Jan.-July 1910 | If he comes in, I'm goin' out | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 19780 | 10-in. | 3/4/1912 | I want a little lovin' sometimes | Dolly Connolly | Female vocal solo, with orchestra | composer, lyricist | |
Columbia | 19792 | 10-in. | 3/7/1912 | That precious little thing called love | Collins and Harlan | Male vocal duet, with orchestra | songwriter | |
Columbia | 19793 | 10-in. | 3/7/1912 | The last shot got him | Arthur Collins | Male vocal solo, with orchestra | songwriter | |
Columbia | 38436 | 10-in. | 11/22/1912 | At the levee on revival day | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 45885 | 10-in. | 7/26/1915 | Scaddle de mooch | George O'Connor | Male vocal solo, with orchestra | songwriter | |
Columbia | 46441 | 10-in. | 2/23/1916 | Never let the same bee sting you twice | Anna Chandler | Female vocal solo, with orchestra | songwriter | |
Columbia | 77771 | 10-in. | 4/16/1918 | Beans, beans, beans | Gus Van | Male vocal solo, with orchestra | composer | |
Columbia | 79395 | 10-in. | 8/31/1920 | Long gone | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Columbia | 79402 | 10-in. | 9/7/1920 | I want to know where Tosti went (when he said goodbye) | Bert Williams | Male vocal solo, with orchestra | lyricist, composer | |
Columbia | 79516 | 10-in. | 11/12/1920 | You'll never need a doctor no more | Bert Williams | Male vocal solo, with orchestra | lyricist, composer | |
Columbia | 79566 | 10-in. | 12/10/1920 | My last dollar | Bert Williams | Male vocal solo, with orchestra | composer | |
Columbia | 79826 | 10-in. | 5/6/1921 | If you don't want me send me to my ma | Mary Stafford | Female vocal solo ("blues singer"), with jazz/dance band | songwriter | |
Columbia | 79934 | 10-in. | 7/12/1921 | 'Tain't no disgrace to run when you're skeered | Bert Williams | Male vocal solo, with orchestra | composer | |
Columbia | 80156 | 10-in. | 1/23/1922 | Cruel daddy blues | Leona Williams | Female vocal solo, with jazz/dance band | lyricist | |
Columbia | 80240 | 10-in. | 3/13/1922 | Struttin' blues | Leona Williams | Female vocal solo, with jazz/dance band | lyricist | |
Columbia | 80723 | 10-in. | 12/5/1922 | My pillow and me | Irene Gibbons | Female vocal solo, with jazz/dance band | songwriter | |
Columbia | 81092 | 10-in. | 6/21/1923 | If you don't I know who will | Fletcher Henderson ; Bessie Smith | Female vocal solo ("blues singer"), with piano | songwriter | |
Columbia | 81345 | 10-in. | 11/9/1923 | I ain't skeered of work | Gulf Coast Minstrels | Male vocal quartet, with male vocal solo | composer | |
Columbia | 30039 | 12-in. | 9/26/1906 | All in, out and down | Bert Williams | Male vocal solo, with orchestra | composer | |
Columbia | 30197 | 12-in. | 12/15/1908 | Down among the sugar cane | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 30303 | 12-in. | 10/13/1909 | Virginia (Opening chorus) | Arthur Collins ; Rambler Minstrel Company | Minstrels, with male vocal solo, male vocal quartet, and orchestra | composer | |
Columbia | 36993 | 12-in. | 6/11/1914 | Jungle jambouree | Albert Jockers ; Monroe Jockers | Violin and piano duet | composer | |
Columbia | 37014 | 12-in. | 7/31/1914 | Ballin' the jack | Prince's Band | Band | composer | |
Columbia | W140585 | 10-in. | 5/5/1925 | Cake walking babies | Fletcher Henderson’s Hot Six ; Bessie Smith | Female vocal solo ("blues singer"), with jazz/dance ensemble | songwriter | |
