Andrew B. Sterling
Andrew B. Sterling (August 26, 1874 – August 11, 1955) was an American lyricist. |
Birth and Death Data: Born August 26, 1874 (New York City), Died August 11, 1955 (Stamford)
Date Range of DAHR Recordings: 103 - 1941
Roles Represented in DAHR: lyricist, composer, songwriter
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Berliner | 1876 | 7-in. | Aug. 1898 | Just come up and take dem presents back | John Terrell | Male vocal solo | lyricist | |
Berliner | 1958 | 7-in. | June 1898-Mar. 1899 | My old New Hampshire home | S. H. Dudley | Male vocal solo | lyricist | |
Berliner | 014 | 7-in. | 4/15/1899 | You'll get all that's coming to you | Len Spencer | Male vocal solo | lyricist | |
Berliner | 036 | 7-in. | 4/4/1899 | You'll get all that's coming to you | Dan W. Quinn | Male vocal solo | lyricist | |
Berliner | 068 | 7-in. | 4/5/1899 | My old New Hampshire home | George J. Gaskin | Male vocal solo | lyricist | |
Berliner | 0136 | 7-in. | 3/22/1899 | My old New Hampshire home | Albert Campbell | Male vocal solo | lyricist | |
Berliner | 0665 | 7-in. | 2/6/1900 | Where the sweet magnolias bloom | Harry Macdonough | Male vocal solo | lyricist | |
Berliner | 0750 | 7-in. | 11/22/1899 | Where the sweet magnolias bloom | Albert Campbell | Male vocal solo | lyricist | |
Berliner | 01001 | 7-in. | 2/19/1900 | I wouldn't leave my home if I were you | Arthur Collins | Male vocal solo | lyricist | |
Berliner | 01131 | 7-in. | 3/22/1900 | Where the sweet magnolias bloom | Haydn Quartet | Male vocal quartet | lyricist | |
Berliner | 01245 | 7-in. | 4/15/1900 | Ain't you my Lulu | Will F. Denny | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]9 | 7-in. | 6/29/1900 | Strike up the band | Dan W. Quinn | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]539 | 7-in. | 11/24/1900 | Strike up the band | Arthur Collins ; Metropolitan Orchestra | Male vocal solo, with orchestra | lyricist | |
Victor | [Pre-matrix B-]650 | 10-in. | 2/2/1901 | I've got a white man a-workin' for me | Arthur Collins | Male vocal solo, with piano | composer, lyricist | |
Victor | [Pre-matrix A-]650 | 7-in. | 2/2/1901 | I've got a white man workin' for me | Arthur Collins | Male vocal solo, with piano | lyricist, composer | |
Victor | [Pre-matrix B-]714 | 10-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]714 | 7-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]767 | 7-in. | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira | Male vocal duet | lyricist | |
Victor | [Pre-matrix B-]993 | 10-in. | 10/11/1901 | Where was Moses when the light went out? | Bert Williams | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix A-]993 | 7-in. | 10/11/1901 | Where was Moses when the lights went out? | Bert Williams | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix B-]1269 | 10-in. | 2/19/1902 | My Carolina lady | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1269 | 7-in. | 2/19/1902 | My Carolina lady | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]1300 | 10-in. | 3/6/1902 | On a Saturday night | Joseph Natus | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix A-]1300 | 7-in. | 3/6/1902 | On a Saturday night | Joseph Natus | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix B-]1357 | 10-in. | 4/9/1902 | On a Sunday afternoon | Edward M. Favor | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1357 | 7-in. | 4/9/1902 | On a Sunday afternoon | Edward M. Favor | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]1391 | 10-in. | 5/17/1902 | On a Sunday afternoon | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1391 | 7-in. | 5/17/1902 | On a Sunday afternoon | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix C-]1392 | 12-in. | 5/28/1902 | On a Saturday night | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]1392 | 10-in. | 5/17/1902 | On a Saturday night | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1392 | 7-in. | 5/17/1902 | On a Saturday night | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]1621 | 10-in. | 9/10/1902 | Down where the cotton blossoms grow | Harry Macdonough | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix A-]1621 | 7-in. | 6/12/0103 | Down where the cotton blossoms grow | Harry Macdonough | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix B-]1629 | 10-in. | 9/18/1902 | I just can't help from loving that man | Arthur Collins | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1629 | 7-in. | 9/18/1902 | I just can't help from loving that man | Arthur Collins | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]1696 | 10-in. | 10/16/1902 | In the city of sighs and tears | J. W. Myers | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix A-]1696 | 7-in. | 10/16/1902 | In the city of sighs and tears | J. W. Myers | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix B-]1983 | 10-in. | 2/19/1903 | Ephasafa Dill | Edward M. Favor | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]1983 | 7-in. | 2/19/1903 | Ephasafa Dill | Edward M. Favor | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]2195 | 10-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix A-]2195 | 7-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]3078 | 10-in. | 2/2/1901 | I've got a white man working for me | Arthur Collins | Male vocal solo | composer, lyricist | |
Victor | [Pre-matrix B-]3133 | 10-in. | 2/21/1901 | Just a little attic, but it's home | J. W. Myers | Male vocal solo, with piano | lyricist | |
Victor | [Pre-matrix B-]3176 | 10-in. | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley | Male vocal solo | lyricist | |
Victor | [Pre-matrix B-]3311 | 10-in. | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira | Male vocal duet | lyricist | |
Victor | B-174 | 10-in. | 6/30/1903 | When Kate and I were coming thro' the rye | James Doyle | Male vocal solo | lyricist | |
Victor | B-224 | 10-in. | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough | Male vocal solo, with piano | lyricist | |
Victor | A-224 | 7-in. | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough | Male vocal solo, with piano | lyricist | |
Victor | B-405 | 10-in. | 9/9/1903 | In the village by the sea | Franklyn Wallace | Male vocal solo | lyricist | |
Victor | A-405 | 7-in. | 9/9/1903 | In the village by the sea | Franklyn Wallace | Male vocal solo | lyricist | |
Victor | B-470 | 10-in. | 10/1/1903 | It's the band | S. H. Dudley | Male vocal solo | lyricist | |
Victor | A-470 | 7-in. | 10/1/1903 | It's the band | S. H. Dudley | Male vocal solo | lyricist | |
Victor | B-594 | 10-in. | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins | Male vocal solo, with piano | lyricist | |
Victor | A-594 | 7-in. | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins | Male vocal solo, with piano | lyricist | |
Victor | A-691 | 7-in. | 11/10/1903 | In a village by the sea | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Victor | C-691 | 12-in. | 11/10/1903 | In the village by the sea | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Victor | B-691 | 10-in. | 11/10/1903 | In the village by the sea | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Victor | B-795 | 10-in. | 12/8/1903 | My little Coney Isle | Harry Macdonough | Male vocal solo, with orchestra | lyricist | |
