Recordings made Friday, December 7, 1928
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | MVE-49341 | 16-in. | 12/7/1928 | Scarlet seas | Paramount Pictures, Inc. | Motion picture soundtrack | |
| Victor | MVE-49342 | 16-in. | 12/7/1928 | Scarlet seas | Motion Picture Orchestra | Motion picture soundtrack : Orchestra, with vocal chorus | |
| Victor | MVE-49343 | 16-in. | 12/7/1928 | Scarlet seas | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | CVE-46385 | 12-in. | 12/7/1928 | Song of the bayou | Victor Salon Group | Orchestra, with male vocal chorus | |
| Victor | CVE-49214 | 12-in. | 11/28/1928 | Hark! Hark! The lark | John McCormack | Tenor vocal solo, with vocal quartet and orchestra | |
| Columbia (U.K.) | WLX674 | 12-in. | 12/7/1928 | Trois pièces pour quatuor à cordes | Quatuor Krettly | String quartet | |
| Columbia (U.K.) | WLX675 | 12-in. | 12/7/1928 | Trois pièces pour quatuor à cordes | Quatuor Krettly | String quartet | |
| Columbia (U.K.) | WLX676 | 12-in. | 12/7/1928 | Air de "La petite table" et "Recitatif de Des Grieux" | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Female-male vocal duet, with orchestra | |
| Columbia (U.K.) | WLX677 | 12-in. | 12/7/1928 | Le rêve | Élie Cohen ; Germaine Féraldy ; Joseph Rogatchewsky | Female-male vocal duet, with orchestra | |
| Victor | BVE-47870 | 10-in. | 10/31/1928 | Mélodie arabe | Sadah Shuchari | Violin solo, with piano | |
| Victor | BVE-47872 | 10-in. | 10/31/1928 | Sicilienne and rigaudon | Sadah Shuchari | Violin solo, with piano | |
| Victor | XVE-48243 | 10-in. | 12/7/1928 | El furor del balompié | Sergio Acebal ; Adolfo Otero | Dialogue | |
| Victor | XVE-48244 | 10-in. | 12/7/1928 | Historia de un fuego | Sergio Acebal ; Adolfo Otero | Dialogue | |
| Victor | XVE-48245 | 10-in. | 12/7/1928 | La confesión de Tutifruti | Sergio Acebal ; Sofia Del Campo | Dialogue | |
| Victor | XVE-48246 | 10-in. | 12/7/1928 | El poder de una canción | Sergio Acebal ; Sofia Del Campo | Dialogue | |
| Victor | XVE-48247 | 10-in. | 12/7/1928 | Extracción sin dolor | Sergio Acebal ; Sofia Del Campo | Dialogue | |
| Victor | XVE-48248 | 10-in. | 12/7/1928 | Entre guarapetas | Sergio Acebal ; Sofia Del Campo | Dialogue | |
| Victor | BVE-49169 | 10-in. | 12/7/1928 | Me and the man in the moon | Ted Weems Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-49170 | 10-in. | 12/7/1928 | My troubles are over | Ted Weems Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-49238 | 10-in. | 12/7/1928 | I can't make her happy | Pennsylvanians ; Fred Waring | Jazz/dance band, with male vocal solo | |
| Victor | BVE-49239 | 10-in. | 12/7/1928 | The song I love | Pennsylvanians ; Fred Waring | Jazz/dance band, with male vocal solo | |
| Victor | BVE-48440 | 10-in. | 12/7/1928 | Cuando llama la campana | Blanca Ascencio ; Carlos Mejía | Female-male vocal duet, with orchestra | |
| Victor | BVE-48441 | 10-in. | 12/7/1928 | Las tres milpas | Blanca Ascencio ; Carlos Mejía | Female-male vocal duet, with orchestra | |
| Victor | BVE-48442 | 10-in. | 12/7/1928 | Payaso | Juan Pulido | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-48443 | 10-in. | 12/7/1928 | Huye ladrón | Juan Pulido | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-48685 | 10-in. | 12/7/1928 | Słodkie dziewczętą | Paweł Faut | Comic monologue, with instrumental ensemble | |
| Victor | BVE-48686 | 10-in. | 12/7/1928 | Niema jak Polska dzieweczka | Anna Brzozowska ; Paweł Faut | Female-male vocal duet, with instrumental ensemble | |
| Victor | BVE-48687 | 10-in. | 12/7/1928 | Siupaj dyja | Paweł Faut ; Grupa Polskich Artystów | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-48688 | 10-in. | 12/7/1928 | Poczekaj Hanka tam u chrustu | Paweł Faut ; Grupa Polskich Artystów | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-48689 | 10-in. | 12/7/1928 | Warszawiacy w Ameryce | Pawel Faut ; Grupa Polskich Artystów | Comic scene, with instrumental ensemble | |
