Henry Creamer
Henry Sterling Creamer (June 21, 1879 – October 14, 1930) was a popular song lyricist and theater producer. He was born in Richmond, Virginia and died in New York. He co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. He was African American. |
Birth and Death Data: Born June 21, 1879 (Richmond), Died October 14, 1930 (New York City)
Date Range of DAHR Recordings: 1909 - 1950
Roles Represented in DAHR: lyricist, songwriter, composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | C-8016 | 12-in. | 5/28/1909 | That's the doctor, Bill | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Victor | B-8078 | 10-in. | 6/28/1909 | That's a plenty | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-8726 | 10-in. | 3/21/1910 | Dear old moonlight | Peerless Quartet | Male vocal quartet, unaccompanied | lyricist | |
Victor | B-9512 | 10-in. | 10/5/1910 | Don't make me laugh, Bill | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Victor | B-9556 | 10-in. | 10/12/1910 | Sweetness | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-11904 | 10-in. | 4/23/1912 | Adopted child | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Victor | B-12324 | 10-in. | 9/3/1912 | I've got the finest man | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-19381 | 10-in. | 3/16/1917 | That cute little wigglin' dance | American Quartet ; Marion Harris | Female vocal solo and male vocal quartet, with orchestra | lyricist | |
Victor | B-20067 | 10-in. | 6/20/1917 | Sweet Emalina, my gal | Peerless Quartet | Male vocal quartet, with xylophone and orchestra | lyricist | |
Victor | B-20564 | 10-in. | 9/17/1917 | That's it | Joseph C. Smith's Orchestra | Jazz/dance band | composer | |
Victor | B-21243 | 10-in. | 12/6/1917 | Everybody's crazy 'bout the doggone blues, but I'm happy | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Victor | B-22071 | 10-in. | 7/26/1918 | Good-bye Alexander | Phil Baker ; Ben Bernie | Violin and accordion duet | composer | |
Victor | B-22159 | 10-in. | 7/15/1918 | Goodbye Alexander, goodbye honey boy | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Victor | B-22160 | 10-in. | 7/15/1918 | After you've gone | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Victor | B-22196 | 10-in. | 8/7/1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-22335 | 10-in. | 12/3/1918 | Sweet 'n' pretty | All Star Trio | Instrumental trio | composer | |
Victor | B-22490 | 10-in. | 12/30/1918 | I'm waiting for you, 'Liza Jane | Vernon Dalhart | Male vocal solo, with orchestra | lyricist | |
Victor | B-22592 | 10-in. | 2/19/1919 | Oh, Lawdy (Something's done got between Ebecaneezer and me) | Marion Harris | Female vocal solo, with xylophone and orchestra | lyricist | |
Victor | B-22626 | 10-in. | 3/13/1919 | When shadows softly come and go | Charles Harrison | Male vocal solo, with orchestra | lyricist | |
Victor | B-22659 | 10-in. | 3/27/1919 | When the shadows softly come and go | Lillian Rosedale Goodman ; Vivian Holt | Female vocal duet, with orchestra | lyricist | |
Victor | B-22727 | 10-in. | 3/18/1919 | Mary Ann | Joseph C. Smith's Orchestra | Jazz/dance band | composer | |
Victor | B-24810 | 10-in. | 12/30/1920 | Sweet mamma (Papa's getting mad) | Original Dixieland Jazz Band | Jazz/dance band, with male vocal solo | lyricist | |
Victor | B-25517 | 10-in. | 8/16/1921 | I'm nobody's gal | Aileen Stanley | Female vocal solo, with orchestra | lyricist | |
Victor | B-25528 | 10-in. | 8/22/1921 | Strut Miss Lizzie | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-25791 | 10-in. | 12/5/1921 | Dear old Southland | Elliott Shaw | Male vocal solo, with mandolin and orchestra | lyricist | |
Victor | B-26827 | 10-in. | 8/11/1922 | 'Way down yonder in New Orleans | Peerless Quartet | Male vocal quartet, with orchestra | songwriter | |
Victor | B-26853 | 10-in. | 8/31/1922 | Childhood days | American Quartet | Male vocal quartet, with orchestra | songwriter | |
Victor | B-27611 | 10-in. | 2/21/1923 | Way down yonder in New Orleans | Paul Whiteman Orchestra | Jazz/dance band | composer | |
Victor | B-27638 | 10-in. | 3/2/1923 | Whoa, Tillie, take your time! | Ross Gorman ; Virginians | Jazz/dance band | songwriter | |
Victor | B-27852 | 10-in. | 4/25/1923 | Down by the river | Nelson Maples ; S.S. Leviathan Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
Victor | B-28512 | 10-in. | 8/27/1923 | Jubilee blues | Belle Baker | Female vocal solo, with orchestra | lyricist | |