Columbia | 140962 | 10-in. | 9/18/1925 | The camel walk | University Six | Jazz/dance band | composer | |
Columbia | W141069 | 10-in. | 10/1/1925 | The camel walk | Warner's Seven Aces | Jazz/dance band | composer | |
Columbia | W141124 | 10-in. | 10/8/1925 | The camel walk | Ted Lewis and his Band | Jazz/dance band | composer | |
Columbia | W141903 | 10-in. | 4/2/1926 | Hit me but don't quit me | Bessie Brown ; George W. Williams | Female-male vocal duet ("blues singers"), with piano | lyricist, composer | |
Columbia | W144549 | 10-in. | 8/19/1927 | Shootin' the pistol | Clarence Williams | Male vocal solo, with piano | lyricist | |
Columbia | W146972 | 10-in. | 9/10/1928 | Toot toot Dixie bound | The Mobile Four | Male vocal quartet, unaccompanied | songwriter | |
Columbia | W151754 | 10-in. | 8/26/1931 | They put the last clean shirt on Bill today | Clarence Augustus Williams | Male vocal solo, with piano | songwriter | |
OKeh | S-7620 | 10-in. | Oct. 1920 | I want to know where Tosti went (When he said good-bye) | Ernest Hare | Male vocal solo, with orchestra | composer, lyricist | |
OKeh | S-7878 | 10-in. | Apr. 1921 | Murder in the first degree | Shelton Brooks ; Rega Orchestra | Male vocal solo, with jazz/dance band | songwriter | |
OKeh | S-7964 | 10-in. | June 1921 | It takes a good man to do that | Rega Orchestra ; Aileen Stanley | Female vocal solo, with jazz/dance band | songwriter | |
OKeh | 8757 | 10-in. | Oct. 1924 | The last shot got him | Chenoweth's Cornfield Symphony Orchestra | Instrumental ensemble | composer | |
OKeh | 9356 | 10-in. | Sept. 1925 | The camel walk | Jack Gardner Orchestra | Jazz/dance band | composer | |
OKeh | S-70075 | 10-in. | Aug. 1921 | Daddy, your mama is lonesome for you | Mamie Smith and her Jazz Band | Female vocal solo, with jazz/dance band | lyricist | |
OKeh | S-70204 | 10-in. | Oct. 1921 | The missing link | Tampa Blue Jazz Band | Jazz/dance band | composer | |
OKeh | S-70246 | 10-in. | Oct. 1921 | Let's agree to disagree | Jazz Hounds ; Mamie Smith | Female vocal solo, with jazz/dance band | songwriter | |
OKeh | S-70487 | 10-in. | 2/18/1922 | Madagascar | Rega Dance Orchestra | Jazz/dance band | composer | |
OKeh | S-71261 | 10-in. | February 1923 | My pillow and me | Eva Taylor ; Clarence Williams | Female vocal solo, with piano | songwriter | |
OKeh | S-71469 | 10-in. | April 1923 | My pillow and me | Handy's Orchestra | Jazz/dance band | composer | |
OKeh | S-71721 | 10-in. | August 1923 | Darktown reveille | Handy's Orchestra | Jazz/dance band | composer | |
OKeh | S-71804 | 10-in. | September 1923 | If you don't, I know who will | Clarence Williams’ Blue Five ; Eva Taylor | Female vocal solo, with jazz/dance band | songwriter | |
OKeh | S-72958 | 10-in. | 11/6/1924 | Of all the wrongs you done to me | Clarence Williams’ Blue Five ; Eva Taylor | Jazz/dance quintet, with female vocal solo | songwriter | |
OKeh | S-73083 | 10-in. | 1/8/1925 | Cake walking babies from home | Clarence Williams’ Blue Five ; Eva Taylor | Jazz/dance quintet, with female vocal solo | songwriter | |
OKeh | S-73452 | 10-in. | 6/21/1925 | Cold storage papa (Mama's a little too warm for you) | Butterbeans & Susie ; Clarence Williams | Female-male vocal duet, with piano | songwriter | |
OKeh | 73524 | 10-in. | July 1925 | Far as I'm concerned | Eva Taylor | Female vocal solo, with banjo and piano | lyricist | |
