Recordings made Wednesday, October 26, 1927
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-39370 | 10-in. | 10/26/1927 | Creole love call | Duke Ellington Orchestra | Jazz/dance band, with female vocal solo | |
| Victor | BVE-39371 | 10-in. | 10/26/1927 | Blues I love to sing | Duke Ellington Orchestra | Jazz/dance band, with female vocal solo | |
| Victor | BVE-40155 | 10-in. | 10/6/1927 | Black and tan fantasie | Duke Ellington Orchestra | Jazz/dance band | |
| Victor | BVE-40156 | 10-in. | 10/6/1927 | Washington wabble | Duke Ellington Orchestra | Jazz/dance band | |
| Victor | BVE-40174 | 10-in. | 10/13/1927 | 'N'bracci' a me! | Mario Gioia | Male vocal solo, with orchestra | |
| Victor | BVE-40175 | 10-in. | 10/13/1927 | Suldato 'e Napule | Mario Gioia | Male vocal solo, with orchestra | |
| Victor | BVE-40353 | 10-in. | 10/26/1927 | Down-hearted blues | Blue Steele | Male vocal solo, with piano | |
| Victor | BVE-40354 | 10-in. | 10/26/1927 | Let's forgive and forget | Blue Steele Orchestra ; Bob Nolan | Jazz/dance band, with trombone solo and male vocal solo | |
| Victor | BVE-40355 | 10-in. | 10/26/1927 | Betty Jean | Blue Steele Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-40356 | 10-in. | 10/26/1927 | I'm drifting back to dreamland | Blue Steele Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-40357 | 10-in. | 10/26/1927 | I've been saving for a rainy day | Blue Steele | Male vocal solo, with piano | |
| Victor | BVE-40433 | 10-in. | 10/26/1927 | Listiddi ridinu | Paolo Dones | Male vocal solo, with orchestra | |
| Victor | BVE-40434 | 10-in. | 10/26/1927 | Li difetti di me mugghera | Paolo Dones | Male vocal solo, with orchestra | |
| Victor | BVE-40512 | 10-in. | 10/26/1927 | Sugar | Red Nichols' Stompers | Jazz/dance band, with male vocal duet | |
| Victor | BVE-40513 | 10-in. | 10/26/1927 | Make my cot where the cot-cot-cotton grows | Red Nichols' Stompers | Jazz/dance band, with male vocal duet | |
| Victor | BVE-40514 | 10-in. | 10/26/1927 | The varsity song | The Revelers | Male vocal quartet, with piano | |
| Victor | CVE-40515 | 12-in. | 10/26/1927 | Mesa sto perivoli sou | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | CVE-40516 | 12-in. | 10/26/1927 | Esi kimase me ti mama sou | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | CVE-40517 | 12-in. | 10/26/1927 | Mavromata | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | CVE-40518 | 12-in. | 10/26/1927 | Den mou lete ti na kamo | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | BVE-40519 | 10-in. | 10/26/1927 | Apo ta mikra mou hronia | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | BVE-40520 | 10-in. | 10/26/1927 | To mnima mou hortariase | Amalia Bakas | Female vocal solo, with violin and cimbalom | |
| Victor | BVE-40660 | 10-in. | 10/26/1927 | Hasta que se te hizo Pedro | Eduardo A. Carrillo ; Consuelo Contreras | Female-male vocal duet, with 2 violins and guitar | |
| Victor | BVE-40661 | 10-in. | 10/26/1927 | Las contribuciones | Eduardo A. Carrillo ; Consuelo Contreras | Female-male vocal duet, with 2 violins and guitar | |
| Victor | BVE-40662 | 10-in. | 10/26/1927 | El pájaro prieto | Eduardo A. Carrillo ; Consuelo Contreras | Female-male vocal duet, with 2 violins and guitar | |
| Victor | BVE-40663 | 10-in. | 10/26/1927 | El enganchado | Eduardo A. Carrillo ; Consuelo Contreras | Female-male vocal duet, with 2 violins and guitar | |
| Victor | BVE-40664 | 10-in. | 10/26/1927 | Me importa madre | Eduardo A. Carrillo ; Consuelo Contreras | Female-male vocal duet, with 2 violins and guitar | |
| Victor | CVE-40665 | 12-in. | 10/26/1927 | Innegiamo il Signor | Metropolitan Opera Chorus ; Giulio Setti | Mixed vocal chorus and soloist, with orchestra | |
| Victor | BVE-40666 | 10-in. | 10/26/1927 | Son quà! | Metropolitan Opera Chorus ; Giulio Setti | Mixed vocal chorus, with orchestra | |