Victor | B-28974 | 10-in. | 11/20/1923 | Why should I weep about one sweetie | Brooke Johns Orchestra ; Brooke Johns | Jazz/dance band, with male vocal solo | lyricist | |
Victor | B-29388 | 10-in. | 2/7/1924 | Josephine (Who is the meanest gal in town) | Brooke Johns Orchestra ; Brooke Johns | Jazz/dance band, with male vocal solo | lyricist | |
Victor | B-30161 | 10-in. | 6/4/1924 | Africa | Jack Shilkret Orchestra [i.e., International Novelty Orchestra] ; Jack Shilkret | Orchestra, with male vocal solo | lyricist | |
Victor | B-30624 | 10-in. | 8/8/1924 | Go 'long mule | Vernon Dalhart | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-33213 | 10-in. | 8/7/1925 | Oh say! Can I see you to-night | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-33419 | 10-in. | 9/19/1925 | Oh say! Can I see you to-night | Johnny Hamp ; Kentucky Serenaders | Jazz/dance band, with male vocal trio | lyricist | |
Victor | BVE-35992 | 10-in. | 9/13/1926 | Alabama stomp | Gus C. Edwards Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-37259 | 10-in. | 12/17/1926 | I need lovin' | Coon-Sanders Original Nighthawk Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-43359 | 10-in. | 3/14/1928 | Give me the sunshine | Roger Wolfe Kahn Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-47074 | 10-in. | 9/21/1928 | Adam and Eve | Nelstone's Hawaiians | Vocal and instrumental ensemble (Hawaiian) | lyricist | |
Victor | BVE-56089 | 10-in. | 9/13/1929 | Remarkable girl | Ted Weems Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-57234 | 10-in. | 12/6/1929 | After you've gone | Coon-Sanders Original Nighthawk Orchestra ; Carleton A. Coon ; Joe Sanders | Jazz/dance band, with male vocal duet | lyricist | |
Victor | BVE-58529 | 10-in. | 1/28/1930 | After you've gone | Gene Austin | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-58545 | 10-in. | 1/31/1930 | If I could be with you one hour to-night | McKinney's Cotton Pickers ; George Thomas | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-63119 | 10-in. | 7/15/1930 | My bluebird was caught in the rain | Connecticut Yankees ; Rudy Vallée | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-63622 | 10-in. | 9/4/1930 | If I could be with you (one hour tonight) | Gene Austin | Male vocal solo, with instrumental ensemble | lyricist | |
Victor | BVE-64070 | 10-in. | 3/2/1931 | I need lovin' | Blanche Calloway and her Joy Boys | Jazz/dance band, with female vocal solo | songwriter | |
Victor | BS-75979 | 10-in. | 7/29/1933 | After you've gone | King's Jesters | Vocal and instrumental ensemble | lyricist | |
Victor | BS-88965 | 10-in. | 5/10/1935 | 'Way down yonder in New Orleans | Ray Noble Orchestra | Jazz/dance band | songwriter | |
Victor | BS-92704 | 10-in. | 7/13/1935 | After you've gone | Benny Goodman Trio ; Gene Krupa ; Teddy Wilson | Jazz/dance trio | songwriter | |
Victor | BS-96504 | 10-in. | 11/22/1935 | If I could be with you (One hour tonight) | Benny Goodman Orchestra | Jazz/dance band | songwriter | |
Victor | BS-02163 | 10-in. | 10/18/1936 | After you've gone | Tommy Dorsey Orchestra | Jazz/dance band | songwriter | |
Victor | PBS-09684 | 10-in. | 9/5/1937 | After you've gone | Lionel Hampton Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BS-014117 | 10-in. | 9/13/1937 | After you've gone | Vernon Geyer | Electric organ solo | lyricist | |
Victor | BS-036528 | 10-in. | 4/25/1939 | 'Way down yonder in New Orleans | Van Alexander Orchestra | Jazz/dance band | songwriter | |
Victor | BS-071767 | 10-in. | 2/4/1942 | 'Way down yonder in New Orleans | Linda Keene ; Henry Levine ; Strictly from Dixie Jazz Band | Jazz/dance band, with female vocal solo | songwriter | |
Victor | E0VB-5525 | 10-in. | 8/28/1950 | After you've gone | Three Suns | Instrumental ensemble | lyricist | |
Victor | D7VB-2129 | 10-in. | 11/26/1947 | After you've gone | Freddy Martin Orchestra ; Glenn Hughes ; Martin Men | Male vocal solo, with male vocal group and instrumental ensemble | lyricist | |
Victor | BVE-Test-1015 | 10-in. | 8/27/1930 | My bluebird was caught in the rain | Walton Sisters | Female vocal duet, with piano | lyricist | |
Victor | [Trial 1919-01-13-01] | Not documented | 1/13/1919 | After you've gone | Bee Palmer | Female vocal solo, with piano | lyricist | |
Columbia | 4136 | 10-in. | ca. Jan.-Aug. 1909 | That's a plenty | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 4923 | 10-in. | ca. 1910 | Sweetness | Columbia Quartette | Male vocal quartet | lyricist | |