OKeh | W80651 | 10-in. | 3/19/1927 | No, no, positively no! | Al Bernard | Male vocal solo, with piano | songwriter | |
Brunswick | 10856-10858 | 10-in. | 6/18/1923 | My pillow and me | Lizzie Miles ; Spencer Williams | Female vocal solo, with piano | songwriter | |
Brunswick | 15282-15284 | 10-in. | 3/26/1925 | Murder in the first degree | Hamtree Harrington | Male vocal solo, with piano | composer, lyricist | |
Brunswick | 15288-15291 | 10-in. | 3/26/1925 | You’re talking to the wrong man now | Hamtree Harrington | Male vocal solo, with piano | lyricist | |
Brunswick | E27656 | 10-in. | 6/6/1928 | Long gone | Richard Brooks ; Rueben Puckett | Male vocal duet, with violin and guitar | lyricist | |
Brunswick | E35399 | 10-in. | Nov. 1930 | No, no, positively no | Al Bernard and Carson Robison | Male vocal solo, with piano | songwriter | |
Brunswick | E1681-E1683 | 10-in. | 11/11/1925 | Camel walk | Hottentots | Jazz/dance ensemble | composer | |
Brunswick | E2716-E2718 | 10-in. | 3/31/1926 | Fulton Street blues | Rosa Henderson | Female vocal solo, with instrumental quartet | songwriter | |
Brunswick | E3051-E3053 | 10-in. | 5/14/1926 | Chicago policeman blues | Rosa Henderson | Female vocal solo, with instrumental trio | lyricist, composer | |
Brunswick | E22065-E22067 | 10-in. | 3/22/1927 | No, no, positively no | Al Bernard | Male vocal solo, with piano | songwriter | |
Brunswick | C1237-C1238 | 10-in. | 10/7/1927 | Come on and stomp stomp stomp | Black Bottom Stompers ; Johnny Dodds | Jazz/dance band | songwriter | |
Brunswick | 783W-785W | 10-in. | 5/8/1925 | Fly 'round, young ladies, fly 'round (Fly roun' young ladies) | Hamtree Harrington | Male vocal solo, with ukulele | songwriter | |
Brunswick | 1368W-1369W | 10-in. | 9/18/1925 | The camel walk | Hottentots | Jazz/dance band | composer | |
Edison | 2135 | 10-in. | 2/11/1913 | You're just too sweet to live | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 2160 | 10-in. | 3/1/1913 | Dinah dear | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 8303 | 10-in. | 11/25/1921 | I've got my habits on | Al Bernard ; Vernon Dalhart | Male vocal duet, with orchestra | lyricist | |
Edison | 8509 | 10-in. | 6/27/1922 | At the Honky Tonk Steppers Ball | Al Bernard | Male vocal solo, with orchestra | songwriter | |
Edison | 9167 | 10-in. | 9/20/1923 | Darktown reveille | Jazz-O-Harmonists | Jazz/dance band | composer | |
Edison | 10642 | 10-in. | 10/19/1925 | The camel walk | Bud Lincoln Orchestra | Jazz/dance band | composer | |
Edison | 19255 | 10-in. | 6/14/1929 | Ballin' the jack | Campus Cut-Ups | Jazz/dance band, with male vocal solo | composer | |
Edison | N-960 | 10-in. | 6/14/1929 | Ballin' the jack | Campus Cut-Ups | Jazz/dance band, with male vocal solo | composer |
Citation
Discography of American Historical Recordings, s.v. "Smith, Chris," accessed November 22, 2024, https://adpprod1.library.ucsb.edu/names/108902.
Smith, Chris. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod1.library.ucsb.edu/names/108902.
"Smith, Chris." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Smith, Chris, 1879-1949 - http://id.loc.gov/authorities/names/no89020739
Wikidata: Chris Smith - http://www.wikidata.org/entity/Q5108092
VIAF: http://viaf.org/viaf/87510016
MusicBrainz: Chris Smith - https://musicbrainz.org/artist/b46d3ee1-e9f5-4109-a7b9-17e0b1e3dfcc
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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