Recordings made Monday, January 14, 1929
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Gennett | 14683 | 10-in. | 1/14/1929 | Six months ain't long | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14684 | 10-in. | 1/14/1929 | I'm as free little birdie as can be | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14685 | 10-in. | 1/14/1929 | Let her go, I'll meet her | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14686 | 10-in. | 1/14/1929 | She's only a bird in a gilded cage | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14687 | 10-in. | 1/14/1929 | There's no one like the old folks | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14688 | 10-in. | 1/14/1929 | Bloody war | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14689 | 10-in. | 1/14/1929 | My Sarah Jane | John Foster | Male vocal solo, with fiddle (violin) and guitar | |
| Gennett | 14690 | 10-in. | 1/14/1929 | Little streams of whiskey | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14691 | 10-in. | 1/14/1929 | Storms may rule the ocean | John Foster ; Leonard Rutherford | Male vocal solo, with fiddle (violin) and guitar | |
| Gennett | 14692 | 10-in. | 1/14/1929 | Taylor's quickstep | Rutherford and Foster | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14693 | 10-in. | 1/14/1929 | All night long blues | John Foster ; Leonard Rutherford | Guitar duet | |
| Brunswick | 1572½bm | 12-in. | 1/14/1929 | Toreadore et Andalouse | Philharmonic Orchestra of Berlin, The ; Julius Prüwer | Orchestra | |
| Edison | 18954 | 10-in. | 12/19/1928 | I love to bumpity bump on a bumpy road with you | 7 Blue Babies ; Jack Dalton | Male vocal solo, with jazz/dance band | |
| Edison | 19007 | 10-in. | 1/14/1929 | Where did you get that name? | 7 Blue Babies ; Jack Dalton | Male vocal solo, with jazz/dance band | |
| Brunswick | 243bs | 12-in. | 1/14/1929 | The bartered bride : Overture | Philharmonic Orchestra of Berlin, The ; Julius Prüwer | Orchestra | |
| Brunswick | 244½bs | 12-in. | 1/14/1929 | The bartered bride : Overture | Philharmonic Orchestra of Berlin, The ; Julius Prüwer | Orchestra | |
| Victor | BVE-48565 | 10-in. | 1/14/1929 | Lo dicen tus ojos | María Túbau | Female vocal solo, with orchestra | |
| Victor | BVE-48566 | 10-in. | 1/14/1929 | Ni tú ni yo | María Túbau | Female vocal solo, with orchestra | |
| Victor | BVE-48567 | 10-in. | 1/14/1929 | Las palmadas | María Túbau | Female vocal solo, with orchestra | |
| Victor | BVE-48568 | 10-in. | 1/14/1929 | ¿Por cuál me decido? | María Túbau | Female vocal solo, with orchestra | |
| Victor | BVE-48569 | 10-in. | 1/14/1929 | Caperucita | María Túbau | Female vocal solo, with orchestra | |
| Victor | BVE-48602 | 10-in. | 11/19/1928 | Sweethearts on parade | Van Fleming ; Jean Goldkette Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-48777 | 10-in. | 1/14/1929 | Take a good look at mine | Jean Goldkette Orchestra ; Harold Stokes | Jazz/dance band, with male vocal solo | |
| Victor | BVE-48778 | 10-in. | 1/14/1929 | Ya' comin' up to night, huh? | Jean Goldkette Orchestra ; Wynken, Blynken, and Nod | Jazz/dance band, with female vocal trio and monologue | |
| Victor | BVE-49636 | 10-in. | 1/14/1929 | Farmer's life for me | Four Wanderers | Male vocal quartet, with organ | |
| Victor | BVE-49637 | 10-in. | 1/14/1929 | I ain't got nothin' to lose | Four Wanderers | Male vocal quartet, unaccompanied | |
| Victor | BVE-49638 | 10-in. | 1/14/1929 | You'se my lady love | Four Wanderers | Male vocal quartet, unaccompanied | |
| Victor | BVE-49639 | 10-in. | 1/14/1929 | Street urchin | Four Wanderers | Male vocal quartet, unaccompanied | |