Columbia | 4944 | 10-in. | ca. 1910 | Don't make me laugh, Bill | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Columbia | 38134 | 10-in. | 7/11/1912 | I've got the finest man | Maurice Burkhart | Male vocal solo, with orchestra | lyricist | |
Columbia | 38576 | 10-in. | 1/21/1913 | I certainly was going some | Bert Williams | Male vocal solo, with orchestra | songwriter | |
Columbia | 47460 | 10-in. | 4/5/1917 | The cute little wigglin' dance | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 77142 | 10-in. | 6/13/1917 | Sweet Emalina, my gal | Henry Burr | Male vocal solo, with orchestra | songwriter | |
Columbia | 77235 | 10-in. | 8/6/1917 | Down in Borneo Isle | Collins and Harlan | Male vocal duet, with orchestra | songwriter | |
Columbia | 77344 | 10-in. | 9/14/1917 | Twenty years | Bert Williams | Male vocal solo, with orchestra | lyricist | |
Columbia | 77353 | 10-in. | 9/20/1917 | That's it | Jazarimba Orchestra | Jazz/dance band | composer | |
Columbia | 77503 | 10-in. | 11/9/1917 | Everybody's crazy 'bout the doggone blues but I'm happy | George O'Connor | Male vocal solo, with orchestra | lyricist | |
Columbia | 77697 | 10-in. | 2/28/1918 | Sweet Emalina, my gal | Earl Fuller ; Rector Novelty Orchestra | Jazz/dance band | songwriter | |
Columbia | 77741 | 10-in. | 3/29/1918 | Everybody's crazy 'bout the doggone blues but I'm happy | Wilbur Sweatman's Original Jazz Band | Jazz/dance band | songwriter | |
Columbia | 77754 | 10-in. | 4/3/1918 | Won't you be a dear, dear daddy (to a itta bitta doll like me) | Farber Sisters | Female vocal duet, with orchestra | songwriter | |
Columbia | 77800 | 10-in. | 4/29/1918 | After you've gone | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 77815 | 10-in. | 5/7/1918 | We'll do our share | Earl Fuller ; Rector Novelty Orchestra | Jazz/dance band | songwriter | |
Columbia | 77829 | 10-in. | 5/17/1918 | I can't let 'em suffer | Farber Sisters | Female vocal duet, with orchestra | songwriter | |
Columbia | 77840 | 10-in. | 5/22/1918 | Goodbye, Alexander | Farber Sisters | Female vocal duet, with orchestra | songwriter | |
Columbia | 77857 | 10-in. | 5/28/1918 | Good-bye Alexander | Wilbur Sweatman's Original Jazz Band | Jazz/dance band | composer | |
Columbia | 77970 | 10-in. | 7/26/1918 | Liza Jane | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 77974 | 10-in. | 7/30/1918 | I'm too tired to make love | Gus Van | Male vocal solo, with orchestra | songwriter | |
Columbia | 78166 | 10-in. | 10/28/1918 | Look what you've done | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | songwriter | |
Columbia | 78298 | 10-in. | 2/13/1919 | Oh! Lawdy (Something's done got between Ebecaneezer and me) | Bert Williams | Male vocal solo, with orchestra | songwriter | |
Columbia | 78303 | 10-in. | 2/15/1919 | One and two and three and four, rock-a-bye | Peerless Quartet | Male vocal quartet, with orchestra | songwriter | |
Columbia | 78318 | 10-in. | 2/24/1919 | Mary Ann | Joseph M. Knecht ; Waldorf-Astoria Dance Orchestra | Jazz/dance band | songwriter | |
Columbia | 78365 | 10-in. | 3/22/1919 | When the shadows softly come and go | Charles Harrison | Male vocal solo, with orchestra | lyricist | |
Columbia | 78403 | 10-in. | 4/19/1919 | One and two and three and four, rock-a-bye | Joseph M. Knecht ; Waldorf-Astoria Dance Orchestra | Jazz/dance band | songwriter | |
Columbia | 78523 | 10-in. | 6/23/1919 | The alcoholic blues | Louisiana Five | Jazz/dance band | songwriter | |
Columbia | 79171 | 10-in. | 5/11/1920 | Sweet Emalina, my gal | Fred Hughes | Male vocal solo, with orchestra | lyricist | |
Columbia | 79484 | 10-in. | 10/25/1920 | You can't trust nobody | Bert Williams | Male vocal solo, with orchestra | songwriter | |
Columbia | 79590 | 10-in. | 12/21/1920 | With the coming of to-morrow | Grant Stephens [i.e., George Meader] | Male vocal solo, with orchestra | lyricist | |
Columbia | 79827 | 10-in. | 5/6/1921 | Strut Miss Lizzie | Mary Stafford | Female vocal solo ("blues singer"), with jazz/dance band | lyricist | |
Columbia | 79889 | 10-in. | 6/15/1921 | I'm wild about moonshine | Southern Negro Quartette | Male vocal quartet, unaccompanied | lyricist | |
Columbia | 80375 | 10-in. | 6/7/1922 | Buzz, Mirandy | Dolly Kay | Female vocal solo, with orchestra | lyricist | |
Columbia | 80412 | 10-in. | 6/21/1922 | Send back my honeyman | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Columbia | 80469 | 10-in. | 7/22/1922 | I love you, sweet Angeline | Ted Lewis Jazz Band | Jazz/dance band | composer | |