Victor | B-888 | 10-in. | 1/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with piano | lyricist | |
Victor | A-888 | 7-in. | 1/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with piano | lyricist | |
Victor | B-891 | 10-in. | 1/11/1904 | Hannah | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | A-891 | 7-in. | 1/11/1904 | Hannah | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | B-1015 | 10-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | lyricist | |
Victor | A-1015 | 7-in. | 2/3/1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with piano | lyricist | |
Victor | B-1054 | 10-in. | 2/29/1904 | It's the band | S. H. Dudley | Male vocal solo, with orchestra | lyricist | |
Victor | A-1054 | 7-in. | 2/29/1904 | It's the band | S. H. Dudley | Male vocal solo, with orchestra | lyricist | |
Victor | B-1065 | 10-in. | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn | Male vocal solo, with orchestra | lyricist | |
Victor | A-1065 | 7-in. | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn | Male vocal solo, with orchestra | lyricist | |
Victor | B-1080 | 10-in. | 3/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | A-1080 | 7-in. | 3/7/1904 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-1169 | 10-in. | 3/29/1904 | On a Sunday afternoon | Harry Macdonough | Male vocal solo, with piano | lyricist | |
Victor | B-1315 | 10-in. | 5/16/1904 | Meet me in St. Louis, Louis | S. H. Dudley | Male vocal solo, with orchestra | lyricist | |
Victor | A-1315 | 7-in. | 5/16/1904 | Meet me in St. Louis, Louis | S. H. Dudley | Male vocal solo, with orchestra | lyricist | |
Victor | B-1323 | 10-in. | 5/18/1904 | Mississippi Mamie | Harry Macdonough | Male vocal solo, with orchestra | lyricist | |
Victor | B-1341 | 10-in. | 5/23/1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | A-1341 | 7-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | B-1371 | 10-in. | 5/28/1904 | Meet me in St. Louis, Louis | Billy Murray | Male vocal solo, with piano | lyricist | |
Victor | A-1371 | 7-in. | 5/28/1904 | Meet me in St. Louis, Louis | Billy Murray | Male vocal solo, with piano | lyricist | |
Victor | B-1412 | 10-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Victor | A-1412 | 7-in. | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Victor | B-1480 | 10-in. | 6/15/1904 | Mississippi Mamie | Harry Macdonough | Male vocal solo, with orchestra | lyricist | |
Victor | A-1480 | 7-in. | 6/15/1904 | Mississippi Mamie | Harry Macdonough | Male vocal solo, with orchestra | lyricist | |
Victor | B-1493 | 10-in. | 6/20/1904 | Alexander | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | A-1493 | 7-in. | 6/20/1904 | Alexander | Bob Roberts | Male vocal solo, with piano | lyricist | |
Victor | B-1626 | 10-in. | 7/20/1904 | All aboard for Dreamland | Harry Tally | Male vocal solo, with piano | lyricist | |
Victor | A-1626 | 7-in. | 7/20/1904 | All aboard for Dreamland | Harry Tally | Male vocal solo, with piano | lyricist | |
Victor | B-1891 | 10-in. | 11/3/1904 | Down where the sweet potatoes grow | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | C-1893 | 12-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-1893 | 10-in. | 11/3/1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-1959 | 10-in. | 11/22/1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-1961 | 10-in. | 11/22/1904 | Abraham | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-2097 | 10-in. | 12/28/1904 | When the frost is on the pumpkin | Harry Macdonough | Male vocal solo | lyricist | |
Victor | B-2154 | 10-in. | 1/18/1905 | Have you seen Maggie Riley? | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-2433 | 10-in. | 3/31/1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-2435 | 10-in. | 3/31/1905 | Pretty Mary | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-2517 | 10-in. | 5/3/1905 | Just across the bridge of gold | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-2519 | 10-in. | 5/3/1905 | My Carolina lady | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | E-2572 | 8-in. | 1/15/1907 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-2572 | 10-in. | 5/22/1905 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-2672 | 10-in. | 6/26/1905 | What are you going to do when the rent comes 'round? | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | C-2673 | 12-in. | 6/27/1905 | Making eyes | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-2758 | 10-in. | 9/19/1905 | Wait 'till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-2760 | 10-in. | 9/19/1905 | On the banks of the Rhine with a stein | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-2882 | 10-in. | 11/14/1905 | I'm the only star that twinkles on Broadway | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-2928 | 10-in. | 12/7/1905 | Wait till the sun shines, Nellie | Harry Tally | Male vocal solo, with orchestra | lyricist | |
Victor | B-3039 | 10-in. | 1/25/1906 | Moving day | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-3040 | 10-in. | 1/25/1906 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-3795 | 10-in. | 9/17/1906 | Abraham Jefferson Washington Lee | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-3798 | 10-in. | 9/17/1906 | In the evening by the moonlight, dear Louise | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-3804 | 10-in. | 9/17/1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-3818 | 10-in. | 9/19/1906 | In the evening by the moonlight, dear Louise | Harry Macdonough | Male vocal solo, with orchestra | lyricist | |
Victor | B-3947 | 10-in. | 10/31/1906 | When the flowers bloom in springtime, Molly dear | Haydn Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | E-4139 | 8-in. | 12/13/1906 | Ida-ho | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-4715 | 10-in. | 7/26/1907 | Bye bye, dearie | Harry Tally | Male vocal solo, with orchestra | lyricist | |
Victor | B-4716 | 10-in. | 7/26/1907 | Sacramento | Harry Tally | Male vocal solo, with orchestra | lyricist | |
Victor | E-4718 | 8-in. | 7/26/1907 | Take me back to New York town | Harry Tally | Male vocal solo, with orchestra | lyricist | |
Victor | B-4721 | 10-in. | 7/29/1907 | Oh, oh, Miss Lucy Ella | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-4724 | 10-in. | 7/29/1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-4736 | 10-in. | 8/1/1907 | Mariuccia danca da-hootch-a-ma-kootch | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Victor | B-6173 | 10-in. | 5/6/1908 | Stop making faces at me | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Victor | B-6976 | 10-in. | 4/9/1909 | I want a little corner in your heart | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-9338 | 10-in. | 7/29/1910 | I'm so tired of livin' I don't care when I die | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-9687 | 10-in. | 12/6/1910 | Whoop 'er up | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-9784 | 10-in. | 1/11/1911 | Gallagher | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-9796 | 10-in. | 1/12/1911 | Under the yum-yum tree | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-10008 | 10-in. | 2/28/1911 | All aboard for Blanket Bay | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-10225 | 10-in. | 4/25/1911 | All aboard for Blanket Bay | Walter Van Brunt | Male vocal solo, with orchestra | lyricist | |
