Harry Von Tilzer
Harry Von Tilzer (born Aaron Gumbinsky, also known as Harry Gumm; 8 July 1872 – 10 January 1946) was an American composer, songwriter, publisher and vaudeville performer. |
Birth and Death Data: Born July 8, 1872 (Detroit), Died January 10, 1946 (New York City)
Date Range of DAHR Recordings: 103 - 1949
Roles Represented in DAHR: composer, lyricist, arranger
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Berliner | 1876 | 7-in. | Aug. 1898 | Just come up and take dem presents back | John Terrell | Male vocal solo | composer | |
Berliner | 1878 | 7-in. | Aug. 1898 | Jack, how I envy you | John Terrell | Male vocal solo | composer, lyricist | |
Berliner | 1958 | 7-in. | June 1898-Mar. 1899 | My old New Hampshire home | S. H. Dudley | Male vocal solo | composer | |
Berliner | 014 | 7-in. | 4/15/1899 | You'll get all that's coming to you | Len Spencer | Male vocal solo | composer | |
Berliner | 036 | 7-in. | 4/4/1899 | You'll get all that's coming to you | Dan W. Quinn | Male vocal solo | composer | |
Berliner | 068 | 7-in. | 4/5/1899 | My old New Hampshire home | George J. Gaskin | Male vocal solo | composer | |
Berliner | 0136 | 7-in. | 3/22/1899 | My old New Hampshire home | Albert Campbell | Male vocal solo | composer | |
Berliner | 0665 | 7-in. | 2/6/1900 | Where the sweet magnolias bloom | Harry Macdonough | Male vocal solo | composer | |
Berliner | 0712 | 7-in. | 11/9/1899 | I'd leave my happy home for you | Edward M. Favor | Male vocal solo | composer | |
Berliner | 0750 | 7-in. | 11/22/1899 | Where the sweet magnolias bloom | Albert Campbell | Male vocal solo | composer | |
Berliner | 0753 | 7-in. | 11/25/1899 | I've just received a telegram from baby | Arthur Collins | Male vocal solo | composer | |
Berliner | 0758 | 7-in. | 11/25/1899 | I'd leave my happy home for you | Arthur Collins | Male vocal solo | composer | |
Berliner | 01001 | 7-in. | 2/19/1900 | I wouldn't leave my home if I were you | Arthur Collins | Male vocal solo | composer | |
Berliner | 01130 | 7-in. | Mar. 1900 | A bird in a gilded cage | Harry Macdonough | Male vocal solo | composer | |
Berliner | 01131 | 7-in. | 3/22/1900 | Where the sweet magnolias bloom | Haydn Quartet | Male vocal quartet | composer | |
Berliner | 01290 | 7-in. | May 1900 | I’ve just received a telegram from baby | Arthur Collins | Male vocal solo | composer | |
Victor | [Pre-matrix A-]37 | 7-in. | 5/23/1900 | Parody on "I"d leave my happy home for you" | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix B-]160 | 10-in. | 9/19/1902 | I'd leave my happy home for you | Arthur Collins | Male vocal solo | composer | |
Victor | [Pre-matrix A-]160 | 7-in. | 7/20/1900 | I'd leave my happy home for you | Arthur Collins | Male vocal solo | composer | |
Victor | [Pre-matrix B-]652 | 10-in. | 4/8/1901 | When the harvest days are over | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]652 | 7-in. | 2/6/1901 | When the harvest days are over | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]714 | 10-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix A-]714 | 7-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix A-]767 | 7-in. | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira | Male vocal duet | composer | |
Victor | [Pre-matrix B-]869 | 10-in. | 6/12/1901 | The spider and the fly | Steve Porter | Male vocal solo | composer | |
Victor | [Pre-matrix A-]869 | 7-in. | 6/12/1901 | The spider and the fly | Steve Porter | Male vocal solo | composer | |
Victor | [Pre-matrix B-]927 | 10-in. | 10/30/1902 | Marching to the music of the band | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix A-]927 | 7-in. | 7/18/1901 | Marching to the music of the band | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]993 | 10-in. | 10/11/1901 | Where was Moses when the light went out? | Bert Williams | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix A-]993 | 7-in. | 10/11/1901 | Where was Moses when the lights went out? | Bert Williams | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix C-]1087 | 12-in. | 6/11/1902 | First Comes Your Duty to Your Flag | S. H. Dudley | Male vocal solo, with bugle calls | composer | |
Victor | [Pre-matrix B-]1087 | 10-in. | 11/9/1901 | First comes your duty to your flag | S. H. Dudley | Male vocal solo, with bugle calls | composer | |
Victor | [Pre-matrix A-]1087 | 7-in. | 11/9/1901 | First comes your duty to your flag | S. H. Dudley | Male vocal solo, with bugle calls | composer | |
Victor | [Pre-matrix C-]1123 | 12-in. | 7/3/1902 | My lady Hottentot | Silas Leachman | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1123 | 10-in. | 12/3/1901 | My lady Hottentot | Silas Leachman | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1123 | 7-in. | 12/3/1901 | My lady Hottentot | Silas Leachman | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1298 | 10-in. | 3/5/1902 | Whoa, Bill! | Arthur Collins ; Joseph Natus | Male vocal duet, with piano | composer | |
Victor | [Pre-matrix A-]1298 | 7-in. | 3/5/1902 | Whoa, Bill! | Arthur Collins ; Joseph Natus | Male vocal duet, with piano | composer | |
Victor | [Pre-matrix C-]1314 | 12-in. | 5/28/1902 | When the harvest days are over | Haydn Quartet | Male vocal quartet | composer | |
Victor | [Pre-matrix B-]1314 | 10-in. | 3/12/1902 | When the harvest days are over | Haydn Quartet | Male vocal quartet | composer | |
Victor | [Pre-matrix A-]1314 | 7-in. | 3/12/1902 | When the harvest days are over | Haydn Quartet | Male vocal quartet | composer | |
Victor | [Pre-matrix B-]1357 | 10-in. | 4/9/1902 | On a Sunday afternoon | Edward M. Favor | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1357 | 7-in. | 4/9/1902 | On a Sunday afternoon | Edward M. Favor | Male vocal solo | composer | |
Victor | [Pre-matrix C-]1390 | 12-in. | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1390 | 10-in. | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1390 | 7-in. | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1391 | 10-in. | 5/17/1902 | On a Sunday afternoon | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1391 | 7-in. | 5/17/1902 | On a Sunday afternoon | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1395 | 10-in. | 5/17/1902 | Jennie Lee | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1395 | 7-in. | 5/17/1902 | Jennie Lee | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1415 | 10-in. | 5/28/1902 | The mansion of aching hearts | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1415 | 7-in. | 5/28/1902 | The mansion of aching hearts | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix C-]1433 | 12-in. | 6/18/1902 | Popular melodies | Sousa's Band | Band | composer | |
Victor | [Pre-matrix B-]1433 | 10-in. | 6/18/1902 | Popular melodies | Sousa's Band | Band | composer | |
Victor | [Pre-matrix A-]1433 | 7-in. | 6/18/1902 | Popular melodies | Sousa's Band | Band | composer | |
Victor | [Pre-matrix C-]1471 | 12-in. | 7/10/1902 | I want to be an actor lady | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1471 | 10-in. | 7/11/1902 | I want to be an actor lady | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1471 | 7-in. | 7/11/1902 | I want to be an actor lady | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1621 | 10-in. | 9/10/1902 | Down where the cotton blossoms grow | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix A-]1621 | 7-in. | 6/12/0103 | Down where the cotton blossoms grow | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix B-]1629 | 10-in. | 9/18/1902 | I just can't help from loving that man | Arthur Collins | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1629 | 7-in. | 9/18/1902 | I just can't help from loving that man | Arthur Collins | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1635 | 10-in. | 9/19/1902 | Down where the Wurzburger flows | Arthur Collins | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix A-]1635 | 7-in. | 9/19/1902 | Down where the Wurzburger flows | Arthur Collins | Male vocal solo, with piano | composer | |
Victor | [Pre-matrix B-]1665 | 10-in. | 10/8/1902 | Whoa Bill | Vess L. Ossman | Banjo solo | composer | |
Victor | [Pre-matrix A-]1665 | 7-in. | 10/8/1902 | Whoa Bill | Vess L. Ossman | Banjo solo | composer | |
Victor | [Pre-matrix B-]1767 | 10-in. | 11/14/1902 | Whoa! Bill! | Clarke's Band of Providence | Band | composer | |
Victor | [Pre-matrix A-]1767 | 7-in. | 11/14/1902 | Whoa! Bill! | Clarke's Band of Providence | Band | composer | |
Victor | [Pre-matrix B-]1855 | 10-in. | 1/9/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough | Male vocal duet | composer | |
Victor | [Pre-matrix A-]1855 | 7-in. | 1/9/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough | Male vocal duet | composer | |
Victor | [Pre-matrix B-]1901 | 10-in. | 1/16/1902 | I want to be an actor lady | Len Spencer | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1901 | 7-in. | 1/16/1903 | I want to be an actor lady | Len Spencer | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1983 | 10-in. | 2/19/1903 | Ephasafa Dill | Edward M. Favor | Male vocal solo | composer | |
Victor | [Pre-matrix A-]1983 | 7-in. | 2/19/1903 | Ephasafa Dill | Edward M. Favor | Male vocal solo | composer | |
Victor | [Pre-matrix B-]2075 | 10-in. | 3/17/1903 | On a Sunday afternoon | Jules Levy | Cornet solo | composer | |
Victor | [Pre-matrix A-]2075 | 7-in. | 3/17/1903 | On a Sunday afternoon | Jules Levy | Cornet solo | composer | |
Victor | [Pre-matrix B-]2099 | 10-in. | 3/20/1903 | Meet me when the sun goes down | W. H. Thompson | Male vocal solo | composer | |
Victor | [Pre-matrix A-]2099 | 7-in. | 3/20/1903 | Meet me when the sun goes down | William H. Thompson | Male vocal solo | composer | |
Victor | [Pre-matrix B-]2195 | 10-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix A-]2195 | 7-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3079 | 10-in. | 2/6/1901 | When the harvest days are over | Harry Macdonough | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3106 | 10-in. | 2/15/1901 | I'd leave my happy home for you | George P. Watson | Male vocal solo (yodeling) | composer | |
Victor | [Pre-matrix B-]3149 | 10-in. | 2/27/1901 | I ain't agoin' to weep no more | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3151 | 10-in. | 2/27/1901 | My Jersey lily | Dan W. Quinn | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3176 | 10-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3180 | 10-in. | 3/6/1901 | When the harvest days are over | Haydn Quartet | Male vocal quartet | composer | |
Victor | [Pre-matrix B-]3311 | 10-in. | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira | Male vocal duet | composer | |
Victor | [Pre-matrix B-]3471 | 10-in. | 6/12/1901 | The spider and the fly | Steve Porter | Male vocal solo | composer | |
Victor | [Pre-matrix B-]3529 | 10-in. | 7/18/1901 | Marching to the music of the band | Dan W. Quinn | Male vocal solo | composer | |
Victor | B-174 | 10-in. | 6/30/1903 | When Kate and I were coming thro' the rye | James Doyle | Male vocal solo | composer | |
Victor | B-212 | 10-in. | 7/29/1903 | Whoa Bill! | Clarke's Band of Providence | Band | composer | |
Victor | A-212 | 7-in. | 7/29/1903 | Whoa Bill! | Clarke's Band of Providence | Band | composer | |
Victor | B-224 | 10-in. | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | A-224 | 7-in. | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | A-225 | 7-in. | 5/24/1904 | When the harvest days are over | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | B-225 | 10-in. | 8/3/1903 | When the harvest days are over | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | C-285 [Old series] | 12-in. | 2/9/1903 or 5/26/1903 | Iffa Saffa Dill | Kilties' Band of Canada | Band | composer | |
Victor | B-404 | 10-in. | 9/9/1903 | Down on the farm | Haydn Quartet | Male vocal quartet, with orchestra | composer | |
Victor | A-404 | 7-in. | 9/9/1903 | Down on the farm | Haydn Quartet | Male vocal quartet | composer | |
Victor | B-461 | 10-in. | 9/29/1903 | Wouldn't that make you hungry | Billy Murray | Male vocal solo, with piano | composer | |