Columbia | 80526 | 10-in. | 8/14/1922 | I'm nobody's gal | Dolly Kay | Female vocal solo, with orchestra | lyricist | |
Columbia | 80571 | 10-in. | 9/29/1922 | 'Way down yonder in New Orleans | Blossom Seeley | Female vocal solo, with instrumental trio | songwriter | |
Columbia | 80744 | 10-in. | 12/21/1922 | 'Way down yonder in New Orleans | Georgians | Jazz/dance band | songwriter | |
Columbia | 80776 | 10-in. | 1/9/1923 | There's a rainbow in the sky | Shannon Four | Male vocal quartet, with orchestra | songwriter | |
Columbia | 81242 | 10-in. | 9/27/1923 | Walk, Jenny, walk! | Billy Jones ; The Original Memphis Five | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 81244 | 10-in. | 9/27/1923 | Whoa, Tillie, take your time | Bessie Smith | Female vocal solo ("blues singer"), with clarinet and piano | songwriter | |
Columbia | 81522 | 10-in. | 2/1/1924 | Who is the meanest girl in town? Josephine | Billy Jones | Male vocal solo, with orchestra | lyricist | |
Columbia | 81819 | 10-in. | 6/11/1924 | Something tells me you are going far away from here | Jay C. Flippen | Male vocal solo, with orchestra | lyricist | |
Columbia | 81820 | 10-in. | 6/11/1924 | Often | Jay C. Flippen | Male vocal solo, with orchestra | lyricist | |
Columbia | 81824 | 10-in. | 6/12/1924 | Go 'long, mule | Roy Smeck | Ukulele solo, unaccompanied | composer | |
Columbia | 81902 | 10-in. | 8/8/1924 | Darktown broadcasting | Jay C. Flippen | Comic monologue, with orchestra | composer | |
Columbia | 81903 | 10-in. | 8/8/1924 | Darktown broadcasting | Jay C. Flippen | Comic monologue, with orchestra | composer | |
Columbia | 81905 | 10-in. | 8/8/1924 | Go 'long, mule | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | lyricist | |
Columbia | 140132 | 10-in. | 11/11/1924 | Any way the wind blows | Dolly Kay | Female vocal solo, with orchestra | lyricist | |
Columbia | 49375 | 12-in. | 4/12/1918 | My mind's made up to marry Carolina | Prince's Band | Band | songwriter | |
Columbia | 49910 | 12-in. | 11/26/1920 | I'll be with you in apple blossom time (Waltz) | Prince's Orchestra | Jazz/dance band | songwriter | |
Columbia | W140663 | 10-in. | 6/12/1925 | Go get 'em, Caroline | Maggie Jones ; St. Louis Rhythm Kings | Female vocal solo ("blues singer"), with jazz/dance band | songwriter | |
Columbia | W140675 | 10-in. | 7/9/1925 | Oh say! Can I see you tonight? | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | W140791 | 10-in. | 7/28/1925 | Sympathetic Dan | Ebony Four ; Ethel Waters | Female vocal solo ("blues singer"), with cornet, tuba, and piano | songwriter | |
Columbia | 140834 | 10-in. | 8/11/1925 | Oh say! Can I see you to-night | The Happiness Boys | Male vocal duet, with orchestra | lyricist | |
Columbia | W141068 | 10-in. | 9/30/1925 | Go get 'em, Caroline | Warner's Seven Aces | Jazz/dance band | songwriter | |
Columbia | W141226 | 10-in. | 10/30/1925 | Way down south in Chicago by the old Pacific Shore | Johnny Marvin | Male vocal solo, with ukulele | lyricist | |
Columbia | W142210 | 10-in. | 5/15/1926 | Way down south in Chicago, by the Old Pacific Shore | Gangplank Orchestra ; Earl Gresh | Jazz/dance band, with vocal ensemble | lyricist | |
Columbia | W142559 | 10-in. | 8/23/1926 | Jersey walk | Johnny Marvin | Male vocal solo, with ukulele | songwriter | |
Columbia | W142704 | 10-in. | 9/29/1926 | Jersey walk | Ethel Waters ; Pearl Wright | Female vocal solo ("blues singer"), with piano | songwriter | |
Columbia | W142885 | 10-in. | 10/28/1926 | Mary dear | Kate Smith | Female vocal solo, with piano | songwriter | |
Columbia | W142886 | 10-in. | 10/28/1926 | Jersey walk | Kate Smith | Female vocal solo, with piano | songwriter | |
Columbia | W142967 | 10-in. | 11/29/1926 | After you've gone | Ruth Etting | Female vocal solo, with piano | lyricist | |
Columbia | 143150 | 10-in. | 11/26/1926 | I need lovin' | Arthur Fields ; Manhattan Dance Makers | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W143543 | 10-in. | 2/26/1927 | Alabama stomp | Charles Kaley | Male vocal solo, with cornet and piano | lyricist | |
Columbia | W143563 | 10-in. | 3/1/1927 | After you've gone | Ruth Etting | Female vocal solo, with violin and piano | lyricist | |
Columbia | W143567 | 10-in. | 3/2/1927 | After you've gone | Bessie Smith and her Band | Female vocal solo ("blues singer"), with instrumental quintet | lyricist | |
Columbia | W143735 | 10-in. | 4/1/1927 | Sweet mistreater | Bessie Smith | Female vocal solo ("blues singer"), with piano | lyricist | |