| Victor | BVE-48690 | 10-in. | 12/7/1928 | Co użyjem to dla nas | Pawel Faut ; Grupa Polskich Artystów | Comic scene, with instrumental ensemble | |
| Victor | BVE-48439 | 10-in. | 12/7/1928 | Ya no espero | Blanca Ascencio ; Carlos Mejía | Female-male vocal duet, with orchestra | |
| Victor | BVE-48444 | 10-in. | 12/7/1928 | El caballo criollo | Juan Pulido | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-48684 | 10-in. | 12/7/1928 | W pogodny wieczór Św. Jana | Paweł Faut | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-49240 | 10-in. | 12/7/1928 | Under the spell of the rose | John McCormack | Tenor vocal solo, with orchestra | |
| Columbia | W147396 | 10-in. | 12/7/1928 | Let's do it (Let's fall in love) | Blue Grass Boys ; Lee Morse | Female vocal solo, with jazz/dance ensemble | |
| Columbia | W147397 | 10-in. | 12/7/1928 | Susianna | Blue Grass Boys ; Lee Morse | Female vocal solo, with jazz/dance ensemble | |
| Columbia | W147398 | 10-in. | 12/7/1928 | Adellina | Blue Grass Boys ; Lee Morse | Female vocal solo, with jazz/dance ensemble | |
| Columbia | W147399 | 10-in. | 12/7/1928 | Do it, baby | Clarence Williams’ Jazz Kings | Jazz/dance band | |
| Columbia | W147400 | 10-in. | 12/7/1928 | My kitchen man | Clarence Williams’ Jazz Kings | Jazz/dance band | |
| Columbia | W147589 | 10-in. | 12/7/1928 | Zebra Dunne | Floy England | Male vocal solo | |
| Columbia | W147590 | 10-in. | 12/7/1928 | The ranchman's daughter | Floy England | Male vocal solo | |
| Columbia | W147591 | 10-in. | 12/7/1928 | Orphan blues | Baby Jean Lovelady | Female vocal solo ("blues singer") | |
| Columbia | W147592 | 10-in. | 12/7/1928 | Schoolday blues | Baby Jean Lovelady | Female vocal solo ("blues singer") | |
| Columbia | W147593 | 10-in. | 12/7/1928 | Just it | William McCoy | Harmonica solo, with guitar | |
| Columbia | W147594 | 10-in. | 12/7/1928 | How long baby | William McCoy | Harmonica solo, with guitar | |
| Columbia | W147595 | 10-in. | 12/7/1928 | Police blues | Emma Wright | Female vocal solo ("blues singer"), with instrumental quartet | |
| Columbia | W147596 | 10-in. | 12/7/1928 | Lonesome trail blues | Emma Wright | Female vocal solo ("blues singer"), with instrumental quartet | |
| Columbia | W147597 | 10-in. | 12/7/1928 | God loves a woman | Rev. J. M. Heads | Sermon | |
| Columbia | W147598 | 10-in. | 12/7/1928 | Christ and his power | Rev. J. M. Heads | Sermon | |
| Edison | N-546 | 10-in. | 11/3/1928 | Vision d'amour | Joseph A. Cerina ; Herman Hertz | Saxophone solo, with piano | |
| Edison | N-547 | 10-in. | 11/3/1928 | Valse Marilyn | Joseph A. Cerina ; Herman Hertz | Saxophone solo, with piano | |
| Edison | N-620 | 10-in. | 12/7/1928 | To a wild rose | Hotel Commodore Ensemble | Instrumental ensemble | |
| Edison | N-621 | 10-in. | 12/7/1928 | At an old trysting place | Hotel Commodore Ensemble | Instrumental ensemble | |
| Edison | N-622 | 10-in. | 12/7/1928 | To a water lily | Hotel Commodore Ensemble | Instrumental ensemble | |
| Edison | 18928 | 10-in. | 12/7/1928 | At an old trysting place | Hotel Commodore Ensemble ; Bernhard Levitow | Instrumental ensemble | |
| Edison | 18851 | 10-in. | 11/3/1928 | Vision d'amour | Joseph A. Cerina ; Herman Hertz | Saxophone solo, with piano | |
| Edison | 18852 | 10-in. | 11/3/1928 | Valse Marilyn | Joseph A. Cerina ; Herman Hertz | Saxophone solo, with piano | |
| Edison | 18927 | 10-in. | 12/7/1928 | To a wild rose | Hotel Commodore Ensemble ; Bernhard Levitow | Instrumental ensemble | |