Victor | A-461 | 7-in. | 9/29/1903 | Wouldn't that make you hungry | Billy Murray | Male vocal solo, with piano | composer | |
Victor | A-471 | 7-in. | 10/1/1903 | Wouldn't that make you hungry | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-471 | 10-in. | 10/1/1903 | Wouldn't that make you hungry | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-495 | 10-in. | 10/6/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough | Male vocal duet, with piano | composer | |
Victor | A-495 | 7-in. | 10/6/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough | Male vocal duet, with piano | composer | |
Victor | B-561 | 10-in. | 10/14/1903 | The mansion of aching hearts | Harry Macdonough | Male vocal solo | composer | |
Victor | A-561 | 7-in. | 10/14/1903 | The mansion of aching hearts | Harry Macdonough | Male vocal solo | composer | |
Victor | B-594 | 10-in. | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins | Male vocal solo, with piano | composer | |
Victor | A-594 | 7-in. | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins | Male vocal solo, with piano | composer | |
Victor | A-596 | 7-in. | 10/26/1903 | Down where the Wurzburger flows | Arthur Collins | Male vocal solo | composer | |
Victor | B-614 | 10-in. | 10/28/1903 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley | Female-male vocal duet, with orchestra | composer | |
Victor | A-614 | 7-in. | 10/28/1903 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley | Female-male vocal duet, with orchestra | composer | |
Victor | C-632 | 12-in. | 11/5/1903 | Keep off the grass | Vess L. Ossman | Banjo solo, with piano | composer | |
Victor | B-632 | 10-in. | 11/5/1903 | Keep off the grass | Vess L. Ossman | Banjo solo, with piano | composer | |
Victor | A-632 | 7-in. | 11/5/1903 | Keep off the grass | Vess L. Ossman | Banjo solo, with piano | composer | |
Victor | B-633 | 10-in. | 11/5/1903 | Banjo 'Lize | Vess L. Ossman ; Len Spencer | Male vocal solo, with banjo | composer | |
Victor | A-633 | 7-in. | 11/5/1903 | Banjo 'Lize | Vess L. Ossman ; Len Spencer | Male vocal solo, with banjo | composer | |
Victor | B-733 | 10-in. | 11/20/1903 | When the harvest days are over | Haydn Quartet | Male vocal quartet, with piano | composer | |
Victor | A-733 | 7-in. | 11/20/1903 | When the harvest days are over | Haydn Quartet | Male vocal quartet, with piano | composer | |
Victor | B-752 | 10-in. | 11/30/1903 | Meet me when the sun goes down | W. H. Thompson | Male vocal solo | composer | |
Victor | B-795 | 10-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo, with orchestra | composer | |
Victor | B-887 | 10-in. | 1/7/1904 | Isn't it lovely to be on the stage | Billy Murray | Male vocal solo, with piano | composer | |
Victor | A-887 | 7-in. | 1/7/1904 | It must be lovely to be on the stage | Billy Murray | Male vocal solo, with piano | composer | |
Victor | B-888 | 10-in. | 1/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with piano | composer | |
Victor | A-888 | 7-in. | 1/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with piano | composer | |
Victor | A-890 | 7-in. | 1/7/1904 | Goodbye, Eliza Jane | Billy Murray | Male vocal solo, with piano | composer | |
Victor | B-891 | 10-in. | 1/11/1904 | Hannah | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | A-891 | 7-in. | 1/11/1904 | Hannah | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-1015 | 10-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | composer | |
Victor | A-1015 | 7-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | composer | |
Victor | C-1061 | 12-in. | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-1061 | 10-in. | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | A-1061 | 7-in. | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | B-1065 | 10-in. | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn | Male vocal solo, with orchestra | composer | |
Victor | A-1065 | 7-in. | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn | Male vocal solo, with orchestra | composer | |
Victor | B-1080 | 10-in. | 3/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | A-1080 | 7-in. | 3/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-1169 | 10-in. | 3/29/1904 | On a Sunday afternoon | Harry Macdonough | Male vocal solo, with piano | composer | |
Victor | B-1273 | 10-in. | 4/27/1904 | Good bye Eliza Jane medley | Arthur Pryor's Band | Band | arranger | |
Victor | A-1273 | 7-in. | 4/27/1904 | Good-bye Liza Jane medley | Arthur Pryor's Band | Band | arranger | |
Victor | B-1285 | 10-in. | 4/29/1904 | Meet me in St. Louis medley waltz | Arthur Pryor's Band | Band | arranger | |
Victor | C-1285 | 12-in. | 4/29/1904 | Meet me in St. Louis medley waltz | Arthur Pryor's Band | Band | arranger | |
Victor | A-1285 | 7-in. | 4/29/1904 | "Meet me in St. Louis" medley | Arthur Pryor's Band | Band | arranger | |
Victor | B-1341 | 10-in. | 5/23/1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | A-1341 | 7-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-1412 | 10-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | A-1412 | 7-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | composer | |
Victor | A-1489 | 7-in. | 6/20/1904 | Medley of Broadway hits | Frank S. Mazziotta | Piccolo solo, with piano | arranger | |
Victor | B-1489 | 10-in. | 6/20/1904 | Medley of Broadway hits | Frank S. Mazziotta | Piccolo solo, with piano | arranger | |
Victor | B-1493 | 10-in. | 6/20/1904 | Alexander | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | A-1493 | 7-in. | 6/20/1904 | Alexander | Bob Roberts | Male vocal solo, with piano | composer | |
Victor | B-1626 | 10-in. | 7/20/1904 | All aboard for Dreamland | Harry Tally | Male vocal solo, with piano | composer | |
Victor | A-1626 | 7-in. | 7/20/1904 | All aboard for Dreamland | Harry Tally | Male vocal solo, with piano | composer | |
Victor | B-1752 | 10-in. | 10/11/1904 | Down at the baby store | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-1891 | 10-in. | 11/3/1904 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | C-1893 | 12-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-1893 | 10-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-1959 | 10-in. | 11/22/1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-1961 | 10-in. | 11/22/1904 | Abraham | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-1962 | 10-in. | 11/22/1904 | Kalamazoo is no place for you | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-1964 | 10-in. | 11/22/1904 | A sail on the tail of a whale | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2097 | 10-in. | 12/28/1904 | When the frost is on the pumpkin | Harry Macdonough | Male vocal solo | composer | |
Victor | B-2154 | 10-in. | 1/18/1905 | Have you seen Maggie Riley? | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-2177 | 10-in. | 1/21/1905 | Whoa Bill! | Collins and Harlan | Male vocal duet | composer | |
Victor | B-2433 | 10-in. | 3/31/1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-2517 | 10-in. | 5/3/1905 | Just across the bridge of gold | Ada Jones | Female vocal solo, with orchestra | composer | |
Victor | E-2572 | 8-in. | 1/15/1907 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2572 | 10-in. | 5/22/1905 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2644 | 10-in. | 6/16/1905 | Coax me | Sousa's Band | Band, with trombone solo | composer | |
Victor | B-2672 | 10-in. | 6/26/1905 | What are you going to do when the rent comes 'round? | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | C-2673 | 12-in. | 6/27/1905 | Making eyes | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2758 | 10-in. | 9/19/1905 | Wait 'till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-2760 | 10-in. | 9/19/1905 | On the banks of the Rhine with a stein | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-2882 | 10-in. | 11/14/1905 | I'm the only star that twinkles on Broadway | Ada Jones | Female vocal solo, with orchestra | composer | |
Victor | B-2928 | 10-in. | 12/7/1905 | Wait till the sun shines, Nellie | Harry Tally | Male vocal solo, with orchestra | composer | |
Victor | B-3039 | 10-in. | 1/25/1906 | Moving day | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-3040 | 10-in. | 1/25/1906 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-3795 | 10-in. | 9/17/1906 | Abraham Jefferson Washington Lee | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-3798 | 10-in. | 9/17/1906 | In the evening by the moonlight, dear Louise | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-3799 | 10-in. | 9/17/1906 | The songs of the ragtime boy | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-3804 | 10-in. | 9/17/1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-3818 | 10-in. | 9/19/1906 | In the evening by the moonlight, dear Louise | Harry Macdonough | Male vocal solo, with orchestra | composer | |
Victor | B-3947 | 10-in. | 10/31/1906 | When the flowers bloom in springtime, Molly dear | Haydn Quartet | Male vocal quartet, with orchestra | composer | |
Victor | E-4139 | 8-in. | 12/13/1906 | Ida-ho | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-4715 | 10-in. | 7/26/1907 | Bye bye, dearie | Harry Tally | Male vocal solo, with orchestra | composer | |
Victor | B-4716 | 10-in. | 7/26/1907 | Sacramento | Harry Tally | Male vocal solo, with orchestra | composer | |
Victor | E-4718 | 8-in. | 7/26/1907 | Take me back to New York town | Harry Tally | Male vocal solo, with orchestra | composer | |
Victor | B-4721 | 10-in. | 7/29/1907 | Oh, oh, Miss Lucy Ella | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-4724 | 10-in. | 7/29/1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-4736 | 10-in. | 8/1/1907 | Mariuccia danca da-hootch-a-ma-kootch | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-4973 | 10-in. | 12/18/1907 | I got to see the minstrel show | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-6090 | 10-in. | 4/9/1908 | Summertime | Haydn Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-6298 | 10-in. | 7/13/1908 | Don't take me home | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-6304 | 10-in. | 7/13/1908 | When Highland Mary did the highland fling | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-6455 | 10-in. | 9/24/1908 | Mary Ann O'Houlihan | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-6662 | 10-in. | 12/11/1908 | Schooners that pass in the night | Haydn Quartet ; Billy Murray | Male vocal solo and male vocal quartet, with orchestra | composer | |
Victor | B-6766 | 10-in. | 2/2/1909 | When the harvest days are over | Harry Macdonough | Male vocal solo, with orchestra | composer | |
Victor | B-6869 | 10-in. | 3/9/1909 | Just one sweet girl | Harry Macdonough | Male vocal solo, with orchestra | composer | |
Victor | B-6978 | 10-in. | 4/9/1909 | I remember you | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-6998 | 10-in. | 4/23/1909 | In Ireland | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-7017 | 10-in. | 4/28/1909 | Sometime | Harry Macdonough | Male vocal solo, with orchestra | composer | |
Victor | B-7074 | 10-in. | 5/13/1909 | I love my wife, but oh, you kid! | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-8091 | 10-in. | 7/6/1909 | The girl I left before I left the girl I left behind me | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-8573 | 10-in. | 1/21/1910 | The Cubanola glide | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-8579 | 10-in. | 1/27/1910 | Cubanola glide | Victor Orchestra | Orchestra | composer | |
Victor | C-8647 | 12-in. | 2/18/1910 | La Cubanola glide | Arthur Pryor's Band | Band | composer | |
Victor | B-9310 | 10-in. | 7/11/1910 | Nora Malone | Blanche Ring | Female vocal solo, with orchestra | composer | |
Victor | B-9783 | 10-in. | 1/11/1911 | When Mariola do the Cubanola | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-9784 | 10-in. | 1/11/1911 | Gallagher | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-9794 | 10-in. | 1/12/1911 | I'll lend you everything I've got except my wife | Arthur Collins | Male vocal solo, with orchestra | composer | |