Columbia | W143736 | 10-in. | 4/1/1927 | Lock and key | James P. Johnson ; Bessie Smith | Female vocal solo ("blues singer"), with piano | lyricist | |
Columbia | W144524 | 10-in. | 7/28/1927 | Clementine (From New Orleans) | Kate Smith | Female vocal solo, with piano | lyricist | |
Columbia | W144642 | 10-in. | 9/10/1927 | Clementine | Don Voorhees Orchestra ; Frank Harris | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 144807 | 10-in. | 9/28/1927 | Clementine (From New Orleans) | Original Indiana Five | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W146167 | 10-in. | 4/20/1928 | Goodbye Alexander | Dan Hornsby Trio | Male vocal trio, with banjo and piano | lyricist | |
Columbia | W147645 | 10-in. | 12/15/1928 | Liza Jane | McQueen Quartet | Vocal quartet | lyricist | |
Columbia | W149159 | 10-in. | 10/18/1929 | After you've gone | Paul Whiteman Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W149606 | 10-in. | 12/19/1929 | Dreary night | George Dewey Washington | Male vocal solo, with orchestra | lyricist | |
Columbia | W150612 | 10-in. | 6/25/1930 | If I could be with you (One hour to-night) | Lazy Levee Loungers | Jazz/dance band, with male vocal solo | songwriter | |
Columbia | W150699 | 10-in. | 8/12/1930 | My blue bird was caught in the rain | Ipana Troubadours | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | [W]150706 | 10-in. | 8/13/1930 | If I could be with you (One hour to-night) | Lloyd Keating and his Music | Jazz/dance band, with male vocal solo | songwriter | |
Columbia | [W]150735 | 10-in. | 8/26/1930 | My bluebird was caught in the rain | Tom Frawley ; Lloyd Keating and his Music | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W150826 | 10-in. | 9/18/1930 | If I could be with you (One hour to-night) | Ruth Etting | Female vocal solo | songwriter | |
Columbia | W150833 | 10-in. | 9/20/1930 | Go get 'em, Caroline | Edgewater Beach Hotel Orchestra [Lloyd Keating and his Music] ; Freddy Mark | Jazz/dance band, with male vocal solo | songwriter | |
Columbia | W151775 | 10-in. | 9/9/1931 | I need loving | The Rondoliers and Piano Pals | Male vocal quartet, with piano | songwriter | |
Columbia | W151807 | 10-in. | 9/23/1931 | I need lovin' | The Rondoliers and Piano Pals | Male vocal quartet, with 2 pianos | lyricist | |
Columbia | W152256 | 10-in. | 8/11/1932 | Maori | Connecticut Yankees ; Rudy Vallée | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W152258 | 10-in. | 8/11/1932 | Maori | Connecticut Yankees ; Rudy Vallée | Dubbed recording : Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W152479 | 10-in. | 8/22/1933 | Way down yonder in New Orleans | Drake Hotel Orchestra ; Clyde McCoy | Jazz/dance band | songwriter | |
OKeh | 155 | 10-in. | ca. June 1918 | That's it | Jazarimba Orchestra | Instrumental ensemble | songwriter | |
OKeh | 299 | 10-in. | approximately Aug. 1918 | Good-bye, Alexander | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
OKeh | 342 | 10-in. | ca. Sept. 1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
OKeh | 592 | 10-in. | ca. Feb. 1919 | Oh! Lawdy (Something's done got between Ebecaneezer and me) | Billy Murray | Male vocal solo, with orchestra | songwriter | |
OKeh | S-7680 | 10-in. | Nov. 1920 | Strut, Miss Lizzie | Al Bernard | Male vocal solo, with orchestra | lyricist | |
OKeh | S-70499 | 10-in. | Feb. 1922 | Jig walk | Sophie Tucker | Female vocal solo, with orchestra | lyricist | |
OKeh | S-70768 | 10-in. | Aug. 1922 | Mandy | Ernest Hare | Male vocal solo, with orchestra | lyricist | |
OKeh | S-70927 | 10-in. | Oct. 1922 | Childhood days | Blue Ribbon Trio | Instrumental trio | songwriter | |
OKeh | S-71072 | 10-in. | Dec. 1922 | There's a rainbow in the sky | Billy Jones | Male vocal solo, with orchestra | songwriter | |
OKeh | S-71171 | 10-in. | Jan. 1923 | Way down yonder in New Orleans | George Kelly ; The Original Six | Jazz/dance band | songwriter | |
OKeh | S-71174 | 10-in. | January 1923 | Whoa, Tillie, take your time! | George Kelly ; The Original Six | Jazz/dance band | songwriter | |
OKeh | S-71396 | 10-in. | April 1923 | Vamping Sal (The sheba of Georgia) | Rega Dance Orchestra ; Sophie Tucker | Female vocal solo, with jazz/dance band | lyricist | |
OKeh | S-71397 | 10-in. | April 1923 | Down by the river | Rega Dance Orchestra ; Sophie Tucker | Female vocal solo, with jazz/dance band | songwriter | |
