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Phoebe Cary

Phoebe Cary (September 4, 1824 – July 31, 1871) was an American poet, and the younger sister of poet Alice Cary (1820–1871). The sisters co-published poems in 1849, and then each went on to publish volumes of their own. After their deaths in 1871, joint anthologies of the sisters' unpublished poems were also compiled.

Phoebe Cary was born on September 4, 1824, in Mount Healthy, Ohio, near Cincinnati, and she and her sister Alice were raised on the Clovernook farm in what is now North College Hill, Ohio. While they were raised in a Universalist household and held political and religious views that were liberal and reformist, they often attended Methodist, Presbyterian, and Congregationalist services and were friendly with ministers of all these denominations and others.

While they occasionally attended school, the sisters were often needed to work at home and so were largely self-educated. The sisters' mother died in 1835 and two years afterwards their father married again. Their stepmother was wholly unsympathetic regarding their literary aspirations. For their part, while they were ready and willing to aid to the full extent of their strength in household labour; the sisters persisted in a determination to study and write when the day's work was done. Sometimes they were refused the use of candles to the extent of their wishes and the device of a saucer of lard with a bit of rag for a wick was their only light after the rest of the family had retired.

More outgoing than her sister, Cary was a champion of women's rights and for a short time edited Revolution, a newspaper published by Susan B. Anthony. In 1848, their poetry was published in the anthology Female Poets of America edited by Rufus Wilmot Griswold and with his help, Poems of Alice and Phoebe Cary was published in 1849. Poet John Greenleaf Whittier had been invited to provide a preface; but refused. He believed their poetry did not need his endorsement and also noted a general dislike for prefaces as a method to "pass off by aid of a known name, what otherwise would not pass current".

The sisters' anthology garnered much acclaim, and in 1850 they moved to New York City. There, they often hosted evening receptions on Sundays, some of which were attended by well-known figures such as P. T. Barnum, John Greenleaf Whittier and Elizabeth Cady Stanton. While in New York, Phoebe published two volumes of exclusively her own poetry: Poems and Parodies and Poems of Faith, Hope and Love. Additionally, her lyrics appeared in many church hymnals, on Sunday School cards and in household scrapbooks. One of her enduring hymns, "Nearer Home" (first line "One sweetly solemn thought"), was often sung at funerals, including Alice's and her own. In hymnals it has long been matched to the tune OZREM, composed in 1850 by Isaac B. Woodbury. Canadian composer Robert Ambrose, nonetheless, in 1876 fashioned a longer, more choral tune, specifically for Cary's lyrics. The Cary–Ambrose score became one of the most popular and widely selling pieces of sheet music in the 19th century.

In the joint housekeeping in New York, Phoebe took, from choice (Alice being for many years an invalid), the larger share of the household duties, and hence found less leisure for literary labor. She wrote very little prose, and her poetry was so different in style, so much more buoyant in tone and independent in manner, that the verses of one sister were rarely ascribed to the other.

In 1868, Horace Greeley wrote a brief joint biography of Alice and Phebe (as he spelled her name).

Alice died in 1871 from tuberculosis; Phoebe died five months later of hepatitis on July 31, 1871, in Newport, Rhode Island. Both sister were buried in Green-Wood Cemetery, Brooklyn, New York.

Birth and Death Data: Born 1824 (Cincinnati), Died July 31, 1871 (Newport)