Victor | B-10545 | 10-in. | 6/16/1911 | The baseball glide | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-11145 | 10-in. | 10/23/1911 | Knock wood | Ada Jones ; Billy Murray | Female-male vocal duet, with orchestra | lyricist | |
Victor | B-12141 | 10-in. | 6/24/1912 | Somebody else is gettin' it | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Victor | B-13002 | 10-in. | 3/18/1913 | Last night was the end of the world | Henry Burr | Male vocal solo | lyricist | |
Victor | B-13040 | 10-in. | 3/31/1913 | Good-bye boys | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-13641 | 10-in. | 7/28/1913 | A little bunch of shamrocks (I am holding in my hand) | Arthur C. Clough | Male vocal solo, with orchestra | lyricist | |
Victor | B-13673 | 10-in. | 8/6/1913 | On the old Fall River line | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14324 | 10-in. | 1/14/1914 | Don't stop | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-14400 | 10-in. | 1/29/1914 | The song that stole my heart | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Victor | B-14457 | 10-in. | 2/13/1914 | Do you take this woman for your lawful wife? | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-14635 | 10-in. | 3/26/1914 | That's a real moving picture from life | Billy Watkins | Male vocal solo, with orchestra | lyricist | |
Victor | B-14722 | 10-in. | 4/17/1914 | Hands off! | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Victor | B-15864 | 10-in. | 4/7/1915 | I'm proud to be the mother of a boy like you | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-16005 | 10-in. | 5/7/1915 | I wonder who wished her on me | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-16186 | 10-in. | 7/8/1915 | If war is what Sherman said it was | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-16345 | 10-in. | 8/11/1915 | You'll always be the same sweet girl | James F. Harrison ; James Reed | Male vocal duet, with orchestra | lyricist | |
Victor | B-16717 | 10-in. | 10/25/1915 | Alagazam (To the music of the band) | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-16992 | 10-in. | 1/10/1916 | Honey bunch | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-17206 | 10-in. | 2/24/1916 | Tell me some more | Marie Cahill | Female vocal solo, with orchestra | lyricist | |
Victor | B-17767 | 10-in. | 5/31/1916 | I sent my wife to the Thousand Isles | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-18131 | 10-in. | 7/19/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-18187 | 10-in. | 8/7/1916 | Sweet Babette she always did the minuet | Marguerite Farrell | Female vocal solo, with orchestra | lyricist | |
Victor | C-18925 | 12-in. | 12/22/1916 | Songs of the past, no. 23 | Victor Mixed Chorus | Vocal chorus and soloists, with orchestra | lyricist | |
Victor | B-19304 | 10-in. | 2/21/1917 | America, here's my boy | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | C-19852 | 12-in. | 5/15/1917 | Medley of old songs | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | lyricist | |
Victor | B-20008 | 10-in. | 6/4/1917 | Let's all do something | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-20439 | 10-in. | 7/24/1917 | Just as your mother was | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Victor | B-20441 | 10-in. | 7/24/1917 | It's a long way back to Mother's knee | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
Victor | B-20463 | 10-in. | 7/31/1917 | Just a little cottage in the country calling come back home | Shannon Four | Male vocal quartet, with orchestra | lyricist | |
Victor | B-20665 | 10-in. | 9/14/1917 | We're going over | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-21087 | 10-in. | 11/16/1917 | My heart's tonight in old New Hampshire (With my lady Jane) | Henry Burr ; Albert Campbell | Male vocal duet, with bells and orchestra | lyricist | |
Victor | B-21252 | 10-in. | 12/13/1917 | Just a letter for a boy over there, from a gray-haired mother over here | Peerless Quartet | Male vocal quartet, with orchestra | songwriter | |
Victor | B-21585 | 10-in. | 3/19/1918 | What'll we do with him, boys? | William J. "Sailor" Reilly | Male vocal solo, with orchestra | lyricist | |
Victor | B-22120 | 10-in. | 7/8/1918 | America, he's for you | Henry Burr | Male vocal solo, with orchestra | composer, lyricist | |
Victor | B-22443 | 10-in. | 12/2/1918 | Can you tame wild wimmen? | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-22521 | 10-in. | 1/9/1919 | Somebody's waiting for someone | Charles Hart | Male vocal solo, with violin and orchestra | lyricist | |
Victor | B-22573 | 10-in. | 2/7/1919 | Dreams | Vernon Dalhart | Male vocal solo, with bells and orchestra | lyricist | |
Victor | B-22622 | 10-in. | 3/12/1919 | Somebody's waiting for someone | Peerless Quartet | Male vocal quartet, with violin and orchestra | lyricist | |
Victor | B-23019 | 10-in. | 6/19/1919 | I ain't 'en got 'en no time to have the blues | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | lyricist | |
Victor | B-23136 | 10-in. | 9/5/1919 | Whoa January (You're going to be worse than July) | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-23572 | 10-in. | 1/12/1920 | When the harvest moon is shining | Charles Hart ; Lewis James | Male vocal duet, with violin and orchestra | lyricist | |
Victor | B-23598 | 10-in. | 1/22/1920 | He went in like a lion and came out like a lamb | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-24929 | 10-in. | 2/8/1921 | She walks in her husband's sleep | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-25103 | 10-in. | 3/17/1921 | Somebody's mother | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-25345 | 10-in. | 6/14/1921 | Ain't you coming out Malinda? | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-25525 | 10-in. | 8/19/1921 | Humpty Dumpty | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | lyricist | |
Victor | B-25909 | 10-in. | 12/20/1921 | Mammy Lou | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-25921 | 10-in. | 12/23/1921 | Down in midnight town | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-26132 | 10-in. | 2/23/1922 | Those days are over | Henry Burr ; Albert Campbell | Male vocal duet, with harp, bassoon, and orchestra | lyricist | |
Victor | B-27049 | 10-in. | 10/24/1922 | A picture without a frame | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-29216 | 10-in. | 12/24/1923 | My old New Hampshire home | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-31003 | 10-in. | 10/10/1924 | Ukulele Lou | Frank Richardson | Male vocal solo, with guitar, steel guitar, and ukulele | composer | |
Victor | BVE-33182 | 10-in. | 8/25/1925 | Keep your skirts down, Mary Ann | Billy Murray ; Aileen Stanley | Female-male vocal duet, with piano | lyricist | |
Victor | BVE-36063 | 10-in. | 8/24/1926 | Bridget O'Flynn (Where've ya been?) | Billy Murray ; Aileen Stanley | Female-male vocal duet, with bells and piano | lyricist | |