OKeh | S-72544 | 10-in. | May 1924 | Go 'long, mule | Johnny Marvin ; Charles Sargent | Male vocal duet | songwriter | |
OKeh | S-72748 | 10-in. | 8/11/1924 | Any way the wind blows (My sweetie goes) | Arkansaw Travellers ; Vernon Dalhart | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | S-72848 | 10-in. | 9/24/1924 | Go Emmaline | Goofus Five | Jazz/dance ensemble | songwriter | |
OKeh | S-72933 | 10-in. | Oct. 1924 | Go 'long mule | The Goofus Five ; Ernest Hare | Jazz/dance ensemble, with male vocal solo | lyricist | |
OKeh | 73565 | 10-in. | 8/20/1925 | Oh, say! Can I see you tonight? | The Red Hotters | Jazz/dance band | songwriter | |
OKeh | 73739 | 10-in. | 10/26/1925 | You can't shush Katie (The gabbiest girl in town) | Eva Taylor | Female vocal solo, with instrumental sextet | lyricist | |
OKeh | W80262 | 10-in. | 12/24/1926 | I need lovin' | Russell Douglas [Lem Cleg] ; The Goofus Five | Jazz/dance ensemble, with male vocal solo | songwriter | |
OKeh | W80291 | 10-in. | 1/6/1927 | Jersey walk (Shake 'em up, kid) | Tom Stacks and his Minute Men | Jazz/dance band, with male vocal solo | songwriter | |
OKeh | W80413 | 10-in. | 2/10/1927 | If I could be with you | Clarence Williams’ Blue Five ; Eva Taylor | Female vocal solo, with jazz/dance band | lyricist | |
OKeh | W80716 | 10-in. | 4/11/1927 | After you've gone | Miff Mole's Molers [Five Pennies] ; Ted Shapiro ; Sophie Tucker | Female vocal solo, with jazz/dance band | lyricist | |
OKeh | W81207 | 10-in. | 8/10/1927 | Clementine (From New Orleans) | Goofus Five | Jazz/dance ensemble, with female vocal solo | lyricist | |
OKeh | W81777 | 10-in. | 11/3/1927 | Chicago stomp down | The Chicago Footwarmers [Duke Ellington Orchestra] | Jazz/dance band, with female vocal solo | lyricist | |
OKeh | W403454 | 10-in. | 11/26/1929 | After you've gone | Louis Armstrong Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | W404406 | 10-in. | 8/19/1930 | If I could be with you (One hour to-night) | Louis Armstrong ; Sebastian New Cotton Club Orchestra | Jazz/ dance band, with male vocal solo | songwriter | |
OKeh | W404453 | 10-in. | 9/16/1930 | If I could be with you (One hour tonight) | Seger Ellis | Male vocal solo, with jazz/dance band | lyricist | |
OKeh | W490005 | 10-in. | 11/26/1929 | After you've gone | Louis Armstrong Orchestra | Jazz/dance band | lyricist | |
OKeh | [OK cat 1095-A] | 10-in. | approximately 1918 | After you've gone | Irving Kaufman | Male vocal solo | lyricist | |
OKeh | [OK cat 1132-A] | 10-in. | approximately 1918 | I'm too tired to make love | Ada Jones | Female vocal solo | songwriter | |
Brunswick | VO1038 | 10-in. | 6/25/1931 | I need lovin’ | Alabama Washboard Stompers | Instrumental ensemble, with male vocal solo | songwriter | |
Brunswick | [Br cat 5217-b] | 10-in. | approximately Apr. 1918 | Everybody's crazy 'bout the doggone blues, but I'm happy | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
Brunswick | 5074 | 10-in. | approximately Feb. 1921 | Strut, Miss Lizzie | Al Bernard ; Carl Fenton’s Orchestra | Male vocal solo, with orchestra | lyricist | |
Brunswick | B53-B54 | 10-in. | 8/4/1924 | Africa | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 6957 | 10-in. | approximately Dec. 1921 | Dear old Southland | Ernest Hare | Male vocal solo, with orchestra | lyricist | |
Brunswick | 8578-8580 | 10-in. | approximately Aug. 1922 | 'Way down yonder in New Orleans | Margaret Young | Female vocal solo, with orchestra | songwriter | |
Brunswick | 8597-8599 | 10-in. | approximately Aug. 1922 | Come along | White Way Quartet | Male vocal quartet, with orchestra | lyricist | |
Brunswick | 9404-9406 | 10-in. | approximately Dec. 1922 | Whoa, Tillie, take your time | Margaret Young | Female vocal solo, with orchestra | songwriter | |
Brunswick | 9869-9871 | 10-in. | February 1923 | Way down yonder in New Orleans | Cotton Pickers | Jazz/dance band | composer | |
Brunswick | 10424-10427 | 10-in. | 4/20/1923 | Down by the river | Cotton Pickers ; Ernest Hare | Jazz/dance band, with male vocal solo | songwriter | |
Brunswick | 12029-12031 | 10-in. | 12/4/1923 | Why should I weep about one sweetie | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 13701-13703 | 10-in. | 8/8/1924 | Go ‘long mule | Carl Fenton’s Orchestra | Jazz/dance band, with male vocal duet | lyricist | |
Brunswick | XE27621 | 12-in. | 5/31/1928 | Dear old Southland | Five Pennies ; Scrappy Lambert ; Red Nichols | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | E27628 | 10-in. | 6/1/1928 | After you’ve gone | Libby Holman | Female vocal solo, with guitar and piano | lyricist | |