| Columbia | 144909 | 10-in. | 10/26/1927 | Up in the clouds | Broadway Bellhops ; Harold Rodman | Jazz/dance band, with male vocal solo | |
| Columbia | 144910 | 10-in. | 10/26/1927 | Thinking of you | Broadway Bellhops ; Harold Rodman | Jazz/dance band, with male vocal solo | |
| Columbia | 144911 | 10-in. | 10/26/1927 | Make my cot where the cot-cot-cotton grows | Broadway Bellhops ; Harold Rodman | Jazz/dance band, with male vocal solo | |
| Columbia | W144912 | 10-in. | 10/26/1927 | Our American girl | Vernon Dalhart | Male vocal solo, with fiddle (violin), guitar, piano, and whistling | |
| Columbia | W144913 | 10-in. | 10/26/1927 | The whole world is waiting (For dreams to come true) | Vernon Dalhart | Male vocal solo, with fiddle (violin), guitar, piano, and whistling | |
| Columbia | W144914 | 10-in. | 10/26/1927 | Tango | José Echániz | Piano solo | |
| Columbia | W144915 | 10-in. | 10/26/1927 | Minuet | José Echániz | Piano solo | |
| Columbia | W144916 | 10-in. | 10/26/1927 | Dream kisses | Ipana Troubadours ; Harold Lambert ; Sam Lanin | Jazz/dance band, with male vocal solo | |
| Columbia | W144917 | 10-in. | 10/26/1927 | There must be somebody else | Harold Lambert ; Radiolites | Jazz/dance band, with male vocal solo | |
| Columbia | W145022 | 10-in. | 10/26/1927 | The new twister | New Orleans Owls | Jazz/dance band | |
| Columbia | W145023 | 10-in. | 10/26/1927 | Goose pimples | New Orleans Owls | Jazz/dance band | |
| Columbia | W145024 | 10-in. | 10/26/1927 | Throwin' the horns | New Orleans Owls | Jazz/dance band, with male vocal duet | |
| Columbia | W145025 | 10-in. | 10/26/1927 | Silver slipper rag | Dixie Instrumental Four | Jazz/dance quartet | |
| Columbia | W145026 | 10-in. | 10/26/1927 | Dizzy Lou | Dixie Instrumental Four | Jazz/dance quartet | |
| Columbia | W145027 | 10-in. | 10/26/1927 | Why should I say that I'm sorry (When nobody's sorry but me) | Ralph Pollock Orchestra | Jazz/dance band | |
| Columbia | W145028 | 10-in. | 10/26/1927 | An old guitar and an old refrain | Ralph Pollock Orchestra | Jazz/dance band, with male vocal solo | |
| OKeh | W81575 | 10-in. | 10/26/1927 | Sugar | Frankie Trumbauer’s Orchestra | Jazz/dance band, with male vocal duet | |
| OKeh | W81576 | 10-in. | 10/26/1927 | Did you mean it? | Frankie Trumbauer’s Orchestra | Jazz/dance band, with male vocal solo | |
| Brunswick | E24924-E24927 | 10-in. | 10/26/1927 | Our bungalow of dreams | Clevelanders | Jazz/dance band, with female vocal solo; with "humming chorus" (take E24927). | |
| Brunswick | E24928-E24931 | 10-in. | 10/26/1927 | When the morning glories wake up in the morning (Then I’ll kiss your two lips good-night) | Clevelanders | Jazz/dance band, with male vocal solo; without vocal (take E24931) | |
| Edison | 11877 | 10-in. | 9/8/1927 | Dreaming alone in Hawaii | Anthony J. Franchini ; South Sea Serenaders | Vocal and instrumental ensemble (Hawaiian) | |
| Edison | 11983 | 10-in. | 10/26/1927 | Song of Hawaii | Anthony J. Franchini ; South Sea Serenaders | Vocal and instrumental ensemble (Hawaiian) | |
| Edison | 11984 | 10-in. | 10/26/1927 | When the sun goes down again | Vernon Dalhart ; Adelyne Hood ; Carson Robison | Mixed vocal trio, with guitar | |
| Edison | 11985 | 10-in. | 10/26/1927 | Sing on, brother, sing! | Vernon Dalhart ; Adelyne Hood ; Carson Robison | Mixed vocal trio, with guitar |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, October 26, 1927," accessed October 31, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1927-10-26.
Recordings made on Wednesday, October 26, 1927. (2024). In Discography of American Historical Recordings. Retrieved October 31, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1927-10-26.
Recordings made on Wednesday, October 26, 1927." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 31 October 2024.
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