Victor | BVE-37900 | 10-in. | 2/16/1927 | When the flowers bloom in springtime | Richard Brooks ; Ruben Puckett | Male vocal duet, with violin and guitar | lyricist | |
Victor | BVE-39634 | 10-in. | 7/7/1927 | Mister O'Toole | Billy Murray ; Aileen Stanley | Female-male vocal duet, with instrumental ensemble | lyricist | |
Victor | BVE-41964 | 10-in. | 2/24/1928 | When the flowers bloom in the springtime | C. W. Davis | Male vocal solo, with violin and guitar | lyricist | |
Victor | BVE-50837 | 10-in. | 4/17/1929 | Sleepy Valley | Gus Arnheim ; Cocoanut Grove Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-51105 | 10-in. | 3/29/1929 | Sleepy valley | Eddie Dowling | Male vocal solo, with male vocal quartet and orchestra | lyricist | |
Victor | BRC-53013 | 10-in. | 4/15/1931 | When my baby smiles at me | Band O’ Sunshine ; Sunny Clapp ; Tom Howell | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-53562 | 10-in. | 6/13/1929 | Katie, keep your feet on the ground | Billy Murray ; Aileen Stanley | Female-male vocal duet and comic dialogue, with orchestra | lyricist | |
Victor | BVE-53932 | 10-in. | 7/18/1929 | Down where the cotton blossoms grow | Frank McCravy ; James McCravy | Male vocal duet, with instrumental ensemble | lyricist | |
Victor | BVE-53993 | 10-in. | 8/16/1929 | Sleepy valley | Mildred Hunt | Female vocal solo, with orchestra (takes 3-5); with male vocal trio and orchestra (takes 1 and 2) | lyricist | |
Victor | BVE-55580 | 10-in. | 9/24/1929 | Where the sweet magnolias bloom | Taylor-Griggs Louisiana Melody Makers | Vocal and instrumental ensemble | lyricist | |
Victor | BVE-55692 | 10-in. | 9/16/1929 | Sleepy valley | Victor Salon Orchestra | Orchestra | lyricist | |
Victor | BS-102768 | 10-in. | 6/21/1936 | When my baby smiles at me | Bob Pope Orchestra ; Nolan Canova | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BS-046868 | 10-in. | 2/9/1940 | Wait 'til the sun shines, Nellie | Golden Memory Boys | Male vocal quartet, with instrumental ensemble | lyricist | |
Victor | BS-067617 | 10-in. | 8/7/1941 | Wait till the sun shines, Nellie | Eton Boys | Male vocal quartet | lyricist | |
Victor | BS-071403 | 10-in. | 9/25/1941 | Wait 'til the sun shines, Nellie | Bob Chester Orchestra ; Betty Bradley ; Bob Haymes | Jazz/dance band, with female-male vocal duet and vocal ensemble | lyricist | |
Victor | [Trial 1914-02-18-02] | Not documented | 2/18/1914 | Last night was the end of the world | Oscar A. Cox | Male vocal solo, with piano | lyricist | |
Victor | [Trial 1917-08-06-08] | Not documented | 8/6/1917 | Just a little cottage in the country calling come back home | Betty Gray | Female vocal solo, with piano | lyricist | |
Victor | [Trial 1917-08-29-03] | Not documented | 8/29/1917 | I know you | Irene Law ; Louis J. Winsch | Female-male vocal duet, with piano | lyricist | |
Columbia | 106 | 10-in. | ca. 1901 | On a Sunday afternoon | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 106 | 7-in. | ca. 1901 | On a Sunday afternoon | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 350 | 10-in. | ca. 1901 | Oh! Oh! Miss Phoebe | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 350 | 7-in. | ca. 1901-Sept. 1902 | Oh! Oh! Miss Phoebe | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 403 | 10-in. | ca. 1901 | Where the sweet magnolias bloom | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 403 | 7-in. | ca. 1901 | Where the sweet magnolias bloom | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 1014 | 10-in. | ca. 1902 | In the city of sighs and tears | J. W. Myers | Male vocal solo, with piano; and orchestra (take 7) | lyricist | |
Columbia | 1014 | 7-in. | ca. 1902-Oct. 1905 | In the city of sighs and tears | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 1056 | 10-in. | between 1902 and 1908 | Down where the cotton blossoms grow | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 1056 | 7-in. | ca. 1902 | Down where the cotton blossoms grow | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 1153 | 10-in. | ca. 1903 | In the city of sighs and tears | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Columbia | 1153 | 7-in. | ca. 1903-Oct. 1905 | In the city of sighs and tears | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Columbia | 1191 | 10-in. | ca. 1903 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Columbia | 1191 | 7-in. | ca. 1903-Oct. 1905 | When Kate and I were coming through the rye | Byron G. Harlan | Male vocal solo, with piano | lyricist | |
Columbia | 1459 | 7-in. | ca. 1903-Oct. 1905 | Just remember I love you | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 1459 | 10-in. | ca. 1903 | Just remember I love you | Artists vary | Male vocal solo, with piano | lyricist | |
Columbia | 1541 | 10-in. | ca. 1903 | There's music in the air | Harry Tally | Male vocal solo, with piano | lyricist | |
Columbia | 1541 | 7-in. | ca. 1903-Oct. 1905 | There's music in the air | Harry Tally | Male vocal solo, with piano | lyricist | |
Columbia | 1572 | 10-in. | ca. 1903 | My little Coney Isle | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 1572 | 7-in. | ca. 1903-Oct. 1905 | My little Coney Isle | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 1596 | 10-in. | ca. 1903 | When we were boys | Harlan and Stanley | Male vocal duet | lyricist | |
Columbia | 1596 | 7-in. | ca. 1903-Oct. 1905 | When we were boys | Harlan and Stanley | Male vocal duet | lyricist | |
Columbia | 1676 | 10-in. | ca. 1903 | Under the Anheuser bush | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Columbia | 1712 | 10-in. | ca. 1903 | My little Irish canary | Edward M. Favor | Male vocal solo, with orchestra | lyricist | |
Columbia | 1742 | 10-in. | Jan.-Mar. 1904 | Under the Anheuser bush | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 1743 | 10-in. | Jan.-Mar. 1904 | In the village by the sea | J. W. Myers | Male vocal solo, with orchestra | lyricist | |
Columbia | 1792 | 10-in. | ca. Jan.-May 1904 | Meet me in St. Louis, Louis | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Columbia | 1800 | 10-in. | ca. Jan.-Apr. 1904 | Hannah, won't you open that door? | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 1805 | 10-in. | ca. 1904 | Down where the Suwanee River flows | J. W. Myers | Male vocal solo, with orchestra | lyricist | |
Columbia | 1841 | 10-in. | ca. Jan.-July 1904 | All aboard for Dreamland | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Columbia | 1848 | 10-in. | ca. Jan.-Aug. 1904 | Meet me in St. Louis, Louis | J. W. Myers | Male vocal solo, with orchestra | lyricist | |
Columbia | 1859 | 10-in. | between January and October 1904 | Louisa Schmidt | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 1861 | 10-in. | ca. Jan.-Oct. 1904 | Alexander | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Columbia | 1875 | 10-in. | ca. Jan.-Nov. 1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Columbia | 1912 | 7-in. | ca. 1904 | In the city of sighs and tears | J. W. Myers | Male vocal solo, with piano | lyricist | |
Columbia | 3031 | 7-in. | ca. 1904 | Alexander | Bob Roberts | Male vocal solo, with piano | lyricist | |