Brunswick | E31924 | 10-in. | 2/3/1930 | After you’ve gone | Five Pennies ; Red Nichols | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E32448 | 10-in. | 3/20/1930 | Maori | Jungle Band | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E32950 | 10-in. | 6/6/1930 | Strut Miss Lizzie | Hotsy Totsy Gang ; Irving Mills | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E33943 | 10-in. | Aug. 1930 | If I could be with you | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Brunswick | E34202 | 10-in. | Sept. 1930 | If I could be with you | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Brunswick | E34908 | 10-in. | 10/13/1930 | If I could be with you | Alabama Washboard Stompers | Instrumental ensemble, with male vocal solo | lyricist | |
Brunswick | E37270 | 10-in. | 10/22/1931 | After you’ve gone | All Star Orchestra ; Eddie Lang ; Joe Venuti | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E2581-E2583 | 10-in. | 3/2/1926 | There’s nothin’ on my mind | Vertmonte Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
Brunswick | E4497-E4499 | 10-in. | 2/2/1927 | After you've gone | Evelyn Thompson | Female vocal solo, with guitar and piano | lyricist | |
Brunswick | E21746-E21747 | 10-in. | 3/5/1927 | Mary dear (I miss you most of all) | Enoch Light's Blue Jay Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
Brunswick | E22438-E22441 | 10-in. | 4/15/1927 | Mary dear (I miss you most of all) | Hal Kemp Orchestra | Jazz/dance band, with vocal trio | songwriter | |
Brunswick | E22975-E22977 | 10-in. | 5/5/1927 | Mary dear (I miss you most of all) | Hal Kemp Orchestra | Jazz/dance band, with male vocal trio | songwriter | |
Brunswick | E24668-E24670 | 10-in. | 10/10/1927 | After you’ve gone | Ewen Hail | Male vocal solo, with piano | lyricist | |
Brunswick | E30946-E30947 | 10-in. | Sept. 1929 | Why can’t you love that way? | Jack Denny ; Mount Royal Hotel Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | C1972 | 10-in. | 5/24/1928 | Dear old Southland | Original Wolverines ; Richard Dick | Jazz/dance band, with vocal | lyricist | |
Brunswick | C4688 | 10-in. | 10/21/1929 | After you’ve gone | The Savannah Syncopators | Jazz/dance band, with female vocal solo | lyricist | |
Brunswick | C4787 | 10-in. | 12/3/1929 | Remarkable girl | Fred Hamm Orchestra | Jazz/dance band, with male vocal solo; without vocal | lyricist | |
Brunswick | C6101 | 10-in. | Aug. 1930 | If I could be with you | Tom Gerun Orchestra | Jazz/dance band, with vocal; without vocal (take G) | songwriter | |
Brunswick | C6118 | 10-in. | Aug. 1930 | If I could be with you | Lee Sims | Piano solo | songwriter | |
Brunswick | C6137 | 10-in. | Sept. 1930 | If I could be with you | Tom Gerun Orchestra | Jazz/dance band, with vocal; without vocal (take G) | lyricist | |
Brunswick | C7913 | 10-in. | 7/27/1931 | I need lovin’ | Jimmie Noone Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
Brunswick | 522W-524W | 10-in. | 3/10/1925 | I had someone else before I had you (And I’ll have someone after you’ve gone) | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Brunswick | 1164W-1166W | 10-in. | 8/14/1925 | You can't shush Katy | Rube Bloom ; Peggy English | Female vocal solo, with piano | lyricist | |
Brunswick | 1188W-1190W | 10-in. | 8/19/1925 | Oh say, can I see you tonight | Ben Bernie ; Hotel Roosevelt Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | R267 | 10-in. | approximately Aug. 1927 | Way down yonder in New Orleans | Fred Elizalde | Piano solo | songwriter | |
Edison | 5474 | 10-in. | 3/27/1917 | The cute little wigglin' dance | Arthur Collins ; Byron G. Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 5845 | 10-in. | 10/11/1917 | Sweet Emalina, my gal | Vernon Dalhart | Male vocal solo, with orchestra | lyricist | |
Edison | 5852 | 10-in. | 10/19/1917 | That's it | Frisco "Jass" Band | Jazz/dance band | composer | |
Edison | 6011 | 10-in. | between 2/7/1918 and 2/12/1918 | Everybody's crazy 'bout the doggone blues | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 6308 | 10-in. | between 8/4/1918 and 8/12/1918 | Good-bye Alexander | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Edison | 6333 | 10-in. | 8/26/1918 | I'm waiting for you, Liza Jane | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 6439 | 10-in. | 11/4/1918 | Sweet 'n pretty (Gee! I wish you were mine) | Collins and Harlan | Male vocal duet, with orchestra | songwriter | |