Victor | B-9796 | 10-in. | 1/12/1911 | Under the yum-yum tree | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-9945 | 10-in. | 2/10/1911 | I love it | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-10008 | 10-in. | 2/28/1911 | All aboard for Blanket Bay | Ada Jones | Female vocal solo, with orchestra | composer | |
Victor | B-10171 | 10-in. | 4/11/1911 | All alone | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-10225 | 10-in. | 4/25/1911 | All aboard for Blanket Bay | Walter Van Brunt | Male vocal solo, with orchestra | composer | |
Victor | B-10369 | 10-in. | 5/23/1911 | Missouri Joe | Arthur Collins | Male vocal solo | composer | |
Victor | B-10545 | 10-in. | 6/16/1911 | The baseball glide | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-10822 | 10-in. | 7/21/1911 | I want a girl just like the girl that married dear old Dad | Walter Van Brunt | Male vocal solo, with orchestra | composer | |
Victor | B-10839 | 10-in. | 7/27/1911 | I want a girl just like the girl that married dear old Dad | American Quartet | Male vocal quartet | composer | |
Victor | B-11126 | 10-in. | 10/23/1911 | They always pick on me | Ada Jones | Female vocal solo, with orchestra | composer | |
Victor | B-11145 | 10-in. | 10/23/1911 | Knock wood | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-11523 | 10-in. | 1/29/1912 | Don't leave me now | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-11730 | 10-in. | 3/15/1912 | The villain song | Al Jolson | Male vocal solo, with orchestra | composer | |
Victor | B-11732 | 10-in. | 3/15/1912 | Snap your fingers | Al Jolson | Male vocal solo, with orchestra | composer | |
Victor | B-12141 | 10-in. | 6/24/1912 | Somebody else is gettin' it | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-12142 | 10-in. | 6/24/1912 | Waiting for me | Ed Morton | Male vocal solo, with orchestra | composer | |
Victor | B-12780 | 10-in. | 1/9/1913 | Row, row, row medley | Victor Military Band | Band | composer | |
Victor | B-13002 | 10-in. | 3/18/1913 | Last night was the end of the world | Henry Burr | Male vocal solo | composer | |
Victor | B-13040 | 10-in. | 3/31/1913 | Good-bye boys | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-13110 | 10-in. | 4/11/1913 | And the green grass grew all around | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-13210 | 10-in. | 4/29/1913 | Last night was the end of the world | Victor Band | Band | composer | |
Victor | B-13309 | 10-in. | 5/14/1913 | I'd do as much for you | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-13558 | 10-in. | 7/10/1913 | Love me while the lovin' is good | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-13641 | 10-in. | 7/28/1913 | A little bunch of shamrocks (I am holding in my hand) | Arthur C. Clough | Male vocal solo, with orchestra | composer | |
Victor | B-13672 | 10-in. | 8/6/1913 | Swing, swing, swing | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-13673 | 10-in. | 8/6/1913 | On the old Fall River line | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | C-13945 | 12-in. | 10/9/1913 | On the old Fall River line | Victor Military Band | Band | composer | |
Victor | B-14324 | 10-in. | 1/14/1914 | Don't stop | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-14400 | 10-in. | 1/29/1914 | The song that stole my heart | Henry Burr | Male vocal solo, with orchestra | composer | |
Victor | B-14457 | 10-in. | 2/13/1914 | Do you take this woman for your lawful wife? | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-14635 | 10-in. | 3/26/1914 | That's a real moving picture from life | Billy Watkins | Male vocal solo, with orchestra | composer | |
Victor | B-14722 | 10-in. | 4/17/1914 | Hands off! | Irving Kaufman | Male vocal solo, with orchestra | composer | |
Victor | B-15450 | 10-in. | 12/2/1914 | They all had a finger in the pie | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-15452 | 10-in. | 12/2/1914 | I knew him when he was all right | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-15589 | 10-in. | 1/13/1915 | Somebody knows | Peerless Quartet | Male vocal quartet, with orchestra | lyricist, composer | |
Victor | B-15624 | 10-in. | 1/25/1915 | When my ship comes in | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Victor | B-15864 | 10-in. | 4/7/1915 | I'm proud to be the mother of a boy like you | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | C-15999 | 12-in. | 5/6/1915 | The Harry von Tilzer popular medley | Victor Military Band | Band | composer | |
Victor | B-16005 | 10-in. | 5/7/1915 | I wonder who wished her on me | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | CVE-16173 | 12-in. | 1/13/1927 | Songs of the past, no. 3 | Victor Mixed Chorus | Vocal chorus and soloists, with orchestra | composer | |
Victor | C-16173 | 12-in. | 7/2/1915 | Songs of the past, no. 3 | Victor Mixed Chorus | Vocal chorus and soloists, with orchestra | composer | |
Victor | B-16345 | 10-in. | 8/11/1915 | You'll always be the same sweet girl | James F. Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Victor | B-16717 | 10-in. | 10/25/1915 | Alagazam (To the music of the band) | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-16902 | 10-in. | 12/15/1915 | Dear old fashioned Irish songs my mother sang to me | Irving Kaufman ; Billy Murray | Male vocal duet, with orchestra | composer | |
Victor | B-16915 | 10-in. | 12/17/1915 | Hello! Boys, I'm back again | Dan W. Quinn | Male vocal solo, with orchestra | composer | |
Victor | B-16953 | 10-in. | 12/31/1915 | The ghost of the terrible blues | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-17014 | 10-in. | 1/17/1916 | It's a hundred-to-one you're in love | Dan W. Quinn | Male vocal solo, with orchestra | composer | |
Victor | B-17093 | 10-in. | 1/31/1916 | On the Hoko Moko isle | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-17206 | 10-in. | 2/24/1916 | Tell me some more | Marie Cahill | Female vocal solo, with orchestra | composer | |
Victor | B-17425 | 10-in. | 4/3/1916 | Keep off the grass | Vess L. Ossman | Banjo solo, with orchestra | composer | |
Victor | C-17476 | 12-in. | 4/11/1916 | Songs of the past, no. 12 | Victor Mixed Chorus | Vocal chorus and soloists, with orchestra | composer | |
Victor | C-17491 | 12-in. | 4/13/1916 | Harry von Tilzer medley, no. 2 | Victor Military Band | Band | composer | |
Victor | B-17708 | 10-in. | 5/18/1916 | There's someone more lonesome than you | James F. Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Victor | B-17767 | 10-in. | 5/31/1916 | I sent my wife to the Thousand Isles | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-17979 | 10-in. | 7/13/1916 | On the South Sea isle | Sterling Trio | Male vocal trio, with orchestra and guitars | lyricist, composer | |
Victor | B-18012 | 10-in. | 6/22/1916 | When Priscilla tries to reach high C | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-18130 | 10-in. | 7/18/1916 | When Uncle Sammy leads the band | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-18131 | 10-in. | 7/19/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Victor | B-18187 | 10-in. | 8/7/1916 | Sweet Babette she always did the minuet | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Victor | B-18308 | 10-in. | 8/11/1916 | You were just made to order for me | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist, composer | |
Victor | B-18551 | 10-in. | 10/16/1916 | Tho' I had a bit o' the divil in me | James Reed | Male vocal solo, with bells and orchestra | composer | |
Victor | B-18704 | 10-in. | 11/13/1916 | If it wasn't for you | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-18770 | 10-in. | 12/4/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-18788 | 10-in. | 12/13/1916 | Don't slam that door | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Victor | B-18943 | 10-in. | 12/28/1916 | On the Sandwich Isles | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-18945 | 10-in. | 12/28/1916 | Yukaloo | Sterling Trio | Male vocal trio, with orchestra | composer | |
Victor | B-18986 | 10-in. | 1/15/1917 | Just the kind of a girl (You'd love to make your wife) | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-18988 | 10-in. | 1/15/1917 | Somewhere in Dixie | James F. Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Victor | B-18989 | 10-in. | 1/15/1917 | Love will find the way | Reed Miller | Male vocal solo, with orchestra | composer | |
Victor | C-19852 | 12-in. | 5/15/1917 | Medley of old songs | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | composer | |
Victor | B-20003 | 10-in. | 5/29/1917 | The man behind the hammer and the plow | Peerless Quartet | Male vocal quartet, with orchestra | lyricist, composer | |
Victor | B-20032 | 10-in. | 6/12/1917 | I'm a twelve o'clock fellow (In a nine o'clock town) | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Victor | B-20228 | 10-in. | 7/18/1917 | Says I to myself, says I | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Victor | B-20229 | 10-in. | 7/18/1917 | Wonderful girl, goodnight | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Victor | C-20364 | 12-in. | 7/5/1917 | Wonderful girl, goodnight | Conway's Band | Band | composer | |
Victor | B-20439 | 10-in. | 7/24/1917 | Just as your mother was | Henry Burr | Male vocal solo, with orchestra | composer | |
Victor | B-20887 | 10-in. | 10/22/1917 | Down where the sweet potatoes grow | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-21008 | 10-in. | 10/26/1917 | Bring back the Kaiser to me | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-22443 | 10-in. | 12/2/1918 | Can you tame wild wimmen? | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-22521 | 10-in. | 1/9/1919 | Somebody's waiting for someone | Charles Hart | Male vocal solo, with violin and orchestra | composer | |
Victor | B-22573 | 10-in. | 2/7/1919 | Dreams | Vernon Dalhart | Male vocal solo, with bells and orchestra | composer | |
Victor | B-22622 | 10-in. | 3/12/1919 | Somebody's waiting for someone | Peerless Quartet | Male vocal quartet, with violin and orchestra | composer | |
Victor | B-22713 | 10-in. | 3/13/1919 | Keep off the grass | Fred Van Eps | Banjo solo, with piano | composer | |
Victor | B-23019 | 10-in. | 6/19/1919 | I ain't 'en got 'en no time to have the blues | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | composer | |
Victor | B-23136 | 10-in. | 9/5/1919 | Whoa January (You're going to be worse than July) | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-23572 | 10-in. | 1/12/1920 | When the harvest moon is shining | Charles Hart ; Lewis James | Male vocal duet, with violin and orchestra | composer | |
Victor | B-23598 | 10-in. | 1/22/1920 | He went in like a lion and came out like a lamb | Billy Murray | Male vocal solo, with orchestra | composer | |
Victor | B-23913 | 10-in. | 4/7/1920 | That old Irish mother of mine | Sterling Trio | Male vocal trio, with harp and orchestra | composer | |
Victor | B-24345 | 10-in. | 7/21/1920 | I've got the A-B-C-D blues | Billy Murray ; Ed Smalle | Male vocal duet, with bells and orchestra | composer | |
Victor | B-25103 | 10-in. | 3/17/1921 | Somebody's mother | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-25344 | 10-in. | 6/13/1921 | Irish home sweet home | Billy Murray ; Monroe Silver | Male vocal duet, with orchestra | composer | |
Victor | B-25345 | 10-in. | 6/14/1921 | Ain't you coming out Malinda? | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-25525 | 10-in. | 8/19/1921 | Humpty Dumpty | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | composer | |
Victor | B-25772 | 10-in. | 11/22/1921 | Happy Hottentot | Isabelle Patricola | Female vocal solo, with orchestra | composer | |
Victor | B-25776 | 10-in. | 11/22/1921 | You're a good old car (But you can't climb hills) | Isabelle Patricola | Female vocal solo, with orchestra | composer | |