Columbia | 3036 | 7-in. | ca. 1904 | Good bye, Eliza Jane | Bob Roberts | Male vocal solo, with piano | lyricist | |
Columbia | 3047 | 10-in. | between 1904 and January 1905 | Abraham | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3052 | 10-in. | ca. 1904 | Coax me | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 3068 | 10-in. | between 1904 and February 1905 | Have you seen Maggie Riley? | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3203 | 10-in. | ca. Jan.-Sept. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Columbia | 3250 | 10-in. | between January and September 1905 | What you goin' to do when de rent comes 'round? | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3282 | 10-in. | ca. Jan.-Nov. 1905 | Where the morning glories twine around the door | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Columbia | 3321 | 10-in. | ca. 1905-Feb. 1906 | Wait till the sun shines, Nellie | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Columbia | 3370 | 10-in. | ca. Jan-Apr. 1906 | Moving day | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Columbia | 3395 | 10-in. | ca. Jan.-May 1906 | In a hammock built for two | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 3514 | 10-in. | between January and November 1906 | Would you leave your happy home for me? | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 3517 | 10-in. | ca. Jan.-Nov. 1906 | Abraham Jefferson Washington Lee | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3518 | 10-in. | ca. Jan.-Nov. 1906 | Home, sweet home sounds good to me | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3521 | 10-in. | between January and November 1906 | In the evening by the moonlight, dear Louise | Frank C. Stanley | Male vocal solo, with orchestra | lyricist | |
Columbia | 3542 | 10-in. | ca. 1906 | When the flowers bloom in the springtime Molly dear | Albert Campbell | Male vocal solo, with orchestra | lyricist | |
Columbia | 3632 | 10-in. | Jan.-May 1907 | Oh, Mister Brown | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3695 | 10-in. | ca. Jan.-Sept. 1907 | Just help yourself | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 3707 | 10-in. | between January and September 1907 | Oh, oh Miss Lucy Ella | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 3717 | 10-in. | between January and October 1907 | Take me back to New York town | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Columbia | 3803 | 10-in. | between January and May 1908 | Bye bye dearie | Henry Burr ; Frank C. Stanley | Male vocal solo, with orchestra | lyricist | |
Columbia | 4228 | 10-in. | approximately 1909 | A bushel o' kisses | Henry Burr ; Frank C. Stanley | Male vocal duet, with orchestra | lyricist | |
Columbia | 4902 | 10-in. | approximately 1910 | Under the yum yum tree | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 4946 | 10-in. | 10/12/1910 | Whoop 'er up (with a whoop, la la) | Ada Jones | Female vocal solo, with organ | lyricist | |
Columbia | 19226 | 10-in. | 2/7/1911 | All aboard for Blanket Bay | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Columbia | 19515 | 10-in. | 8/2/1911 | Knock wood | Ada Jones ; Walter Van Brunt | Female-male vocal duet, with orchestra | lyricist | |
Columbia | 19683 | 10-in. | 12/7/1911 | It's great when you marry for love | Walter Van Brunt | Male vocal solo, with orchestra | lyricist | |
Columbia | 19686 | 10-in. | 12/11/1911 | My counterfeit Bill | Dolly Connolly | Female vocal solo, with orchestra | lyricist | |
Columbia | 19705 | 10-in. | 1/2/1912 | The ragtime goblin man | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 19972 | 10-in. | 6/19/1912 | Somebody else is gettin' it | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Columbia | 38174 | 10-in. | 8/2/1912 | Somebody else is getting it | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Columbia | 38609 | 10-in. | 1/31/1913 | Last night was the end of the world | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 38642 | 10-in. | 2/21/1913 | Good-bye, boys | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 38695 | 10-in. | 3/7/1913 | A little bunch of shamrocks | Henry Burr ; Edgar Stoddard | Male vocal duet, with orchestra | lyricist | |
Columbia | 38972 | 10-in. | 7/30/1913 | Lucky boy | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 39013 | 10-in. | 9/12/1913 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 39164 | 10-in. | 12/24/1913 | Don't stop | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 39191 | 10-in. | 1/21/1914 | As long as the world goes round | Arthur Aldridge | Male vocal solo, with orchestra | lyricist | |
Columbia | 39198 | 10-in. | 1/27/1914 | Do you take this woman for your lawful wife? | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39253 | 10-in. | 2/18/1914 | The song that stole my heart away | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 39295 | 10-in. | 3/21/1914 | That's a real moving picture from life | Manuel Romain | Male vocal solo, with orchestra | lyricist | |
Columbia | 39299 | 10-in. | 3/25/1914 | Hands off | Billy Watkins | Male vocal solo, with orchestra | lyricist | |
Columbia | 39393 | 10-in. | 5/20/1914 | You can tango, you can trot, dear, but be sure and hesitate | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Columbia | 39810 | 10-in. | 2/2/1915 | Coming thro' the rye | Felice Lyne | Female vocal solo, with orchestra | lyricist | |
Columbia | 39976 | 10-in. | 3/22/1915 | I'm proud to be mother of a boy like you | Samuel Ash | Male vocal solo, with orchestra | lyricist | |
Columbia | 45814 | 10-in. | 1/23/1915 | Close to my heart | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 45876 | 10-in. | 7/23/1915 | Tell me some more | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 45950 | 10-in. | 8/16/1915 | You'll always be the same sweet girl | James F. Harrison ; James Reed | Male vocal duet, with orchestra | lyricist | |
Columbia | 46018 | 10-in. | 9/11/1915 | I never heard of anybody dying from kissing, did you? | Robert Higgins ; Mae Melville | Female-male vocal duet, with orchestra | lyricist | |
Columbia | 46044 | 10-in. | 9/21/1915 | If war is what Sherman said it was | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 46157 | 10-in. | 10/26/1915 | Alagazam | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 46159 | 10-in. | 10/27/1915 | I'm homesick | George O'Connor | Male vocal solo, with orchestra | lyricist | |
Columbia | 46275 | 10-in. | 12/15/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 46786 | 10-in. | 5/17/1916 | I sent my wife to the Thousand Isles | Al Jolson | Male vocal solo, with orchestra | lyricist | |
Columbia | 46797 | 10-in. | 5/20/1916 | She always did the minuet | Marguerite Farrell | Female vocal solo, with orchestra | lyricist | |
Columbia | 46910 | 10-in. | 7/13/1916 | Honest Injun | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 46923 | 10-in. | 7/18/1916 | This great big world owes me a loving | Marguerite Farrell ; M. J. O'Connell | Female-male vocal duet, with orchestra | lyricist | |
Columbia | 47035 | 10-in. | 9/20/1916 | Sometimes you get a good one and sometimes you don't | Anna Chandler | Female vocal solo, with orchestra | lyricist | |