| Edison | 18929 | 10-in. | 12/7/1928 | To a water lily | Hotel Commodore Ensemble ; Bernhard Levitow | Instrumental ensemble | |
| OKeh | W402200 | 10-in. | 12/7/1928 | Muggles | Louis Armstrong Orchestra | Jazz/dance sextet | |
| Brunswick | E28880 | 10-in. | 12/7/1928 | I’m bringing a red-red rose | Ben Bernie ; Hotel Roosevelt Orchestra ; Scrappy Lambert | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | E28881 | 10-in. | 12/7/1928 | Makin’ whoopee! | Ben Bernie ; Hotel Roosevelt Orchestra ; Scrappy Lambert | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | E28882 | 10-in. | 12/7/1928 | My Tonia | Nick Lucas | Male vocal solo, with guitar and orchestra; without vocal (take G) | |
| Brunswick | E28883 | 10-in. | 12/7/1928 | The song I love | Nick Lucas | Male vocal solo, with guitar and orchestra | |
| Brunswick | E28900 | 10-in. | 12/7/1928 | Keep in the middle of the road | Frank McCravy ; James McCravy | Male vocal duet, with violin, banjo, and piano | |
| Brunswick | C2644 | 10-in. | 12/7/1928 | Pine Top’s sober now | Pine Top Smith | Male vocal solo, with piano and talking | |
| Brunswick | E28901 | 10-in. | 12/7/1928 | Sassafras blues | Hawkins Brothers | Violin and guitar duet | |
| Brunswick | TC2642 | 10-in. | 12/7/1928 | Boot it, boy | Thomas' Muscle Shoal Devils | Jazz/dance band, with vocal | |
| Brunswick | TC2643 | 10-in. | 12/7/1928 | Sho’ is hot | Thomas' Muscle Shoal Devils | Jazz/dance band, with vocal | |
| Gramophone | BJ1676 | 10-in. | December 6 or 7, 1928 | La molinera | Galo Borbolla ; Coral Vetusta de Oviedo | Mixed vocal chorus, unaccompanied | |
| Gramophone | BJ1678 | 10-in. | either 12/6/1928 or 12/7/1928 | Legenda | Galo Borbolla ; Coral Vetusta de Oviedo | Mixed vocal chorus, unaccompanied | |
| Gramophone | BJ1677 | 10-in. | either 12/6/1928 or 12/7/1928 | Llevarmme la burro | Galo Borbolla ; Coral Vetusta de Oviedo | Mixed vocal chorus | |
| Gramophone | BJ1675 | 10-in. | either 12/6/1928 or 12/7/1928 | Caminito de Avilés | Galo Borbolla ; Coral Vetusta de Oviedo | Mixed vocal chorus, unaccompanied | |
| Gennett | 14528 | 10-in. | 12/7/1928 | Right will always win | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14529 | 10-in. | 12/7/1928 | I heard His voice | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14530 | 10-in. | 12/7/1928 | I'm happy with my Savior | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14531 | 10-in. | 12/7/1928 | Singing on the journey home | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14532 | 10-in. | 12/7/1928 | Keep holding on | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14533 | 10-in. | 12/7/1928 | The home coming week | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14534 | 10-in. | 12/7/1928 | Bugle calls | Earl Duncan | Cornet solo | |
| Gennett | 14535 | 10-in. | 12/7/1928 | Reapers be true | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14536 | 10-in. | 12/7/1928 | Wonderful | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14537 | 10-in. | 12/7/1928 | Riding on the glory waves | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14538 | 10-in. | 12/7/1928 | A happy band | McDonald Quartette | Male vocal quartet, with piano | |
| Gennett | 14539 | 10-in. | 12/7/1928 | The glory land way | McDonald Quartette | Male vocal quartet, with piano |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Friday, December 7, 1928," accessed November 24, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-12-07.
Recordings made on Friday, December 7, 1928. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-12-07.
Recordings made on Friday, December 7, 1928." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
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