Date Range of DAHR Recordings: 1903 - 1929

Roles Represented in DAHR: lyricist, author

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor A-680 7-in. 11/9/1903 One sweetly solemn thought George Alexander Male vocal solo, with piano lyricist  
Victor B-680 10-in. 11/9/1903 One sweetly solemn thought George Alexander Male vocal solo, with piano lyricist  
Victor B-1936 10-in. 11/15/1904 One sweetly solemn thought Manhattan Female Quartet Female vocal quartet lyricist  
Victor C-2444 12-in. 4/5/1905 One sweetly solemn thought Frank C. Stanley Male vocal solo, with orchestra lyricist  
Victor B-2444 10-in. 4/5/1905 One sweetly solemn thought Frank C. Stanley Male vocal solo, with orchestra lyricist  
Victor B-10253 10-in. 5/2/1911 One sweetly solemn thought Apollo Quartette Male vocal quartet lyricist  
Victor C-13024 12-in. 3/28/1913 The legend of the woodpecker Georgene Faulkner Recitation author  
Victor B-13067 10-in. 4/2/1913 One sweetly solemn thought Elsie Baker Female vocal solo, with orchestra lyricist  
Victor C-13212 12-in. 4/30/1913 One sweetly solemn thought Herbert Witherspoon Bass vocal solo, with orchestra lyricist  
Victor C-14263 12-in. 1/2/1914 One sweetly solemn thought Alan Turner Male vocal solo, with orchestra lyricist  
Victor B-15390 10-in. 11/12/1914 One sweetly solemn thought Alma Gluck ; Louise Homer Vocal duet (soprano and contralto), with orchestra lyricist  
Victor C-16490 12-in. 9/14/1915 One sweetly solemn thought Ernestine Schumann-Heink Contralto vocal solo, with orchestra lyricist  
Victor C-18538 12-in. 10/10/1916 Sacred songs no. 1 Victor Mixed Chorus Vocal chorus and soloists, with orchestra lyricist  
Victor C-21943 12-in. 6/4/1918 One sweetly solemn thought Wilfred Glenn Male vocal solo, with orchestra lyricist  
Victor B-21943 10-in. 6/4/1918 One sweetly solemn thought Wilfred Glenn Male vocal solo, with orchestra lyricist  
Victor CVE-23748 12-in. 4/16/1926 One sweetly solemn thought Elliott Shaw Male vocal solo, with orchestra lyricist  
Victor C-23748 12-in. 2/24/1920 One sweetly solemn thought Elliott Shaw Male vocal solo, with orchestra lyricist  
Victor B-23748 10-in. 2/24/1920 One sweetly solemn thought Elliott Shaw Male vocal solo, with orchestra lyricist  
Victor BVE-33142 10-in. 8/4/1925 One sweetly solemn thought Reinald Werrenrath Baritone vocal solo, with orchestra lyricist  
Victor BVE-37440 10-in. 2/15/1927 One sweetly solemn thought Pauline Hilker Yost Female vocal solo, with piano lyricist  
Victor BVE-47818 10-in. 10/9/1928 One sweetly solemn thought Louise Homer ; Marion Talley Vocal duet (soprano and contralto), with orchestra lyricist  
Victor [Trial 1914-02-18-03] Not documented 2/18/1914 One sweetly solemn thought Ruth Oswald Female vocal solo, with piano lyricist  
Columbia 1774 10-in. ca. Jan.-Apr. 1904 One sweetly solemn thought Henry Burr Male vocal solo, with organ lyricist  
Columbia 3270 10-in. between January and November 1905 One sweetly solemn thought George Alexander Male vocal solo, with orchestra lyricist  
Columbia 19400 10-in. 6/7/1911 One sweetly solemn thought Henry Burr Male vocal solo, with orchestra lyricist  
Columbia 19671 10-in. 11/17/1911 One sweetly solemn thought Harold Jarvis Male vocal solo, with orchestra lyricist  
Columbia 38773 10-in. 4/9/1913 One sweetly solemn thought Andrea Sarto Male vocal solo, with orchestra lyricist  
Columbia 45757 10-in. 6/8/1915 One sweetly solemn thought Grace Kerns ; Mildred Potter Female vocal duet, with orchestra lyricist  
Columbia 77200 10-in. 7/10/1917 One sweetly solemn thought Henry Burr Male vocal solo, with orchestra lyricist  
Columbia 77817 10-in. 5/7/1918 One sweetly solemn thought Warren Proctor Male vocal solo, with orchestra lyricist  
Columbia 79403 10-in. 9/7/1920 One sweetly solemn thought Cyrena Van Gordon Contralto vocal solo, with orchestra lyricist  
Columbia 80406 10-in. 6/16/1922 One sweetly solemn thought Margaret Romaine Female vocal solo, with orchestra lyricist  
OKeh 142 10-in. ca. May 1918 One sweetly solemn thought Irving Gillette ; John H. Meyer Male vocal duet, with orchestra lyricist  
OKeh 8884 10-in. Jan. 1925 One sweetly solemn thought George R. Henninger ; Erle B. Renwick Male vocal solo, with piano lyricist  
OKeh W403151 10-in. 10/17/1929 One sweetly solemn thought Harold Lawrence Male vocal solo, with piano lyricist  
Brunswick 7066 10-in. approximately Jan. 1922 One sweetly solemn thought Elizabeth Lennox ; John Young Female-male vocal duet, with orchestra lyricist  
Brunswick 14604-14606 10-in. 1/8/1925 One sweetly solemn thought Elizabeth Lennox ; Frank Munn Female-male vocal duet, with orchestra lyricist  
Brunswick 14794-14796 10-in. 2/2/1925 One sweetly solemn thought Elizabeth Lennox ; Frank Munn Female-male vocal duet, with orchestra lyricist  
Brunswick E27574 10-in. 5/23/1928 One sweetly solemn thought Marie Morrisey ; Frank Munn Female-male vocal duet, with orchestra lyricist  
Brunswick E23800-E23802 10-in. 6/30/1927 One sweetly solemn thought Franklyn Baur ; Elizabeth Lennox Female-male vocal duet, with orchestra lyricist  
Edison 2581 10-in. 11/21/1913 One sweetly solemn thought Thomas Chalmers Male vocal solo, with orchestra lyricist  
Edison 9001 10-in. 5/31/1923 In absence Weber Male Quartet Male vocal quartet, with orchestra lyricist  

Citation

Discography of American Historical Recordings, s.v. "Cary, Phoebe," accessed November 22, 2024, https://adpprod1.library.ucsb.edu/names/104574.

Cary, Phoebe. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod1.library.ucsb.edu/names/104574.

"Cary, Phoebe." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.

DAHR Persistent Identifier

URI: https://adpprod1.library.ucsb.edu/names/104574

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