Victor | B-25909 | 10-in. | 12/20/1921 | Mammy Lou | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-25921 | 10-in. | 12/23/1921 | Down in midnight town | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-26132 | 10-in. | 2/23/1922 | Those days are over | Henry Burr ; Albert Campbell | Male vocal duet, with harp, bassoon, and orchestra | composer | |
Victor | B-27049 | 10-in. | 10/24/1922 | A picture without a frame | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-27756 | 10-in. | 4/13/1923 | Old King Tut | Isabelle Patricola | Female vocal solo, with orchestra | composer | |
Victor | B-28486 | 10-in. | 9/18/1923 | Dear old lady | Sterling Trio | Male vocal trio, with orchestra | composer | |
Victor | B-28583 | 10-in. | 9/21/1923 | Songs of yesterday | The Manhattan Merrymakers | Jazz/dance band | composer | |
Victor | B-29216 | 10-in. | 12/24/1923 | My old New Hampshire home | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-29245 | 10-in. | 1/2/1924 | The green grass grew all around | American Quartet | Male vocal quartet, with orchestra | composer | |
Victor | B-29766 | 10-in. | 4/3/1924 | The little wooden whistle wouldn't whistle | Nelson Maples ; S.S. Leviathan Orchestra | Jazz/dance band, with male vocal solo | composer | |
Victor | B-31112 | 10-in. | 10/22/1924 | Oh, you can't fool an old hoss fly | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | composer | |
Victor | B-31500 | 10-in. | 12/10/1924 | Curiosa | Vess Ossman, Jr. ; Rex Schepp | Banjo duet, with piano | composer | |
Victor | BVE-33662 | 10-in. | 1/8/1926 | Just around the corner (May be sunshine for you) | Art Landry Orchestra | Jazz/dance band | composer | |
Victor | BVE-34290 | 10-in. | 1/21/1926 | Just around the corner | Shannon Quartet | Male vocal quartet, with orchestra | composer | |
Victor | BVE-34615 | 10-in. | 2/12/1926 | Just around the corner | The Revelers | Male vocal quartet, with piano | composer | |
Victor | BVE-36169 | 10-in. | 9/9/1926 | A bird in a gilded cage | Maurice J. Gunsky | Male vocal solo, with instrumental quartet | composer | |
Victor | BVE-37900 | 10-in. | 2/16/1927 | When the flowers bloom in springtime | Richard Brooks ; Ruben Puckett | Male vocal duet, with violin and guitar | composer | |
Victor | BVE-40049 | 10-in. | 9/29/1927 | That old Irish mother of mine | Colin O'More | Male vocal solo, with orchestra | composer | |
Victor | BVE-41964 | 10-in. | 2/24/1928 | When the flowers bloom in the springtime | C. W. Davis | Male vocal solo, with violin and guitar | composer | |
Victor | BVE-53932 | 10-in. | 7/18/1929 | Down where the cotton blossoms grow | Frank McCravy ; James McCravy | Male vocal duet, with instrumental ensemble | composer | |
Victor | BVE-55580 | 10-in. | 9/24/1929 | Where the sweet magnolias bloom | Taylor-Griggs Louisiana Melody Makers | Vocal and instrumental ensemble | composer | |
Victor | BS-031922 | 10-in. | 2/1/1939 | That old Irish mother of mine | Riley Puckett | Male vocal solo, with guitar | composer | |
Victor | BS-046868 | 10-in. | 2/9/1940 | Wait 'til the sun shines, Nellie | Golden Memory Boys | Male vocal quartet, with instrumental ensemble | composer | |
Victor | BS-047287 | 10-in. | 2/29/1940 | A bird in a gilded cage | Emile Coté ; Victor Mixed Chorus | Mixed vocal chorus, with instrumental ensemble | composer | |
Victor | BS-067617 | 10-in. | 8/7/1941 | Wait till the sun shines, Nellie | Eton Boys | Male vocal quartet | composer | |
Victor | BS-067624 | 10-in. | 8/7/1941 | I want a girl (Just like the girl that married dear old Dad) | Eton Boys ; Claude Garreau | Male vocal quartet, with piano | composer | |
Victor | BS-071403 | 10-in. | 9/25/1941 | Wait 'til the sun shines, Nellie | Bob Chester Orchestra ; Betty Bradley ; Bob Haymes | Jazz/dance band, with female-male vocal duet and vocal ensemble | composer | |
Victor | D7VB-1371 | 10-in. | 10/7/1947 | Just around the corner | Charles Dant Orchestra ; Betty Jane Rhodes | Female vocal solo, with jazz/dance band | composer | |
Victor | D7VB-2065 | 10-in. | 11/13/1947 | I want a girl (just like the girl that married dear old dad) | Don Cornell ; Glee Club (Kaye) ; Swing and Sway with Sammy Kaye | Male vocal solo, with vocal group and jazz/dance band | composer | |
Victor | D9VB-1233 | 10-in. | 4/1/1949 | I want a girl (just like the girl that married dear old Dad) | Main Street String Band | String band, with vocal ensemble | composer | |
Victor | [Trial 1914-02-18-02] | Not documented | 2/18/1914 | Last night was the end of the world | Oscar A. Cox | Male vocal solo, with piano | composer | |
Columbia | 53 | 10-in. | ca. 1901 | When the harvest days are over | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 53 | 7-in. | ca. 1901 | When the harvest days are over | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 106 | 10-in. | ca. 1901 | On a Sunday afternoon | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 106 | 7-in. | ca. 1901 | On a Sunday afternoon | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 155 | 7-in. | ca. 1901-Sept. 1902 | The sentinel asleep | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 155 | 10-in. | ca. 1901 | The sentinel asleep | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 282 | 10-in. | ca. 1901 | Whoa, Bill! | Artists vary | Orchestra | composer | |
Columbia | 282 | 7-in. | ca. 1901-Sept. 1902 | Whoa, Bill! | Artists vary | Orchestra | composer | |
Columbia | 350 | 10-in. | ca. 1901 | Oh! Oh! Miss Phoebe | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 350 | 7-in. | ca. 1901-Sept. 1902 | Oh! Oh! Miss Phoebe | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 380 | 10-in. | ca. 1901 | I ain't a-goin' to weep no more | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 380 | 7-in. | ca. 1901 | I ain't a-goin' to weep no more | Arthur Collins | Male vocal solo, with piano | composer | |
Columbia | 403 | 10-in. | ca. 1901 | Where the sweet magnolias bloom | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 403 | 7-in. | ca. 1901 | Where the sweet magnolias bloom | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 765 | 10-in. | ca. Jan.-Sept. 1902 | My lady Hottentot | Arthur Collins | Male vocal solo, with piano | composer | |
Columbia | 765 | 7-in. | ca. Jan.-Sept. 1902 | My lady Hottentot | Arthur Collins | Male vocal solo, with piano | composer | |
Columbia | 790 | 10-in. | ca. Jan.-Sept. 1902 | Whoa, Bill! | Artists vary | Male vocal duet, with piano | composer | |
Columbia | 790 | 7-in. | ca. Jan.-Sept. 1902 | Whoa, Bill! | Artists vary | Male vocal duet, with piano | composer | |
Columbia | 859 | 10-in. | ca. 1902 | Jennie Lee | J. W. Myers | Baritone vocal solo, with piano | composer | |
Columbia | 859 | 7-in. | ca. 1902-Oct. 1905 | Jennie Lee | J. W. Myers | Baritone vocal solo, with piano | composer | |
Columbia | 861 | 10-in. | ca. 1902 | The mansion of aching hearts | J. W. Myers | Baritone vocal solo, with piano | composer | |
Columbia | 861 | 7-in. | ca. 1902 | The mansion of aching hearts | J. W. Myers | Baritone vocal solo, with piano | composer | |
Columbia | 877 | 10-in. | ca. 1902 | Whoa, Bill! | Vess L. Ossman | Banjo solo, with piano | composer | |
Columbia | 877 | 7-in. | ca. 1902-Oct. 1905 | Whoa, Bill! | Vess L. Ossman | Banjo solo, with piano | composer | |
Columbia | 1056 | 10-in. | between 1902 and 1908 | Down where the cotton blossoms grow | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1056 | 7-in. | ca. 1902 | Down where the cotton blossoms grow | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1057 | 10-in. | ca. 1902 | Down where the Wurzburger flows | Arthur Collins | Male vocal solo, with piano | composer | |
Columbia | 1057 | 7-in. | ca. 1902 | Down where the Wurzburger flows | Arthur Collins | Male vocal solo, with piano | composer | |
Columbia | 1085 | 10-in. | ca. 1902-1908 | Alphonse and Gaston | Artists vary | Male vocal solo, with piano | composer | |
Columbia | 1085 | 7-in. | ca. 1902 | Alphonse and Gaston | Harry Tally | Male vocal solo, with piano | composer | |
Columbia | 1116 | 10-in. | between 1903 and 1908 | When the troupe comes back to town | Edward M. Favor | Male vocal solo, with piano | composer | |
Columbia | 1116 | 7-in. | ca. 1903-Oct. 1905 | When the troupe comes back to town | Edward M. Favor | Male vocal solo, with piano | composer | |
Columbia | 1191 | 10-in. | ca. 1903 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | composer | |
Columbia | 1191 | 7-in. | ca. 1903-Oct. 1905 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | composer | |
Columbia | 1461 | 7-in. | ca. 1903-Oct. 1905 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley | Female-male vocal duet, with piano | composer | |
Columbia | 1461 | 10-in. | ca. 1903-1908 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley | Female-male vocal duet, with piano | composer | |
Columbia | 1543 | 10-in. | ca. 1903 | In the sweet bye-and-bye | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1543 | 7-in. | ca. 1903 | In the sweet bye-and-bye | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1557 | 10-in. | ca. 1903 | In the sweet bye-and-bye | Henry Burr | Male vocal solo, with piano | composer | |
Columbia | 1557 | 7-in. | ca. 1903 | In the sweet bye-and-bye | Henry Burr | Male vocal solo, with piano | composer | |
Columbia | 1572 | 10-in. | ca. 1903 | My little Coney Isle | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1572 | 7-in. | ca. 1903-Oct. 1905 | My little Coney Isle | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1612 | 10-in. | approximately 1903 | Down on the farm | J. W. Myers | Male vocal solo, with orchestra | composer | |
Columbia | 1612 | 7-in. | ca. 1903 | Down on the farm | J. W. Myers | Male vocal solo, with piano | composer | |
Columbia | 1657 | 10-in. | approximately 1903 | My Dixie Lou | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 1676 | 10-in. | ca. 1903 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | composer | |
Columbia | 1688 | 10-in. | ca. 1903 | Wouldn't it make you hungry? | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 1742 | 10-in. | Jan.-Mar. 1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 1800 | 10-in. | ca. Jan.-Apr. 1904 | Hannah, won't you open that door? | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 1805 | 10-in. | ca. 1904 | Down where the Suwanee River flows | J. W. Myers | Male vocal solo, with orchestra | composer | |
Columbia | 1841 | 10-in. | ca. Jan.-July 1904 | All aboard for Dreamland | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 1859 | 10-in. | between January and October 1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 1861 | 10-in. | ca. Jan.-Oct. 1904 | Alexander | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 1875 | 10-in. | ca. Jan.-Nov. 1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 1900 | 10-in. | ca. Jan.-Nov. 1904 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 3018 | 10-in. | between 1903 and February 1904 | Kalamazoo is no place for you | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3018 | 7-in. | ca. 1904-Oct. 1905 | Kalamazoo is no place for you | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3031 | 7-in. | ca. 1904 | Alexander | Bob Roberts | Male vocal solo, with piano | composer | |
Columbia | 3036 | 7-in. | ca. 1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | composer | |
Columbia | 3047 | 10-in. | between 1904 and January 1905 | Abraham | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3052 | 10-in. | ca. 1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 3068 | 10-in. | between 1904 and February 1905 | Have you seen Maggie Riley? | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3095 | 10-in. | ca. Jan.-Mar. 1905 | Coax me | Prince's Military Band | Band | composer | |