| Victor | BVE-Test-269 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-270 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-271 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-272 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-273 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-274 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Victor | BVE-Test-275 | 10-in. | 1/14/1929 | [Unknown title(s)] | John Wanamaker | Talk | |
| Brunswick | C2791 | 10-in. | 1/14/1929 | It’s tight like that no. 2 | Georgia Tom ; Tampa Red | Male vocal solo, with guitar and piano | |
| Brunswick | C2793 | 10-in. | 1/14/1929 | Toodle-oodle-oo | Pete and Repeat | Male vocal duet, with guitar and piano | |
| Brunswick | C2794 | 10-in. | 1/14/1929 | Hymn singing Bill | Pete and Repeat | Male vocal duet, with guitar and piano | |
| Brunswick | C2795 | 10-in. | 1/14/1929 | Joshua fought the battle of Jericho | Aunt Jemima Novelty Four | Vocal quartet | |
| Brunswick | C2796 | 10-in. | 1/14/1929 | I got more sense than that | Pine Top Smith | Male vocal solo, with piano | |
| Brunswick | C2797 | 10-in. | 1/14/1929 | I’m sober now | Pine Top Smith | Male vocal solo, with piano | |
| Brunswick | E28971 | 10-in. | 1/14/1929 | Sound effect—Fire engine | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28972 | 10-in. | 1/14/1929 | Sound effect : [Unknown title] | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28975 | 10-in. | 1/14/1929 | Sound effect—Aeroplane | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28976 | 10-in. | 1/14/1929 | Sound effect—Fire siren | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28977 | 10-in. | 1/14/1929 | Sound effect—Clock strike | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28978 | 10-in. | 1/14/1929 | Sound effect—Thunder | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E28979 | 10-in. | 1/14/1929 | Sound effect—Rivetting | Technical staff (unidentified; Brunswick Records) | Sound effects | |
| Brunswick | E29060 | 10-in. | 1/14/1929 | La cachorra | Genaro Veiga | Male vocal solo, with instrumental ensemble | |
| Brunswick | E29061 | 10-in. | 1/14/1929 | Porque me dejas | Genaro Veiga | Male vocal solo, with instrumental ensemble | |
| Brunswick | E29062 | 10-in. | 1/14/1929 | “Choca esos cinco...” | Genaro Veiga | Male vocal solo, with instrumental ensemble | |
| Brunswick | E29063 | 10-in. | 1/14/1929 | Potro que me afloja el lomo | Genaro Veiga | Male vocal solo, with instrumental ensemble | |
| Brunswick | E29064 | 10-in. | 1/14/1929 | Futuristic rhythm | Hotsy Totsy Gang | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | E29065 | 10-in. | 1/14/1929 | Out where the blues begin | Hotsy Totsy Gang | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | E29102 | 10-in. | 1/14/1929 | Wedding march | Orchestra (unidentified; Brunswick Records) | Orchestra | |
| Brunswick | E29103 | 10-in. | 1/14/1929 | Hail, hail, the gang’s all here | Orchestra (unidentified; Brunswick Records) | Orchestra | |
| Brunswick | E29104 | 10-in. | 1/14/1929 | Kol nidre | Orchestra (unidentified; Brunswick Records) | Orchestra | |
| Brunswick | E29105 | 10-in. | 1/14/1929 | Seasickness | Orchestra (unidentified; Brunswick Records) | Orchestra | |
| Brunswick | E29106 | 10-in. | 1/14/1929 | Macushla | Orchestra (unidentified; Brunswick Records) | Orchestra | |
| Brunswick | E29107 | 10-in. | 1/14/1929 | Singapore Sal | Jack Parker | Male vocal solo, with orchestra | |
| Brunswick | E29108 | 10-in. | 1/14/1929 | Rosemary | Jack Parker | Male vocal solo, with orchestra | |