Columbia | 47404 | 10-in. | 3/8/1917 | I'm proud to be the mother of a boy like you | Empire Trio | Male vocal trio, with orchestra | lyricist | |
Columbia | 47427 | 10-in. | 3/16/1917 | America, here's my boy | Knickerbocker Quartet ; Andrea Sarto | Male vocal solo and male vocal quartet, with orchestra | lyricist | |
Columbia | 77035 | 10-in. | 5/9/1917 | Oh! Jack, when are you coming back? | Billy Burton ; James Hall | Male vocal duet, with orchestra | lyricist | |
Columbia | 77040 | 10-in. | 5/10/1917 | Just as your mother was | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 77046 | 10-in. | 5/10/1917 | Strike up the band | James Hall | Male vocal solo, with orchestra | lyricist | |
Columbia | 77097 | 10-in. | 6/4/1917 | Let’s all do something | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 77114 | 10-in. | 6/7/1917 | There's a million reasons why I shouldn't kiss you | Samuel Ash ; Anna Wheaton | Female-male vocal duet, with orchestra | lyricist | |
Columbia | 77210 | 10-in. | 7/13/1917 | On the old Fall River Line | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 77320 | 10-in. | 9/10/1917 | We're going over | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 77491 | 10-in. | 11/7/1917 | My heart's tonight in old New Hampshire | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 77682 | 10-in. | 2/21/1918 | Alexander | Columbia Stellar Quartette | Male vocal quartet, with orchestra | lyricist | |
Columbia | 77733 | 10-in. | 3/25/1918 | What'll we do with him, boys? | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 77851 | 10-in. | 5/27/1918 | So long Sal—the best of friends must part | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 78037 | 10-in. | 9/4/1918 | Merrily we'll roll along | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 78185 | 10-in. | 11/21/1918 | You'll have to put him to sleep with the Marseillaise and wake him with an oo-la la | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | 78236 | 10-in. | 12/28/1918 | Somebody's waiting for someone | Samuel Ash | Male vocal solo, with orchestra | lyricist | |
Columbia | 78289 | 10-in. | 2/5/1919 | Somebody's waiting for someone | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 78304 | 10-in. | 2/18/1919 | Dreams | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
Columbia | 78406 | 10-in. | 4/21/1919 | I ain't'en got'en no time to have the blues | Irving Kaufman ; Jack Kaufman | Male vocal duet, with orchestra | lyricist | |
Columbia | 78566 | 10-in. | 7/17/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Columbia | 78639 | 10-in. | 9/11/1919 | They're all sweeties | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 78841 | 10-in. | 12/4/1919 | Why did you do it? | Jack Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | 78887 | 10-in. | 12/22/1919 | When my baby smiles at me | Fred Whitehouse | Male vocal solo, with orchestra | lyricist | |
Columbia | 78894 | 10-in. | 12/26/1919 | When the harvest moon is shining | Lewis James | Male vocal solo, with orchestra | lyricist | |
Columbia | 78925 | 10-in. | 1/12/1920 | When my baby smiles at me | Ted Lewis Jazz Band | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 79062 | 10-in. | 3/23/1920 | All the boys love Mary | Jack Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | 79128 | 10-in. | 4/19/1920 | All the boys love Mary | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 79327 | 10-in. | 7/2/1920 | A little bunch of shamrocks | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Columbia | 79731 | 10-in. | 2/23/1921 | Somebody's mother | Columbia Stellar Quartette | Male vocal quartet, with orchestra | lyricist | |
Columbia | 79767 | 10-in. | 3/28/1921 | Somebody's mother | New England Singers | Vocal quartet | lyricist | |
Columbia | 79774 | 10-in. | 4/4/1921 | She walks in her husband's sleep | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 79811 | 10-in. | 4/25/1921 | Somebody's mother | Frank Mellor ; George W. Reardon | Male vocal duet, with orchestra | lyricist | |
Columbia | 79860 | 10-in. | 5/24/1921 | Ain't you coming out, Malinda? | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 80003 | 10-in. | 9/27/1921 | Down in Midnight Town | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 80029 | 10-in. | 10/14/1921 | Maggie Maguire | Edwin Dale ; William Morgan | Male vocal solo, with orchestra | lyricist | |
Columbia | 80131 | 10-in. | 1/9/1922 | Mammy Lou | Charles Hart ; Elliott Shaw | Male vocal duet, with orchestra | lyricist | |
Columbia | 80216 | 10-in. | 2/24/1922 | Those days are over | Furman and Nash | Male vocal duet, with orchestra | lyricist | |
Columbia | 80420 | 10-in. | 6/26/1922 | Where the morning glories twine around the door | Oscar Seagle | Baritone vocal solo, with orchestra | lyricist | |
Columbia | 80646 | 10-in. | 11/3/1922 | A picture without a frame | Edwin Dale | Male vocal solo, with orchestra | lyricist | |
Columbia | 140151 | 10-in. | 11/26/1924 | Ukulele Lou | Chester Gaylord | Male vocal solo, with ukulele and piano | lyricist, composer | |
Columbia | 30054 | 12-in. | ca. 1906 | In a chimney corner (on a winter's night) | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 37437 | 12-in. | 10/20/1915 | Harry von Tilzer medley | Prince's Band ; G. Hepburn Wilson | Band | lyricist | |
Columbia | W140527 | 10-in. | 4/14/1925 | Lenore | Ernest Hare | Male vocal solo, with piano and banjo | composer | |
Columbia | W140687 | 10-in. | 6/16/1925 | Wait till the sun shines, Nellie | Riley Puckett | Male vocal solo, with guitar | lyricist | |
Columbia | 141466 | 10-in. | 1/7/1926 | Keep your skirts down, Mary Ann | Arthur Fields ; Lou Gold Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W142951 | 10-in. | 11/22/1926 | When my baby smiles at me | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W143364 | 10-in. | 1/27/1927 | Bridget O'Flynn (Where've ya been?) | The Happiness Boys ; Ernest Hare ; Billy Jones | Male vocal duet, with piano | lyricist | |
Columbia | 143366 | 10-in. | 1/28/1927 | Bridget O'Flynn (Where've ya been?) | Harmony Brothers | Male vocal duet, with piano | lyricist | |
Columbia | W143780 | 10-in. | 3/28/1927 | Meet me in St. Louis, Louie | Roe Brothers and Morrell | Male vocal trio, with fiddle (violin), banjo, and guitar | lyricist | |
Columbia | W143995 | 10-in. | 4/20/1927 | Mister O'Toole | Vaughn De Leath ; Frank Harris | Female-male vocal duet, with piano | lyricist | |
Columbia | 144902 | 10-in. | 10/25/1927 | White wings, carry me home | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | W145069 | 10-in. | 11/2/1927 | Last night was the end of the world | Hugh Cross | Male vocal solo, with guitar | lyricist | |
Columbia | W145070 | 10-in. | 11/2/1927 | Down where the cotton blossoms grow | Hugh Cross | Male vocal solo, with guitar | lyricist | |
Columbia | W145072 | 10-in. | 11/2/1927 | Where the morning glories twine around the door | Hugh Cross | Male vocal solo, with guitar | lyricist | |
Columbia | W147252 | 10-in. | 10/22/1928 | In the village by the sea | James "Stump" Johnson | Male vocal solo, with guitar and harmonica | lyricist | |