Columbia | 3203 | 10-in. | ca. Jan.-Sept. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 3250 | 10-in. | between January and September 1905 | What you goin' to do when de rent comes 'round? | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3282 | 10-in. | ca. Jan.-Nov. 1905 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 3321 | 10-in. | ca. 1905-Feb. 1906 | Wait till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 3370 | 10-in. | ca. Jan-Apr. 1906 | Moving day | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 3395 | 10-in. | ca. Jan.-May 1906 | In a hammock built for two | Henry Burr | Male vocal solo, with orchestra | composer | |
Columbia | 3420 | 10-in. | ca. Jan.-June 1906 | You will have to read the answer in the stars | Bob Roberts | Male vocal solo, with orchestra | composer | |
Columbia | 3514 | 10-in. | between January and November 1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 3517 | 10-in. | ca. Jan.-Nov. 1906 | Abraham Jefferson Washington Lee | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3518 | 10-in. | ca. Jan.-Nov. 1906 | Home, sweet home sounds good to me | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3521 | 10-in. | between January and November 1906 | In the evening by the moonlight, dear Louise | Frank C. Stanley | Male vocal solo, with orchestra | composer | |
Columbia | 3542 | 10-in. | ca. 1906 | When the flowers bloom in the springtime Molly dear | Albert Campbell | Male vocal solo, with orchestra | composer | |
Columbia | 3632 | 10-in. | Jan.-May 1907 | Oh, Mister Brown | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3695 | 10-in. | ca. Jan.-Sept. 1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 3707 | 10-in. | between January and September 1907 | Oh, oh Miss Lucy Ella | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 3717 | 10-in. | between January and October 1907 | Take me back to New York town | Billy Murray | Male vocal solo, with orchestra | composer | |
Columbia | 3771 | 10-in. | between 1907 and February 1908 | Summertime | Columbia Quartette | Male vocal quartet, with orchestra | composer | |
Columbia | 3803 | 10-in. | between January and May 1908 | Bye bye dearie | Henry Burr ; Frank C. Stanley | Male vocal solo, with orchestra | composer | |
Columbia | 4115 | 10-in. | ca. Jan.-July 1909 | I love, I love, I love my wife, but oh you kid | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 4177 | 10-in. | ca. Jan.-Oct. 1909 | Don't take me home | Eddie Morton | Male vocal solo, with orchestra | composer | |
Columbia | 4324 | 10-in. | between 1909 and March 1910 | Cubanola glide | Paul Southe | Male vocal solo, with orchestra | composer | |
Columbia | 4343 | 10-in. | between January and April 1910 | Cubanola glide | Prince's Orchestra | Orchestra | composer | |
Columbia | 4368 | 10-in. | ca. Jan.-Apr. 1910 | Keep your foot on the soft pedal | Frank C. Stanley | Male vocal solo, with orchestra | composer | |
Columbia | 4371 | 10-in. | between 1909 and March 1910 | Cubanola glide | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 4682 | 10-in. | ca. June-July 1910 | I'll lend you anything | Bert Williams | Male vocal solo, with orchestra | composer | |
Columbia | 4901 | 10-in. | ca. 1910 | I love it | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 4902 | 10-in. | approximately 1910 | Under the yum yum tree | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 19226 | 10-in. | 2/7/1911 | All aboard for Blanket Bay | Ada Jones | Female vocal solo, with orchestra | composer | |
Columbia | 19284 | 10-in. | 4/5/1911 | All alone | Ada Jones ; Walter Van Brunt | Female-male vocal duet, with orchestra | composer | |
Columbia | 19389 | 10-in. | 5/29/1911 | Take a look at me now | Adeline Francis | Female vocal solo, with orchestra | composer | |
Columbia | 19392 | 10-in. | 5/29/1911 | I want a girl (Just like the girl that married dear old Dad) | Columbia Quartette | Male vocal quartet, with orchestra | composer | |
Columbia | 19514 | 10-in. | 8/2/1911 | They always pick on me | Ada Jones | Female vocal solo, with orchestra | composer | |
Columbia | 19515 | 10-in. | 8/2/1911 | Knock wood | Ada Jones ; Walter Van Brunt | Female-male vocal duet, with orchestra | composer | |
Columbia | 19686 | 10-in. | 12/11/1911 | My counterfeit Bill | Dolly Connolly | Female vocal solo, with orchestra | composer | |
Columbia | 19705 | 10-in. | 1/2/1912 | The ragtime goblin man | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 19972 | 10-in. | 6/19/1912 | Somebody else is gettin' it | Ed Morton | Male vocal solo, with orchestra | composer | |
Columbia | 38174 | 10-in. | 8/2/1912 | Somebody else is getting it | Arthur Collins | Male vocal solo, with orchestra | composer | |
Columbia | 38534 | 10-in. | 1/3/1913 | And the green grass grew all around | Walter Van Brunt | Male vocal solo, with orchestra | composer | |
Columbia | 38590 | 10-in. | 1/24/1913 | I'd do as much for you | Ada Jones ; Walter Van Brunt | Female-male vocal duet, with orchestra | composer | |
Columbia | 38609 | 10-in. | 1/31/1913 | Last night was the end of the world | Henry Burr | Male vocal solo, with orchestra | composer | |
Columbia | 38642 | 10-in. | 2/21/1913 | Good-bye, boys | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 38695 | 10-in. | 3/7/1913 | A little bunch of shamrocks | Henry Burr ; Edgar Stoddard | Male vocal duet, with orchestra | composer | |
Columbia | 38938 | 10-in. | 7/9/1913 | Love me while the lovin' is good | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 38972 | 10-in. | 7/30/1913 | Lucky boy | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 39013 | 10-in. | 9/12/1913 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 39164 | 10-in. | 12/24/1913 | Don't stop | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 39191 | 10-in. | 1/21/1914 | As long as the world goes round | Arthur Aldridge | Male vocal solo, with orchestra | composer | |
Columbia | 39198 | 10-in. | 1/27/1914 | Do you take this woman for your lawful wife? | William J. Halley | Male vocal solo, with orchestra | composer | |
Columbia | 39253 | 10-in. | 2/18/1914 | The song that stole my heart away | Henry Burr | Male vocal solo, with orchestra | composer | |
Columbia | 39295 | 10-in. | 3/21/1914 | That's a real moving picture from life | Manuel Romain | Male vocal solo, with orchestra | composer | |
Columbia | 39299 | 10-in. | 3/25/1914 | Hands off | Billy Watkins | Male vocal solo, with orchestra | composer | |
Columbia | 39393 | 10-in. | 5/20/1914 | You can tango, you can trot, dear, but be sure and hesitate | Ada Jones | Female vocal solo, with orchestra | composer | |
Columbia | 39493 | 10-in. | 7/10/1914 | Baby love | Billy Watkins | Male vocal solo, with orchestra | composer | |
Columbia | 39765 | 10-in. | 1/12/1915 | Somebody knows | Peerless Quartet | Male vocal quartet, with orchestra | lyricist, composer | |
Columbia | 39778 | 10-in. | 1/15/1915 | When my ship comes in | Henry Burr ; Frances Fisher | Female-male vocal duet, with orchestra | composer | |
Columbia | 39782 | 10-in. | 1/19/1915 | Cows may come and cows may go, but the bull goes on forever | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 39791 | 10-in. | 1/22/1915 | Roaming around | George O'Connor | Male vocal solo, with orchestra | composer | |
Columbia | 39810 | 10-in. | 2/2/1915 | Coming thro' the rye | Felice Lyne | Female vocal solo, with orchestra | composer | |
Columbia | 39860 | 10-in. | 2/13/1915 | Sleepy moon | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 39976 | 10-in. | 3/22/1915 | I'm proud to be mother of a boy like you | Samuel Ash | Male vocal solo, with orchestra | composer | |
Columbia | 45643 | 10-in. | 5/17/1915 | When Sunday comes to town | Arthur Fields | Male vocal solo, with orchestra | composer | |
Columbia | 45644 | 10-in. | 5/17/1915 | In Mattewan | Arthur Fields | Male vocal solo, with orchestra | composer | |
Columbia | 45814 | 10-in. | 1/23/1915 | Close to my heart | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 45876 | 10-in. | 7/23/1915 | Tell me some more | Arthur Fields | Male vocal solo, with orchestra | composer | |
Columbia | 45950 | 10-in. | 8/16/1915 | You'll always be the same sweet girl | James F. Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Columbia | 45957 | 10-in. | 8/18/1915 | Dear old Irish song my mother sang to me | Charles Harrison ; Herbert Stuart | Male vocal duet, with orchestra | composer | |
Columbia | 46018 | 10-in. | 9/11/1915 | I never heard of anybody dying from kissing, did you? | Robert Higgins ; Mae Melville | Female-male vocal duet, with orchestra | composer | |
Columbia | 46129 | 10-in. | 10/20/1915 | Hello boys | Dan W. Quinn | Male vocal solo, with orchestra | composer | |
Columbia | 46157 | 10-in. | 10/26/1915 | Alagazam | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 46159 | 10-in. | 10/27/1915 | I'm homesick | George O'Connor | Male vocal solo, with orchestra | composer | |
Columbia | 46182 | 10-in. | 11/6/1915 | Dear old-fashioned Irish songs my mother sang to me | Will C. Robbins | Male vocal solo, with orchestra | composer | |
Columbia | 46275 | 10-in. | 12/15/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 46282 | 10-in. | 12/16/1915 | Dear old-fashioned Irish songs my mother sang to me | Henry Burr | Male vocal solo, with orchestra | composer | |
Columbia | 46295 | 10-in. | 12/20/1915 | The ghost of the terrible blues | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 46361 | 10-in. | 1/21/1916 | It's a hundred to one you're in love | M. J. O'Connell | Male vocal solo, with orchestra | composer | |
Columbia | 46410 | 10-in. | 2/15/1916 | On the Hoko Moko Isle | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 46424 | 10-in. | 2/17/1916 | When Priscilla tries to reach high 'C' | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Columbia | 46425 | 10-in. | 2/17/1916 | Pretty please | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Columbia | 46440 | 10-in. | 2/21/1916 | That's the meaning of Ireland | Henry Burr | Male vocal solo, with orchestra | composer | |
Columbia | 46728 | 10-in. | 1/21/1916 | There's someone more lonesome than you | Jeff O'Hara | Male vocal solo, with orchestra | composer | |
Columbia | 46786 | 10-in. | 5/17/1916 | I sent my wife to the Thousand Isles | Al Jolson | Male vocal solo, with orchestra | composer | |
Columbia | 46788 | 10-in. | 5/17/1916 | Through these wonderful glasses of mine | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 46797 | 10-in. | 5/20/1916 | She always did the minuet | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Columbia | 46826 | 10-in. | 6/13/1916 | There's some-one more lonesome than you | James F. Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Columbia | 46848 | 10-in. | 6/16/1916 | On the South Sea Isle | Sterling Trio | Male vocal trio, with orchestra | lyricist, composer | |
Columbia | 46906 | 10-in. | 7/12/1916 | When Uncle Sammy leads the band | Billy Burton ; Herbert Stuart | Male vocal duet, with orchestra | composer | |
Columbia | 46910 | 10-in. | 7/13/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 46952 | 10-in. | 8/12/1916 | You were just made to order for me | Marguerite Farrell ; M. J. O'Connell | Female-male vocal duet, with orchestra | lyricist, composer | |
Columbia | 46972 | 10-in. | 8/19/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 47033 | 10-in. | 9/20/1916 | Tho' I had a bit o' the divil in me | James Reed | Male vocal solo, with orchestra | composer | |
Columbia | 47034 | 10-in. | 9/20/1916 | Since Mary Ann McCue came back from Honolulu | Anna Chandler | Female vocal solo, with orchestra | lyricist, composer | |
Columbia | 47035 | 10-in. | 9/20/1916 | Sometimes you get a good one and sometimes you don't | Anna Chandler | Female vocal solo, with orchestra | composer | |
Columbia | 47157 | 10-in. | 11/15/1916 | Cross my heart and hope to die | Ada Jones | Female vocal solo, with orchestra | composer | |
Columbia | 47159 | 10-in. | 11/15/1916 | On the Sandwich Isles | Knickerbocker Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 47173 | 10-in. | 11/20/1916 | Ukalou | Empire Trio | Male vocal trio, with orchestra | composer | |
Columbia | 47213 | 10-in. | 12/8/1916 | Just the kind of a girl you'd love to make your wife | Arthur Fields | Male vocal solo, with orchestra | composer | |