| Victor | MVE-49059 | 16-in. | 1/14/1929 | Noisy noises | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | MVE-49060 | 16-in. | 1/14/1929 | Noisy noises | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | MVE-49387 | 16-in. | 12/28/1928 | Night club | Motion Picture Orchestra | Motion picture soundtrack : Orchestra (takes 1A and 2A); Film to wax transfer (takes 3A-7A) | |
| Edison | N-645 | 10-in. | 12/19/1928 | I love to bumpity bump on a bumpy road with you | 7 Blue Babies ; Jack Dalton | Male vocal solo, with jazz/dance band | |
| Edison | N-698 | 10-in. | 1/14/1929 | Where did you get that name? | 7 Blue Babies ; Jack Dalton | Male vocal solo, with jazz/dance band | |
| Brunswick | TC2792 | 10-in. | 1/14/1929 | Train time blues | Georgia Tom ; Tampa Red | Male vocal solo, with guitar and piano | |
| Columbia | W147752 | 10-in. | 1/14/1929 | (I love you—I love you—I love you) Sweetheart of all my dreams | Johnny Morris ; Paul Specht Orchestra | Jazz/dance band, with male vocal solo | |
| Columbia | W147779 | 10-in. | 1/14/1929 | You're the cream in my coffee | Ruth Etting | Female vocal solo, with instrumental trio | |
| Columbia | W147780 | 10-in. | 1/14/1929 | To know you is to love you | Ruth Etting | Female vocal solo, with instrumental trio | |
| Columbia | W147781 | 10-in. | 1/14/1929 | Glad rag doll | Ruth Etting | Female vocal solo, with instrumental trio | |
| Columbia | W147782 | 10-in. | 1/14/1929 | (That's what I call) Sweet music | Paul Specht Orchestra | Jazz/dance band, with male vocal trio | |
| Columbia | W147806 | 10-in. | 1/14/1929 | Hula girl | Andrew Aiona's Novelty Four | Jazz/dance quartet (Hawaiian) | |
| Columbia | W147807 | 10-in. | 1/14/1929 | Paahana | Andrew Aiona's Novelty Four | Jazz/dance quartet (Hawaiian) | |
| Columbia | W147808 | 10-in. | 1/14/1929 | Keko | Andrew Aiona's Novelty Four | Jazz/dance quartet (Hawaiian) | |
| OKeh | W401526 | 10-in. | 1/14/1929 | Buffalo Bill | Jimmie Black | Male vocal solo, with 2 fiddles (violins) and guitar | |
| OKeh | W401527 | 10-in. | 1/14/1929 | Custer's last fight | Jimmie Black | Male vocal solo, with 2 fiddles (violins) and guitar | |
| OKeh | W401528 | 10-in. | 1/14/1929 | Tennessee (I'm coming home) | Black Brothers | Male vocal duet, with 2 fiddles (violins), guitar, and piano | |
| OKeh | W401529 | 10-in. | 1/14/1929 | Old Kentucky cabin | Black Brothers | Male vocal duet, with 2 fiddles (violins), guitar, piano, and whistling | |
| OKeh | W401530 | 10-in. | 1/14/1929 | She only laughs at me | Fred Hall ; Sugar Babies | Jazz/dance band, with male vocal solo and laughing | |
| OKeh | W401531 | 10-in. | 1/14/1929 | Here's that party now in person | Fred Hall ; Sugar Babies | Jazz/dance band, with male vocal solo and scat singing | |
| Columbia (U.K.) | WL1407 | 10-in. | 1/14/1929 | Duetto | Jacqueline Francell | Female-male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | WLX805 | 12-in. | 1/14/1929 | Les themes et leur role dans le drama | M. Berard ; Édouard Schneider | Lecture | |
| Columbia (U.K.) | WLX806 | 12-in. | 1/14/1929 | Les themes et leur role dans le drama (2) | M. Berard ; Édouard Schneider | Lecture |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Monday, January 14, 1929," accessed November 21, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1929-01-14.
Recordings made on Monday, January 14, 1929. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1929-01-14.
Recordings made on Monday, January 14, 1929." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
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