Columbia | 147718 | 10-in. | 12/19/1928 | Sleepy Valley | Bar Harbor Society Orchestra [Selvin's Orchestra] ; Irving Kaufman | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W147736 | 10-in. | 12/28/1928 | Sleepy Valley | James Melton | Male vocal solo, with orchestra | lyricist | |
Columbia | W148348 | 10-in. | 4/18/1929 | My old New Hampshire home | Elry Cash | Male vocal solo, with guitar and yodeling | lyricist | |
Columbia | W148662 | 10-in. | 6/6/1929 | Sleepy Valley | Golden Gate Orchestra [California Ramblers] | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W148853 | 10-in. | 7/25/1929 | Sleepy Valley | The Cavaliers | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | 331 | 10-in. | ca. Sept. 1918 | America, he's for you | Harry A. Ellis | Male vocal solo, with orchestra | lyricist, composer | |
OKeh | 411 | 10-in. | ca. Oct. 1918 | Those wonderful days of used-to-be | Henry Burr | Male vocal solo, with orchestra | songwriter | |
OKeh | 541 | 10-in. | ca. Jan. 1919 | Can you tame wild wimmen? | Billy Murray | Male vocal solo, with orchestra | lyricist | |
OKeh | 837 | 10-in. | ca. June 1919 | Somebody's waiting for someone | Henry Burr | Male vocal solo, with orchestra | lyricist | |
OKeh | 859 | 10-in. | approximately July 1919 | I ain't-en got-en no time to have the blues | Collins and Harlan | Male vocal duet | lyricist | |
OKeh | S-7215 | 10-in. | Feb. 1920 | He went in like a lion and came out like a lamb | Billy Murray | Male vocal solo, with orchestra | lyricist | |
OKeh | S-7278 | 10-in. | Feb. 1920 | When the harvest moon is shining | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
OKeh | S-7384 | 10-in. | Apr. 1920 | Oh how I love you | Fred Whitehouse | Male vocal solo, with orchestra | songwriter | |
OKeh | S-7666 | 10-in. | Nov. 1920 | She walks in her husband's sleep | Billy Jones | Male vocal solo, with orchestra | lyricist | |
OKeh | S-7826 | 10-in. | Mar. 1921 | Somebody's mother | Crescent Trio | Male vocal trio, with orchestra | lyricist | |
OKeh | 9596 | 10-in. | 3/11/1926 | Goodbye, Liza Jane | Fiddlin' John Carson | 2 fiddles (violins), banjo, and guitar, with male vocal solo | lyricist | |
OKeh | S-70359 | 10-in. | Dec. 1921 | You're a good old car but you can't climb hills | Elsie Clark | Female vocal solo, with orchestra | lyricist | |
OKeh | S-73130 | 10-in. | Jan. 1925 | Of all my wife's relations I love myself the best | Billy Jones | Male vocal solo, with orchestra | lyricist | |
OKeh | W80303 | 10-in. | 1/18/1927 | Bridget O' Flynn (Where've ya been?) | OKeh Kut-Ups | Male vocal duet, with piano | lyricist | |
OKeh | W81364 | 10-in. | 9/21/1927 | When the flowers bloom in the springtime | Jewell Davis | Male vocal solo, with fiddle (violin) and guitar | lyricist | |
OKeh | W402523 | 10-in. | 7/10/1929 | Goodbye, Eliza Jane | Keith Pooser ; Merritt Smith | Male vocal duet, with guitar | lyricist | |
OKeh | W402859 | 10-in. | 8/16/1929 | Sleepy valley | Justin Ring Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | W404648 | 10-in. | 12/10/1930 | I've got a white man working for me | Fiddlin' John Carson | Instrumental, with talk | composer | |
OKeh | [OK cat 1058-A] | 10-in. | Mar.-Sept. 1918 | Merrily we roll along | Sterling Trio | Male vocal trio | lyricist | |
Brunswick | [Br cat 5104-a] | 10-in. | approximately mid-1917 | Just as your mother was | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Brunswick | [Br cat 5124-a] | 10-in. | approximately Aug. 1917 | I know you | Irene I. Low ; Louis J. Winsch | Female-male vocal duet, with orchestra | lyricist | |
Brunswick | [Br cat 5157-b] | 10-in. | approximately Sept. 1917 | It's a long way back to Mother's knee | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
Brunswick | [Br cat 5173-a] | 10-in. | approximately Sept. 1917 | In old New Hampshire (With my lady Jane) | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Brunswick | [Br cat 5247-a] | 10-in. | approximately July 1918 | Keep jazzin' it Ras' | Arthur Collins | Male vocal solo, with orchestra | songwriter | |
Brunswick | 5225 | 10-in. | approximately Mar. 1921 | Somebody's mother | Crescent Trio | Male vocal trio, with orchestra | lyricist | |
Brunswick | 7098 | 10-in. | approximately Jan. 1922 | Mammy Lou | Strand Male Quartet | Male vocal quartet, with orchestra | lyricist | |
Brunswick | 6309-6310 | 10-in. | approximately Aug. 1921 | Ain't you coming out, Malinda? | Billy Jones | Male vocal solo and male vocal trio, with orchestra | lyricist | |
Brunswick | 12821-12823 | 10-in. | 4/8/1924 | I still believe in you | Allen McQuhae | Male vocal solo, with orchestra | lyricist | |
Brunswick | E24404 | 10-in. | 9/7/1927 | Swamp blues | The California Sunshine Girls | Female vocal solo, with piano | lyricist | |
Brunswick | E29850 | 10-in. | May 1929 | Sleepy valley | Regent Club Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | E30045 | 10-in. | June 1929 | My old New Hampshire home | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar, mandolin, and harmonica | lyricist | |
Brunswick | E35057 | 10-in. | 10/30/1930 | Swamp blues | Roy Wilson Georgia Crackers | Jazz/dance band, with vocal | lyricist | |
Brunswick | E5032-E5033 | 10-in. | 5/11/1927 | Hannah won’t you open the door | McGee Brothers | Male vocal solo, with banjo and guitar | lyricist | |
Brunswick | E17067-E17069 | 10-in. | 12/8/1925 | Keep your skirts down, Mary Ann | Billy Jones ; Esther Walker | Female-male vocal duet, with piano | lyricist | |
Brunswick | E17585-E17587 | 10-in. | 1/20/1926 | Keep your skirts down, Mary Ann | Volunteer Firemen | Jazz/dance band, with male vocal quartet | lyricist | |
Brunswick | C3992 | 10-in. | 8/5/1929 | Sleepy valley | Frank Sylvano | Male vocal solo, with orchestra | lyricist | |
Brunswick | C5802 | 10-in. | June 1930 | After Sunday afternoon | Frank Sylvano Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | K8046 | 10-in. | 3/31/1930 | Where the sweet magnolias bloom | Robert A. Gardner ; Lester McFarland | Male vocal duet, with guitar and harmonica | lyricist | |
Brunswick | TC2556 | 10-in. | 11/12/1928 | Bridget O’Flynn (Where’ve ya been?) | Frank Carroll ; John Gorman | Male vocal duet, with piano | lyricist | |
Brunswick | DB208 | 10-in. | 6/24/1929 | Sleepy Valley | Hardy Williamson | Male vocal solo, with piano | lyricist | |
Edison | 1180 | 10-in. | 8/8/1912 | Where the morning glories twine around the door | Royal Fish | Male vocal solo and vocal ensemble, with orchestra | lyricist | |
Edison | 2087 | 10-in. | 1/9/1913 | In the evening by the moonlight, dear Louise | Harvey Hindermyer | Tenor vocal solo and vocal ensemble, with orchestra | lyricist | |
Edison | 2436 | 10-in. | 9/2/1913 | Last night was the end of the world | Royal Fish | Male vocal solo, with orchestra | lyricist | |
Edison | 2489 | 10-in. | 10/10/1913 | Where the morning glories twine around the door | Royal Fish | Male vocal solo, with orchestra | lyricist | |
Edison | 3116 | 10-in. | June 1914 | In the evening by the moonlight, dear Louise | Harvey Hindermyer | Tenor vocal solo, with orchestra | lyricist | |
Edison | 3823 | 10-in. | 5/26/1915 | Where the morning glories twine around the door | Royal Fish | Male vocal solo, with orchestra | lyricist | |