Columbia | 47283 | 10-in. | 1/10/1917 | Somewhere in Dixie | Empire Trio | Male vocal trio, with orchestra | composer | |
Columbia | 47285 | 10-in. | Shipped for mastering: 1/11/1917 | When you waltz with the girl you love | Jed Prouty | Male vocal solo, with orchestra | composer | |
Columbia | 47290 | 10-in. | 1/11/1917 | Love will find the way | Robert Lewis | Male vocal solo, with orchestra | composer | |
Columbia | 47353 | 10-in. | 2/8/1917 | Wonderful girl, good night | Samuel Ash | Male vocal solo, with orchestra | composer | |
Columbia | 47369 | 10-in. | 2/13/1917 | I'm a 12 o'clock fellow in a 9 o'clock town | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 47372 | 10-in. | 2/14/1917 | Just the kind of a girl you'd love to make your wife | Borbee's Jass Orchestra | Jazz/dance band | composer | |
Columbia | 47404 | 10-in. | 3/8/1917 | I'm proud to be the mother of a boy like you | Empire Trio | Male vocal trio, with orchestra | composer | |
Columbia | 77040 | 10-in. | 5/10/1917 | Just as your mother was | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 77045 | 10-in. | 5/10/1917 | The man behind the hammer and the plow | James Hall | Male vocal solo, with orchestra | lyricist, composer | |
Columbia | 77048 | 10-in. | 5/11/1917 | Constantinople | Anna Wheaton | Female vocal solo, with orchestra | composer | |
Columbia | 77057 | 10-in. | 5/14/1917 | Says I to myself, says I | Evan Davies | Male vocal solo, with orchestra | composer | |
Columbia | 77111 | 10-in. | 6/6/1917 | Says I to myself, says I | Adeline Francis | Female vocal solo, with orchestra | composer | |
Columbia | 77114 | 10-in. | 6/7/1917 | There's a million reasons why I shouldn't kiss you | Samuel Ash ; Anna Wheaton | Female-male vocal duet, with orchestra | composer | |
Columbia | 77117 | 10-in. | 6/7/1917 | Help! Help! I'm sinking in a beautiful ocean of love | Anna Wheaton | Female vocal solo, with orchestra | composer | |
Columbia | 77135 | 10-in. | 6/12/1917 | Listen to the knocking at the knitting club | Adeline Francis | Female vocal solo, with orchestra | composer | |
Columbia | 77210 | 10-in. | 7/13/1917 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 77244 | 10-in. | 8/8/1917 | It's a long, long way to the U.S.A. | Columbia Stellar Quartette ; Edgar Stoddard | Male vocal solo and male vocal quartet, with orchestra | composer | |
Columbia | 77327 | 10-in. | 9/11/1917 | Stolen sweets | Prince's Orchestra | Orchestra | composer | |
Columbia | 77368 | 10-in. | 9/22/1917 | The old town pump | Handy's Orchestra | Jazz/dance band | composer | |
Columbia | 77404 | 10-in. | 10/3/1917 | Down where the sweet potatoes grow | Columbia Quartette ; George O'Connor | Male vocal solo and male vocal quartet, with orchestra | composer | |
Columbia | 77470 | 10-in. | 10/31/1917 | Bring back the Kaiser to me | Columbia Quartette | Male vocal quartet, with orchestra | composer | |
Columbia | 77619 | 10-in. | 1/9/1918 | Batter up | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 77682 | 10-in. | 2/21/1918 | Alexander | Columbia Stellar Quartette | Male vocal quartet, with orchestra | composer | |
Columbia | 77703 | 10-in. | 3/1/1918 | The makin's of the U.S.A. | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 77704 | 10-in. | 3/1/1918 | Keep the trench fires going for the boys out there | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 77776 | 10-in. | 4/19/1918 | I'm just an old jay from the U.S.A. | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 77785 | 10-in. | 4/23/1918 | Bye and bye | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 77803 | 10-in. | 5/1/1918 | In the good old Irish way | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 77964 | 10-in. | 7/24/1918 | I want a doll | Irving Kaufman | Male vocal solo, with orchestra | composer | |
Columbia | 78119 | 10-in. | 10/16/1918 | Oo-la-la | Jockers Brothers | Violin and piano duet | composer | |
Columbia | 78179 | 10-in. | 11/19/1918 | Jim, Jim, I always knew that you'd win | Arthur Fields | Male vocal solo, with orchestra | composer | |
Columbia | 78185 | 10-in. | 11/21/1918 | You'll have to put him to sleep with the Marseillaise and wake him with an oo-la la | Irving Kaufman | Male vocal solo, with orchestra | composer | |
Columbia | 78236 | 10-in. | 12/28/1918 | Somebody's waiting for someone | Samuel Ash | Male vocal solo, with orchestra | composer | |
Columbia | 78289 | 10-in. | 2/5/1919 | Somebody's waiting for someone | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 78304 | 10-in. | 2/18/1919 | Dreams | Sterling Trio | Male vocal trio, with orchestra | composer | |
Columbia | 78406 | 10-in. | 4/21/1919 | I ain't'en got'en no time to have the blues | Irving Kaufman ; Jack Kaufman | Male vocal duet, with orchestra | composer | |
Columbia | 78522 | 10-in. | 6/23/1919 | I ain't 'en got'en no time to have the blues | Louisiana Five | Jazz/dance band | composer | |
Columbia | 78566 | 10-in. | 7/17/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Columbia | 78639 | 10-in. | 9/11/1919 | They're all sweeties | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 78740 | 10-in. | 10/15/1919 | There's some-one more lonesome than you | Charles Harrison ; James Reed | Male vocal duet, with orchestra | composer | |
Columbia | 78771 | 10-in. | 10/29/1919 | On the Sandwich Isles | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 78841 | 10-in. | 12/4/1919 | Why did you do it? | Jack Kaufman | Male vocal solo, with orchestra | composer | |
Columbia | 78894 | 10-in. | 12/26/1919 | When the harvest moon is shining | Lewis James | Male vocal solo, with orchestra | composer | |
Columbia | 79049 | 10-in. | 3/16/1920 | Hits of days gone by | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 79050 | 10-in. | 3/16/1920 | Hits of days gone by | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Columbia | 79085 | 10-in. | 3/27/1920 | That old Irish mother of mine | Charles Harrison | Male vocal solo, with orchestra | composer | |
Columbia | 79179 | 10-in. | 5/17/1920 | Mammy's goodnight lullaby | Charles Harrison ; Lewis James | Male vocal duet, with orchestra | composer | |
Columbia | 79293 | 10-in. | 6/19/1920 | If I wait till the end of the world | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 79301 | 10-in. | 6/23/1920 | Silver water | Happy Six | Jazz/dance band | composer | |
Columbia | 79302 | 10-in. | 6/22/1920 | And the green grass grew all around | Frank Crumit | Male vocal solo, with orchestra | composer | |
Columbia | 79327 | 10-in. | 7/2/1920 | A little bunch of shamrocks | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Columbia | 79422 | 10-in. | 9/17/1920 | I've got the A-B-C-D blues | Marion Harris | Female vocal solo, with orchestra | composer | |
Columbia | 79544 | 10-in. | 11/29/1920 | I want to go to the land where the sweet daddies grow | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 79558 | 10-in. | 12/7/1920 | Happy Hottentot | Frank Crumit ; Paul Biese Trio | Instrumental trio, with male vocal solo | composer | |
Columbia | 79710 | 10-in. | 2/2/1921 | That old Irish mother of mine | Josef Bonime ; Eddy Brown | Violin solo, with piano | composer | |
Columbia | 79731 | 10-in. | 2/23/1921 | Somebody's mother | Columbia Stellar Quartette | Male vocal quartet, with orchestra | composer | |
Columbia | 79767 | 10-in. | 3/28/1921 | Somebody's mother | New England Singers | Vocal quartet | composer | |
Columbia | 79774 | 10-in. | 4/4/1921 | She walks in her husband's sleep | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 79811 | 10-in. | 4/25/1921 | Somebody's mother | Frank Mellor ; George W. Reardon | Male vocal duet, with orchestra | composer | |
Columbia | 79860 | 10-in. | 5/24/1921 | Ain't you coming out, Malinda? | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 80003 | 10-in. | 9/27/1921 | Down in Midnight Town | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 80029 | 10-in. | 10/14/1921 | Maggie Maguire | Edwin Dale ; William Morgan | Male vocal solo, with orchestra | composer | |
Columbia | 80131 | 10-in. | 1/9/1922 | Mammy Lou | Charles Hart ; Elliott Shaw | Male vocal duet, with orchestra | composer | |
Columbia | 80216 | 10-in. | 2/24/1922 | Those days are over | Furman and Nash | Male vocal duet, with orchestra | composer | |
Columbia | 80420 | 10-in. | 6/26/1922 | Where the morning glories twine around the door | Oscar Seagle | Baritone vocal solo, with orchestra | composer | |
Columbia | 80646 | 10-in. | 11/3/1922 | A picture without a frame | Edwin Dale | Male vocal solo, with orchestra | composer | |
Columbia | 80968 | 10-in. | 4/14/1923 | Old King Tut | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | composer | |
Columbia | 80992 | 10-in. | 4/27/1923 | Old King Tut | Georgians | Jazz/dance band | composer | |
Columbia | 81236 | 10-in. | 9/25/1923 | Dear old lady | Harvey Hindermyer | Male vocal solo, with orchestra | composer | |
Columbia | 81289 | 10-in. | 10/19/1923 | Chief Hokum | Furman and Nash | Male vocal duet, with orchestra | lyricist, composer | |
Columbia | 81343 | 10-in. | 11/9/1923 | Dear old lady | Charles Hart ; Elliott Shaw | Male vocal duet, with orchestra | composer | |
Columbia | 81350 | 10-in. | 11/13/1923 | Dear old lady | Hotel Alamac Orchestra ; Paul Specht | Jazz/dance band | composer | |
Columbia | 81489 | 10-in. | 1/17/1924 | In the land where the green shamrock grows | William A. Kennedy | Male vocal solo, with orchestra | composer | |
Columbia | 81636 | 10-in. | 3/8/1924 | The little wooden whistle wouldn't whistle | Columbia Novelty Orchestra ; Billy Jones | Jazz/dance band, with male vocal solo | composer | |
Columbia | 81866 | 10-in. | 7/9/1924 | Sister hasn't got a chance since Mother bobbed her hair | Van and Schenck | Male vocal duet, with orchestra | composer | |
Columbia | 140036 | 10-in. | 9/12/1924 | Oh you can't fool an old hoss fly | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | composer | |
Columbia | 30054 | 12-in. | ca. 1906 | In a chimney corner (on a winter's night) | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Columbia | 36667 | 12-in. | ca. 1913 | Good-bye, boys | Prince's Band | Band | composer | |
Columbia | 37170 | 12-in. | 2/11/1915 | When my ship comes in | Prince's Band | Band | composer | |
Columbia | 37250 | 12-in. | 4/13/1915 | Cows may come, cows may go, but the bull goes on forever | Prince's Band | Band | composer | |
Columbia | 37251 | 12-in. | 4/13/1915 | Somebody knows | Prince's Band | Band | composer | |
Columbia | 37346 | 12-in. | ca. 1915 | Harry von Tilzer medley | Prince's Band ; G. Hepburn Wilson | Band | arranger | |
Columbia | 37437 | 12-in. | 10/20/1915 | Harry von Tilzer medley | Prince's Band ; G. Hepburn Wilson | Band | composer | |
Columbia | 48797 | 12-in. | 5/20/1916 | On the Hoko-Moko Isle | Prince's Band | Band | composer | |
Columbia | 48823 | 12-in. | 6/20/1916 | I sent my wife to the thousand isles (Medley : one-step) | Prince's Band ; G. Hepburn Wilson | Band | composer | |
Columbia | 48871 | 12-in. | 7/17/1916 | When Uncle Sammy leads the band (Medley one-step) | Prince's Band | Band | composer | |
Columbia | 48920 | 12-in. | 9/16/1916 | Oh! How she could yacki hacki wicki wacki woo | Prince's Band | Band | composer | |
Columbia | 48921 | 12-in. | 9/19/1916 | Medley one-step | Prince's Band ; G. Hepburn Wilson | Band | composer | |
Columbia | 48922 | 12-in. | 9/16/1916 | You were just made to order for me | Prince's Band | Band | composer | |
Columbia | 48958 | 12-in. | 10/19/1916 | Sometimes you get a good one and sometimes you don't | Prince's Band | Band | composer | |
Columbia | 49031 | 12-in. | 12/15/1916 | On the Sandwich Isles | Prince's Band | Band | composer | |
Columbia | 49198 | 12-in. | 5/15/1917 | The man behind the hammer and the plow | Prince's Band | Band | composer | |
Columbia | 49238 | 12-in. | 6/20/1917 | Help! Help! I'm sinking | Prince's Band | Band | composer | |
Columbia | 49239 | 12-in. | 6/20/1917 | Says I to myself says I | Prince's Band | Band | composer | |