Edison | 6454 | 10-in. | 11/12/1918 | After you've gone | Rachael Grant ; Billy Murray | Female-male vocal duet, with orchestra | lyricist | |
Edison | 6491 | 10-in. | between 12/2/1918 and 12/11/1918 | I'm too tired to make love | Ada Jones | Female vocal solo, with orchestra | songwriter | |
Edison | 6687 | 10-in. | 3/26/1919 | Oh! Lawdy (Something's done got between Ebecaneezer and me) | Ada Jones | Female vocal solo, with orchestra | songwriter | |
Edison | 6792 | 10-in. | 5/15/1919 | Mary Ann medley | Green Brothers' Novelty Orchestra | Jazz/dance band | songwriter | |
Edison | 7110 | 10-in. | 1/13/1920 | I'm waiting for you, Liza Jane | Vernon Dalhart | Male vocal solo, with orchestra | lyricist | |
Edison | 7410 | 10-in. | 6/17/1920 | You can't trust nobody | Ernest Hare | Male vocal solo, with orchestra | songwriter | |
Edison | 7735 | 10-in. | 1/11/1921 | Strut Miss Lizzie | Al Bernard | Male vocal solo, with orchestra | lyricist | |
Edison | 8325 | 10-in. | 12/23/1921 | Dear old Southland | Vernon Dalhart | Male vocal solo, with orchestra | lyricist | |
Edison | 8553 | 10-in. | 7/31/1922 | I love sweet Angeline | Kaplan's Melodists | Jazz/dance band | composer | |
Edison | 8652 | 10-in. | 11/3/1922 | Send back my honeyman | Dennis Sisters | Female vocal trio, with piano | lyricist | |
Edison | 8876 | 10-in. | 3/13/1923 | If you go, you'll come back, by and by | Marguerite Farrell | Female vocal solo | lyricist | |
Edison | 8885 | 10-in. | 3/21/1923 | Vamping Sal (The Sheba of Georgia) | Jack Holt | Male vocal solo, with orchestra | lyricist | |
Edison | 8886 | 10-in. | 3/21/1923 | Down by the river | Ernest Hare | Male vocal solo, with orchestra | songwriter | |
Edison | 9642 | 10-in. | 7/24/1924 | Go 'long mule | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Edison | 9653 | 10-in. | 7/31/1924 | Any way the wind blows (My sweetie goes) | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 9656 | 10-in. | 8/2/1924 | Go, Emmaline | Vernon Dalhart ; Green Brothers' Novelty Band | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 10500 | 10-in. | 7/15/1925 | Oh say! Can I see you to-night | Golden Gate Orchestra [California Ramblers] ; Arthur Hall | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 10548 | 10-in. | 8/6/1925 | Oh say! Can I see you to-night | That Singing Four | Male vocal quartet, with orchestra | lyricist | |
Edison | 10618 | 10-in. | 10/6/1925 | I'm happy go lucky there's nothing on my mind | Elsie Clark ; Nelson Story | Female vocal solo, with piano | songwriter | |
Edison | 11219 | 10-in. | 9/27/1926 | Jersey walk (Shake 'em up, kid) | Johnny Marvin | Male vocal solo, with ukulele | songwriter | |
Edison | 11628 | 10-in. | 4/6/1927 | Mary dear (I miss you most of all) | J. Donald Parker ; Phil Napoleon Orchestra | Jazz/dance band, with male vocal solo | songwriter | |
Edison | 11916 | 10-in. | 9/27/1927 | Clementine (From New Orleans) | Golden Gate Orchestra [California Ramblers] | Jazz/dance band, with male vocal solo | lyricist | |
Edison | N-1123 | 10-in. | 9/9/1929 | Why can't you love that way? | 7 Blue Babies ; Ermine Calloway | Female vocal solo, with jazz/dance band | lyricist | |
Gramophone | 0LA1060 | 10-in. | 5/4/1936 | After you've gone | Stephane Grappelli ; Hot Club de France. Quintette ; Django Reinhardt ; Freddy Taylor | Jazz/dance ensemble, with male vocal solo | lyricist | |
Gramophone | 0EA8283 | 10-in. | 9/26/1939 | Dear old Southland | Paul Robeson | Bass vocal solo, with orchestra | lyricist | |
Zonophone | Z-104 | 10-in. | 11/2/1910 | Sweetness | Peerless Quartet | Male vocal solo, with orchestra | songwriter |
Citation
Discography of American Historical Recordings, s.v. "Creamer, Henry," accessed October 12, 2024, https://adpprod1.library.ucsb.edu/names/106675.
Creamer, Henry. (2024). In Discography of American Historical Recordings. Retrieved October 12, 2024, from https://adpprod1.library.ucsb.edu/names/106675.
"Creamer, Henry." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 12 October 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Creamer, Henry, 1879-1930 - http://id.loc.gov/authorities/names/n92100048
Wikidata: Henry Creamer - http://www.wikidata.org/entity/Q1567008
VIAF: http://viaf.org/viaf/233041701
MusicBrainz: Henry Creamer - https://musicbrainz.org/artist/3892725a-b68b-454a-9c9f-dd58abe983e6
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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