Edison | 4316 | 10-in. | 12/7/1915 | You'll always be the same sweet girl | Manuel Romain | Male vocal solo, with orchestra | lyricist | |
Edison | 4348 | 10-in. | 12/16/1915 | And the great big world went 'round and 'round | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 4895 | 10-in. | 7/20/1916 | I sent my wife to the Thousand Isles | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Edison | 5514 | 10-in. | 4/19/1917 | America, here's my boy | George Wilton Ballard | Male vocal solo, with orchestra | lyricist | |
Edison | 5520 | 10-in. | 4/24/1917 | I'm a poor married man | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Edison | 5593 | 10-in. | 5/31/1917 | Let's all do something (Uncle Sammy wants us now) | Irving Kaufman | Male vocal solo and mixed vocal ensemble, with orchestra | lyricist | |
Edison | 5792 | 10-in. | 9/18/1917 | We're going over | Premier Quartet | Male vocal quartet, with orchestra | lyricist | |
Edison | 5879 | 10-in. | 11/13/1917 | Just as your mother was | Harmony Four | Vocal quartet, with orchestra | lyricist | |
Edison | 6453 | 10-in. | 11/12/1918 | You'll have to put him to sleep with the Marseillaise and wake him up with a oo-la-la | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Edison | 6572 | 10-in. | 1/17/1919 | Can you tame wild wimmen | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Edison | 6649 | 10-in. | 3/4/1919 | Somebody's waiting for someone | Marion Evelyn Cox ; Betsy Lane Shepherd | Vocal duet (soprano and contralto), with orchestra | lyricist | |
Edison | 6752 | 10-in. | 3/31/1919 | I ain't-en got-en no time to have the blues | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | lyricist | |
Edison | 6889 | 10-in. | 7/29/1919 | He used to be a farmer | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Edison | 6895 | 10-in. | 8/1/1919 | What could be sweeter | Helen Clark ; Joseph A. Phillips | Female-male vocal duet, with orchestra | lyricist | |
Edison | 7056 | 10-in. | 12/9/1919 | He went in like a lion and came out like a lamb | Al Bernard | Male vocal solo, with orchestra | lyricist | |
Edison | 7150 | 10-in. | 2/6/1920 | When my baby smiles at me | Rachael Grant ; Billy Murray | Female-male vocal duet, with orchestra | lyricist | |
Edison | 7185 | 10-in. | 2/26/1920 | When the harvest moon is shining | Charles Hart ; Lewis James | Male vocal duet, with orchestra | lyricist | |
Edison | 7685 | 10-in. | 12/16/1920 | She walks in her husband's sleep | Aileen Stanley | Female vocal solo, with orchestra | lyricist | |
Edison | 7824 | 10-in. | 3/3/1921 | Somebody's mother | Crescent Trio | Vocal trio, with orchestra | lyricist | |
Edison | 7918 | 10-in. | 4/14/1921 | Arrah go 'long with you (Do you see any green in me eye) | Marguerite Farrell | Female vocal solo, with orchestra | lyricist | |
Edison | 8016 | 10-in. | 5/24/1921 | Ain't you coming out, Malinda? | Al Bernard ; Ernest Hare | Male vocal duet, with orchestra | lyricist | |
Edison | 8313 | 10-in. | 12/8/1921 | Down in Midnight Town | Premier Quartet | Male vocal quartet, with orchestra | lyricist | |
Edison | 8323 | 10-in. | 12/21/1921 | The rosary you gave to me | Walter Scanlan | Male vocal solo, with orchestra | lyricist | |
Edison | 8330 | 10-in. | 1/5/1922 | Mammy Lou | Criterion Quartet | Male vocal quartet, unaccompanied | lyricist | |
Edison | 8338 | 10-in. | 1/11/1922 | Those days are over | George Wilton Ballard | Male vocal solo, with orchestra | lyricist | |
Edison | 8569 | 10-in. | 8/10/1922 | A picture without a frame | Walter Van Brunt | Male vocal solo and vocal chorus, with orchestra | lyricist | |
Edison | 9564 | 10-in. | 6/13/1924 | In dreams with you | Harry Raderman's Dance Orchestra ; Charles Hart | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 9843 | 10-in. | 11/11/1924 | Ukulele Lou | Vernon Dalhart ; Frank Kamplain | Male vocal duet, with orchestra | lyricist, composer | |
Edison | 10320 | 10-in. | 4/15/1925 | Of all my wife's relations (I love myself the best) | Billy Jones | Male vocal solo, with orchestra | lyricist | |
Edison | 10330 | 10-in. | 4/21/1925 | Lenore | Greenwich Village Inn Orchestra ; Billy Wynne | Jazz/dance band | composer | |
Edison | 11196 | 10-in. | 9/14/1926 | Moonlight dreams | Frank Braidwood | Male vocal solo, with orchestra | lyricist | |
Edison | 11325 | 10-in. | 11/20/1926 | Bridget O'Flynn (Where've ya been?) | Albert Campbell ; Jack Kaufman | Male vocal duet, with piano | lyricist | |
Edison | 11337 | 10-in. | 11/26/1926 | My old New Hampshire home | Walter Scanlan | Male vocal solo and mixed vocal ensemble, with orchestra | lyricist | |
Edison | 11424 | 10-in. | 1/11/1927 | Bridget O'Flynn (Where've ya been?) | Sherman and Ryan | Male vocal duet, with piano | lyricist | |
Edison | 11727 | 10-in. | 6/8/1927 | Swamp blues | J. Donald Parker | Male vocal solo, with orchestra | lyricist | |
Edison | 18963 | 10-in. | 12/24/1928 | Sleepy valley | Frank Munn | Male vocal solo, with piano and orchestra | lyricist | |
Edison | N-356 | 10-in. | 8/17/1928 | Melodies of long ago no. 2 | Hank Simmon's Show Boat Quartet | Male vocal quartet | lyricist | |
Edison | N-654 | 10-in. | 12/24/1928 | Sleepy valley | Frank Munn | Male vocal solo, with piano and orchestra | lyricist | |
Vocalion | 22228 | 10-in. | 12/23/1937 | Wait till the sun shines Nellie | Frank Novak and his Rootin' Tootin' Boys | Instrumental ensemble, with male vocal group | lyricist | |
Leeds & Catlin | 6256 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Leeds & Catlin | 6308 | 10-in. | before Aug. 1905 | Just across the bridge of gold | Byron G. Harlan | Male vocal solo, with orchestra | lyricist | |
Leeds & Catlin | 9587 | 10-in. | between late 1908 and early 1909 | On the banks of the Rhine with a stein | Frank C. Stanley | Male vocal solo, with orchestra | lyricist | |
Leeds & Catlin | [L & C cat 4040[b]] | 10-in. | between late 1903 and 1904 | Goodbye Liza Jane | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Leeds & Catlin | [L & C cat 4040[a]] | 10-in. | between late 1903 and 1904 | Goodbye Liza Jane | Arthur Collins | Male vocal solo, with piano | lyricist | |
Leeds & Catlin | [L & C cat 4091[a]] | 10-in. | between late 1903 and 1904 | Meet me in St. Louis, Louis | Arthur Collins | Male vocal solo, with piano | lyricist | |
Leeds & Catlin | [L & C cat 4091[b]] | 10-in. | between late 1903 and 1904 | Meet me in St. Louis, Louis | Arthur Collins | Male vocal solo, with orchestra | lyricist |
Citation
Discography of American Historical Recordings, s.v. "Sterling, Andrew B.," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/names/106532.
Sterling, Andrew B.. (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/names/106532.
"Sterling, Andrew B.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Sterling, Andrew B., 1874-1955 - http://id.loc.gov/authorities/names/n92049035
Wikidata: Andrew B. Sterling - http://www.wikidata.org/entity/Q4756248
VIAF: http://viaf.org/viaf/63202168
MusicBrainz: Andrew B. Sterling - https://musicbrainz.org/artist/be56d071-9ccd-44a6-a904-4d23125663d0
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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