Columbia | 49269 | 12-in. | ca. 1917 | Doing his bit for the girls | Prince's Band | Band | composer | |
Columbia | 49376 | 12-in. | ca. 1918-1922 | Keep the trench fires going for the boys out there | Prince's Band | Band | composer | |
Columbia | 49382 | 12-in. | 4/27/1918 | If they ever put a tax on love | Prince's Band | Band | composer | |
Columbia | 49542 | 12-in. | 10/26/1918 | The pickaninny's paradise | Prince's Band ; G. Hepburn Wilson | Band | composer | |
Columbia | 49566 | 12-in. | 12/31/1918 | Jim, Jim, I always knew that you'd win | Columbia Band | Band | composer | |
Columbia | 49669 | 12-in. | 10/6/1919 | Whoa January | Prince's Dance Orchestra | Jazz/dance band | composer | |
Columbia | W140687 | 10-in. | 6/16/1925 | Wait till the sun shines, Nellie | Riley Puckett | Male vocal solo, with guitar | composer | |
Columbia | W141212 | 10-in. | 10/28/1925 | Just around the corner | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | composer | |
Columbia | 141252 | 10-in. | 11/9/1925 | Just around the corner | Peter Dale | Male vocal solo, with ukulele | composer | |
Columbia | 141260 | 10-in. | 11/11/1925 | Just around the corner | Manhattan Dance Makers | Jazz/dance band | composer | |
Columbia | W142116 | 10-in. | 4/30/1926 | That's where I meet my girl | Ernest Hare ; Billy Jones | Male vocal duet, with piano | composer | |
Columbia | W142157 | 10-in. | 5/6/1926 | Dear old fashioned Irish songs my mother sang to me | William A. Kennedy | Male vocal solo, with piano | composer | |
Columbia | W142954 | 10-in. | 11/23/1926 | Keep a little sunshine in your heart | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | composer, lyricist | |
Columbia | W143763 | 10-in. | 3/26/1927 | She's only a bird in a gilded cage | Leo Boswell ; Elzie Floyd | Male vocal duet, with guitar and mandolin | composer | |
Columbia | W143854 | 10-in. | 4/1/1927 | That old Irish mother of mine | Riley Puckett | Male vocal solo, with fiddle (violin) and guitar | composer | |
Columbia | W144718 | 10-in. | 9/28/1927 | Whether it rains—whether it shines | Billy Ulman ; Vic Meyers Hotel Butler Orchestra | Jazz/dance band, with male vocal solo | composer | |
Columbia | W144719 | 10-in. | 9/28/1927 | Now that you're gone | Billy Ulman ; Vic Meyers Hotel Butler Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W145069 | 10-in. | 11/2/1927 | Last night was the end of the world | Hugh Cross | Male vocal solo, with guitar | composer | |
Columbia | W145070 | 10-in. | 11/2/1927 | Down where the cotton blossoms grow | Hugh Cross | Male vocal solo, with guitar | composer | |
Columbia | W145071 | 10-in. | 11/2/1927 | The mansion of aching hearts | Hugh Cross | Male vocal solo, with guitar | composer | |
Columbia | W145072 | 10-in. | 11/2/1927 | Where the morning glories twine around the door | Hugh Cross | Male vocal solo, with guitar | composer | |
Columbia | W145170 | 10-in. | 11/8/1927 | Cubanola glide | Dan Hornsby Trio | Male vocal and instrumental trio | composer | |
Columbia | W146166 | 10-in. | 4/20/1928 | I want a girl (Just like the girl that married dear old Dad) | Dan Hornsby Trio | Male vocal trio, with banjo and piano | composer | |
Columbia | W148325 | 10-in. | 4/17/1929 | All alone | Dan Hornsby Novelty Orchestra | Instrumental ensemble | composer | |
Columbia | W148348 | 10-in. | 4/18/1929 | My old New Hampshire home | Elry Cash | Male vocal solo, with guitar and yodeling | composer | |
Columbia | W150325 | 10-in. | 4/21/1930 | Mansion of aching hearts | Blue Ridge Mountain Singers | Mixed vocal trio, with guitar and autoharp | composer | |
Columbia | C1013 | 10-in. | 6/18/1935 | The little wooden whistle wouldn't whistle | Westerners (Massey Family) | String band, with male vocal solo | composer | |
Columbia | C1761 | 10-in. | 1/21/1937 | I want a girl (just like the girl that married dear old Dad) | Hoosier Hot Shots | Instrumental quartet, with ensemble vocal | composer | |
OKeh | 175 | 10-in. | ca. June 1918 | The little good for nothing's good for something after all | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
OKeh | 428 | 10-in. | ca. Oct. 1918 | I want a doll | Elaine Gordon | Female vocal solo, with orchestra | composer | |
OKeh | 541 | 10-in. | ca. Jan. 1919 | Can you tame wild wimmen? | Billy Murray | Male vocal solo, with orchestra | composer | |
OKeh | 837 | 10-in. | ca. June 1919 | Somebody's waiting for someone | Henry Burr | Male vocal solo, with orchestra | composer | |
OKeh | 859 | 10-in. | approximately July 1919 | I ain't-en got-en no time to have the blues | Collins and Harlan | Male vocal duet | composer | |
OKeh | S-7215 | 10-in. | Feb. 1920 | He went in like a lion and came out like a lamb | Billy Murray | Male vocal solo, with orchestra | composer | |
OKeh | S-7278 | 10-in. | Feb. 1920 | When the harvest moon is shining | Sterling Trio | Male vocal trio, with orchestra | composer | |
OKeh | S-7378 | 10-in. | Apr. 1920 | That old Irish mother of mine | Sterling Trio | Male vocal trio, with orchestra | composer | |
OKeh | S-7527 | 10-in. | Aug. 1920 | Silver water | Bennie Kreuger ; Rega Dance Orchestra | Jazz/dance band, with saxophone solo | composer | |
OKeh | S-7570 | 10-in. | Sept. 1920 | I want to go to the land where the sweet daddies grow | Palace Trio ; Rudy Wiedoeft | Instrumental trio | composer | |
OKeh | S-7666 | 10-in. | Nov. 1920 | She walks in her husband's sleep | Billy Jones | Male vocal solo, with orchestra | composer | |
OKeh | S-7677 | 10-in. | Nov. 1920 | Scandal | Billy Jones ; Ed Smalle | Male vocal duet, with orchestra | composer | |
OKeh | S-7826 | 10-in. | Mar. 1921 | Somebody's mother | Crescent Trio | Male vocal trio, with orchestra | composer | |
OKeh | 9306 | 10-in. | Aug. 1925 | They always pick on me | Harvey Irwin | Male vocal solo, with guitar | composer | |
OKeh | 9596 | 10-in. | 3/11/1926 | Goodbye, Liza Jane | Fiddlin' John Carson | 2 fiddles (violins), banjo, and guitar, with male vocal solo | composer | |
OKeh | S-70359 | 10-in. | Dec. 1921 | You're a good old car but you can't climb hills | Elsie Clark | Female vocal solo, with orchestra | composer | |
OKeh | S-70362 | 10-in. | Dec. 1921 | Ain't you coming out, Malinda? | Blue Diamond Dance Orchestra | Jazz/dance band | composer | |
OKeh | S-70465 | 10-in. | Feb. 1922 | Mammy Lou | Glantz and his Orchestra | Jazz/dance band | composer | |
OKeh | S-71422 | 10-in. | April 1923 | Old King Tut | Rega Orchestra ; Sophie Tucker | Female vocal solo, with jazz/dance band | composer | |
OKeh | S-71942 | 10-in. | Oct. 1923 | Dear old lady | Ernest Hare | Male vocal solo, with orchestra | composer | |
OKeh | S-72106 | 10-in. | Nov. 1923 | In the land where the green shamrocks grow | Thomas Donohue | Male vocal solo, with instrumental trio | composer | |
OKeh | S-72172 | 10-in. | Dec. 1923 | The little wooden whistle wouldn't whistle | Billy Jones | Male vocal solo, with orchestra | composer | |
OKeh | S-72852 | 10-in. | September 1924 | Oh, you can't fool an old hoss fly | Billy Jones | Male vocal solo, with orchestra | composer | |
OKeh | W81364 | 10-in. | 9/21/1927 | When the flowers bloom in the springtime | Jewell Davis | Male vocal solo, with fiddle (violin) and guitar | composer | |
OKeh | W81372 | 10-in. | 9/21/1927 | Two little lads | Four Virginians | Instrumental quartet, with male vocal solo | composer, lyricist | |
OKeh | W400809 | 10-in. | 6/20/1928 | The mansion of aching hearts | Andrew Jenkins | Male vocal solo, with 2 fiddles (violins) and guitar | composer | |
OKeh | W400810 | 10-in. | 6/20/1928 | The mansion of aching hearts | Andrew Jenkins | Male vocal solo, with 2 fiddles (violins) and guitar | composer | |
OKeh | W402523 | 10-in. | 7/10/1929 | Goodbye, Eliza Jane | Keith Pooser ; Merritt Smith | Male vocal duet, with guitar | composer | |
OKeh | [OK cat 4150-B] | 10-in. | approximately 1920 | Mammy's good-night lullaby | Hart and Shaw | Male vocal trio | composer | |
Brunswick | 565 | 10-in. | approximately early 1917 | There's a little bit of Scotch in Mary | Mike O'Connell | Male vocal solo | composer | |
Brunswick | [Br cat 5104-a] | 10-in. | approximately mid-1917 | Just as your mother was | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Brunswick | [Br cat 5107-b] | 10-in. | approximately mid-1917 | Somewhere in Dixie | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Brunswick | [Br cat 5119-a] | 10-in. | approximately July 1917 | Don't slam that door | Ada Jones ; Mike O'Connell | Female-male vocal duet, with orchestra | composer | |
Brunswick | [Br cat 5120-b] | 10-in. | approximately July 1917 | Constantinople | Ada Jones | Female vocal solo, with orchestra | composer | |
Brunswick | [Br cat 5184-a] | 10-in. | approximately Nov. 1917 | Says I to myself says I | Ada Jones | Female vocal solo, with orchestra | composer | |
Brunswick | [Br cat 5245-a] | 10-in. | approximately July 1918 | The little good for nothing's good for something after all | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | composer | |
Brunswick | 5225 | 10-in. | approximately Mar. 1921 | Somebody's mother | Crescent Trio | Male vocal trio, with orchestra | composer | |
Brunswick | 7098 | 10-in. | approximately Jan. 1922 | Mammy Lou | Strand Male Quartet | Male vocal quartet, with orchestra | composer | |
Brunswick | 6309-6310 | 10-in. | approximately Aug. 1921 | Ain't you coming out, Malinda? | Billy Jones | Male vocal solo and male vocal trio, with orchestra | composer | |
Brunswick | 14189-14191 | 10-in. | 11/12/1924 | Oh, you can’t fool an old hoss fly | Carl Fenton’s Orchestra ; Ernest Hare ; Billy Jones | Jazz/dance band, with male vocal duet | composer | |
Brunswick | E28796 | 10-in. | 12/6/1928 | Bird in a gilded cage | Frank McCravy ; James McCravy | Male vocal duet, with orchestra | composer | |
Brunswick | E30045 | 10-in. | June 1929 | My old New Hampshire home | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar, mandolin, and harmonica | composer | |
Brunswick | E30162 | 10-in. | 6/19/1929 | When the harvest days are over, Jessie dear | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar, mandolin, and harmonica | composer | |
Brunswick | E33136 | 10-in. | 6/17/1930 | The spider and the fly | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar and mandolin | composer | |
Brunswick | XE37115 | 12-in. | 8/31/1931 | Don Carney Himself program 1, pt. C | Don Carney ; Speaker(s) (unidentified; Brunswick Records] | Radio transcription disc | composer | |
Brunswick | E1867-E1869 | 10-in. | 11/30/1925 | Just around the corner | The Ambassadors | Jazz/dance band, with male vocal solo | composer | |
Brunswick | E3207-E3210 | 10-in. | 6/8/1926 | That’s where I meet my girl | Al Goering's Collegians | Jazz/dance band, with male vocal trio | composer | |
Brunswick | E5032-E5033 | 10-in. | 5/11/1927 | Hannah won’t you open the door | McGee Brothers | Male vocal solo, with banjo and guitar | composer | |
Brunswick | E17281-E17285 | 10-in. | 12/29/1925 | Just around the corner | Ernie Golden ; Hotel McAlpin Orchestra | Jazz/dance band | composer | |
Brunswick | E17435-E17437 | 10-in. | 1/11/1926 | Just around the corner | Ernie Golden ; Hotel McAlpin Orchestra | Jazz/dance band | composer | |
Brunswick | E17810-E17812 | 10-in. | 1/31/1926 | Just around the corner | Wendell W. Hall | Male vocal solo, with orchestra | composer | |
Brunswick | E25224-E25225 | 10-in. | 11/15/1927 | I’m a twelve o’clock feller (In a nine o’clock town) | Al Bernard ; Gully Jumpers | Male vocal solo, with instrumental ensemble | composer | |
Brunswick | C5802 | 10-in. | June 1930 | After Sunday afternoon | Frank Sylvano Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | composer | |
Brunswick | K8046 | 10-in. | 3/31/1930 | Where the sweet magnolias bloom | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar and harmonica | composer | |
Brunswick | K8072 | 10-in. | Apr. 1930 | The mansion of aching hearts | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar and mandolin | composer | |
Brunswick | DB207 | 10-in. | 6/24/1929 | I says to myself, says I | Sidney Wilson | Vocal solo, with piano | composer | |
Edison | 1180 | 10-in. | 8/8/1912 | Where the morning glories twine around the door | Royal Fish | Male vocal solo and vocal ensemble, with orchestra | composer | |
Edison | 2087 | 10-in. | 1/9/1913 | In the evening by the moonlight, dear Louise | Harvey Hindermyer | Tenor vocal solo and vocal ensemble, with orchestra | composer | |
Edison | 2436 | 10-in. | 9/2/1913 | Last night was the end of the world | Royal Fish | Male vocal solo, with orchestra | composer | |
Edison | 2489 | 10-in. | 10/10/1913 | Where the morning glories twine around the door | Royal Fish | Male vocal solo, with orchestra | composer | |
Edison | 3116 | 10-in. | June 1914 | In the evening by the moonlight, dear Louise | Harvey Hindermyer | Tenor vocal solo, with orchestra | composer | |
Edison | 3823 | 10-in. | 5/26/1915 | Where the morning glories twine around the door | Royal Fish | Male vocal solo, with orchestra | composer | |
Edison | 3915 | 10-in. | 6/29/1915 | When my ship comes in | Mayo and Tally | Male vocal duet, with orchestra | composer | |
Edison | 3916 | 10-in. | 6/29/1915 | Somebody knows | Mayo and Tally | Male vocal duet, with orchestra | composer, lyricist | |
Edison | 4316 | 10-in. | 12/7/1915 | You'll always be the same sweet girl | Manuel Romain | Male vocal solo, with orchestra | composer | |
Edison | 4348 | 10-in. | 12/16/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 4528 | 10-in. | 2/25/1916 | On the Hoko Moko Isle | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 4680 | 10-in. | 4/24/1916 | Keep off the grass | Vess L. Ossman | Banjo solo, with orchestra | composer | |
Edison | 4715 | 10-in. | 5/9/1916 | That's the meaning of Ireland | George Wilton Ballard | Male vocal solo, with orchestra | composer | |
Edison | 4745 | 10-in. | 5/25/1916 | When Priscilla tries to reach high C | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Edison | 4747 | 10-in. | 5/26/1916 | On the Hoko Moko Isle medley | Jaudas' Society Orchestra | Jazz/dance band | composer | |
Edison | 4895 | 10-in. | 7/20/1916 | I sent my wife to the Thousand Isles | Billy Murray | Male vocal solo, with orchestra | composer | |
Edison | 4914 | 10-in. | 7/27/1916 | On the South Sea Isle | Helen Clark | Female vocal solo, with orchestra | composer, lyricist | |
Edison | 5152 | 10-in. | 11/16/1916 | Through these wonderful glasses of mine | George Wilton Ballard | Male vocal solo, with orchestra | composer | |
Edison | 5173 | 10-in. | 11/23/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Edison | 5249 | 10-in. | 12/29/1916 | Cross my heart | Ada Jones | Female vocal solo, with orchestra | composer | |
Edison | 5253 | 10-in. | 1/2/1917 | Don't slam that door | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Edison | 5523 | 10-in. | 4/25/1917 | Tho' I had a bit o' the devil in me | George MacFadden | Male vocal solo, with orchestra | composer | |
Edison | 5551 | 10-in. | 5/10/1917 | Man behind the hammer and the plow | Arthur Fields | Male vocal solo, with orchestra | composer, lyricist | |
Edison | 5558 | 10-in. | 5/14/1917 | Dear old fashioned Irish songs my mother sang to me | George McFadden | Male vocal solo, with orchestra | composer | |
Edison | 5590 | 10-in. | 5/29/1917 | Wonderful girl, goodnight! | Rachael Grant ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Edison | 5699 | 10-in. | 7/17/1917 | Honest Injun | Lou Chiha Frisco | Xylophone solo, with orchestra | composer | |
Edison | 5879 | 10-in. | 11/13/1917 | Just as your mother was | Harmony Four | Vocal quartet, with orchestra | composer | |
Edison | 5889 | 10-in. | 11/20/1917 | Says I to myself, says I | Ada Jones | Female vocal solo, with orchestra | composer | |
Edison | 6087 | 10-in. | Mar. 1918 | The makin's of the U.S.A. | Billy Murray | Male vocal solo, with orchestra | composer | |
Edison | 6149 | 10-in. | Mar. 1918 | The little good for nothing's good for something after all | Harmony Four | Male vocal quartet, with orchestra | composer | |
Edison | 6171 | 10-in. | May 1918 | Bye and bye | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | composer | |
Edison | 6180 | 10-in. | 5/31/1918 | I'm a twelve o'clock feller (In a nine o'clock town) | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Edison | 6444 | 10-in. | between 11/1/1918 and 11/4/1918 | I want a doll | Billy Murray | Male vocal solo, with orchestra | composer | |
Edison | 6450 | 10-in. | between 11/6/1918 and 11/8/1918 | You don't know what you're missing | Vernon Dalhart | Male vocal solo, with orchestra | composer | |
Edison | 6453 | 10-in. | 11/12/1918 | You'll have to put him to sleep with the Marseillaise and wake him up with a oo-la-la | Arthur Fields | Male vocal solo, with orchestra | composer | |
Edison | 6472 | 10-in. | 11/27/1918 | Jim, Jim, I always knew that you'd win | Arthur Fields | Male vocal solo, with orchestra | composer | |
Edison | 6572 | 10-in. | 1/17/1919 | Can you tame wild wimmen | Billy Murray | Male vocal solo, with orchestra | composer | |
Edison | 6649 | 10-in. | 3/4/1919 | Somebody's waiting for someone | Marion Evelyn Cox ; Betsy Lane Shepherd | Vocal duet (soprano and contralto), with orchestra | composer | |
Edison | 6752 | 10-in. | 3/31/1919 | I ain't-en got-en no time to have the blues | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | composer | |
Edison | 6889 | 10-in. | 7/29/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Edison | 6895 | 10-in. | 8/1/1919 | What could be sweeter | Helen Clark ; Joseph A. Phillips | Female-male vocal duet, with orchestra | composer | |
Edison | 7056 | 10-in. | 12/9/1919 | He went in like a lion and came out like a lamb | Al Bernard | Male vocal solo, with orchestra | composer | |
Edison | 7185 | 10-in. | 2/26/1920 | When the harvest moon is shining | Charles Hart ; Lewis James | Male vocal duet, with orchestra | composer | |
Edison | 7357 | 10-in. | 5/19/1920 | Love will find the way | Reed Miller | Tenor vocal solo, with orchestra | composer | |
Edison | 7402 | 10-in. | 6/15/1920 | Mammy's good-night lullaby | Crescent Trio | Male vocal trio, with orchestra | composer | |
Edison | 7636 | 10-in. | 11/17/1920 | That old Irish mother of mine | Allen McQuhae | Tenor vocal solo, with orchestra | composer | |
Edison | 7763 | 10-in. | 1/28/1921 | At the circus | Al. H. Weston ; Irene Young | Female-male vocal duet, with orchestra | composer | |
Edison | 7764 | 10-in. | 1/28/1921 | Country days | Al. H. Weston ; Irene Young | Female-male vocal duet, with orchestra | composer | |
Edison | 7824 | 10-in. | 3/3/1921 | Somebody's mother | Crescent Trio | Vocal trio, with orchestra | composer | |
Edison | 7918 | 10-in. | 4/14/1921 | Arrah go 'long with you (Do you see any green in me eye) | Marguerite Farrell | Female vocal solo, with orchestra | composer | |
Edison | 8016 | 10-in. | 5/24/1921 | Ain't you coming out, Malinda? | Al Bernard ; Ernest Hare | Male vocal duet, with orchestra | composer | |
Edison | 8313 | 10-in. | 12/8/1921 | Down in Midnight Town | Premier Quartet | Male vocal quartet, with orchestra | composer | |
Edison | 8323 | 10-in. | 12/21/1921 | The rosary you gave to me | Walter Scanlan | Male vocal solo, with orchestra | composer | |
Edison | 8330 | 10-in. | 1/5/1922 | Mammy Lou | Criterion Quartet | Male vocal quartet, unaccompanied | composer | |
Edison | 8338 | 10-in. | 1/11/1922 | Those days are over | George Wilton Ballard | Male vocal solo, with orchestra | composer | |
Edison | 8534 | 10-in. | 7/18/1922 | With his umpah umpah on the Umpah Isle | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 8569 | 10-in. | 8/10/1922 | A picture without a frame | Walter Van Brunt | Male vocal solo and vocal chorus, with orchestra | composer | |
Edison | 8929 | 10-in. | 4/17/1923 | Old King Tut (In Old King Tutenkhamen's day) | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | composer | |
Edison | 9013 | 10-in. | 6/7/1923 | In the land where the green shamrock grows | Walter Scanlan | Male vocal solo, with orchestra | composer | |
Edison | 9319 | 10-in. | 1/4/1924 | Dear old lady | George Wilton Ballard | Male vocal solo and male vocal chorus, with orchestra | composer | |
Edison | 9332 | 10-in. | 1/15/1924 | The little wooden whistle wouldn't whistle | Billy Jones | Male vocal solo, with orchestra | composer | |
Edison | 9643 | 10-in. | 7/24/1924 | Sister hasn't got a chance since Mother bobbed her hair | Collins and Harlan | Male vocal duet, with orchestra | composer | |
Edison | 9758 | 10-in. | 10/1/1924 | Oh you can't fool an old hoss fly | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | composer | |
Edison | 10201 | 10-in. | 2/11/1925 | I'll make the pies like Mother made (If you'll make the dough like Dad) | Billy Jones | Male vocal solo, with orchestra | composer | |
Edison | 10559 | 10-in. | 9/3/1925 | Just around the corner | Walter Scanlan | Male vocal solo, with orchestra | composer | |
Edison | 11337 | 10-in. | 11/26/1926 | My old New Hampshire home | Walter Scanlan | Male vocal solo and mixed vocal ensemble, with orchestra | composer | |
Edison | 11955 | 10-in. | 10/14/1927 | Whether it rains—whether it shines | Theo Alban ; Duke Yellman Orchestra | Jazz/dance band, with male vocal solo | composer | |
Edison | 18472 | 10-in. | 5/7/1928 | And the green grass grew all around | Old King Cole | Male vocal solo, with orchestra | composer | |
Edison | N-237 | 10-in. | 5/7/1928 | And the green grass grew all around | Old King Cole | Male vocal solo, with orchestra | composer | |
Edison | N-356 | 10-in. | 8/17/1928 | Melodies of long ago no. 2 | Hank Simmon's Show Boat Quartet | Male vocal quartet | composer | |
Vocalion | 22228 | 10-in. | 12/23/1937 | Wait till the sun shines Nellie | Frank Novak and his Rootin' Tootin' Boys | Instrumental ensemble, with male vocal group | composer | |
Leeds & Catlin | 6256 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | 6308 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | 9587 | 10-in. | between late 1908 and early 1909 | On the banks of the Rhine with a stein | Frank C. Stanley | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | 9599 | 10-in. | between late 1908 and early 1909 | I'll remember you | Peerless Quartet | Male vocal quartet, with orchestra | composer | |
Leeds & Catlin | [L & C cat 44935[b]] | 10-in. | 1906 | Whoa, Bill! | Arthur Collins | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | [L & C cat 44935[a]] | 10-in. | 1906 | Whoa, Bill! | Arthur Collins | Male vocal solo, with piano | composer | |
Leeds & Catlin | [L & C cat 4034[a]] | 10-in. | between late 1903 and 1904 | Maydee | Arthur Collins | Male vocal solo, with piano | composer | |
Leeds & Catlin | [L & C cat 4034[b]] | 10-in. | between late 1903 and 1904 | Maydee | Arthur Collins | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | [L & C cat 4040[b]] | 10-in. | between late 1903 and 1904 | Goodbye Liza Jane | Arthur Collins | Male vocal solo, with orchestra | composer | |
Leeds & Catlin | [L & C cat 4040[a]] | 10-in. | between late 1903 and 1904 | Goodbye Liza Jane | Arthur Collins | Male vocal solo, with piano | composer |
Citation
Discography of American Historical Recordings, s.v. "Von Tilzer, Harry," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/names/106533.
Von Tilzer, Harry. (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/names/106533.
"Von Tilzer, Harry." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Harry Von Tilzer
Discogs: Harry Von Tilzer
Grove: Harry Von Tilzer
IMSLP: Harry Von Tilzer
IMDb: Harry Von Tilzer
Linked Open Data Sources
LCNAR: Von Tilzer, Harry, 1872-1946 - http://id.loc.gov/authorities/names/n92049039
Wikidata: Harry Von Tilzer - http://www.wikidata.org/entity/Q1561874
VIAF: http://viaf.org/viaf/2738243
MusicBrainz: Harry Von Tilzer - https://musicbrainz.org/artist/424f5354-b9fc-46aa-b2cd-964ce4c55d9b
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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