Recordings made Monday, November 26, 1928
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | MVE-48089 | 16-in. | 11/26/1928 | Homecoming | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | MVE-48090 | 16-in. | 11/26/1928 | Homecoming | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | CVE-48403 | 12-in. | 11/26/1928 | The new Italy (March) | Creatore's Band | Band | |
| Victor | CVE-48405 | 12-in. | 11/26/1928 | Selections from Mefistofele | Creatore's Band | Band | |
| Gramophone | CM589 | 12-in. | 11/26/1928 | Na to palēo mou oneiro (Να το παληο μου ονειρο) | Alikē Epitropakē-Vitsou (Αλικη Επιτροπακη-Βιτσου) | Female vocal solo, with instrumental ensemble | |
| Victor | CVE-48404 | 12-in. | 11/26/1928 | The return of the sailors (March) | Creatore's Band | Band | |
| Victor | CVE-Test-53 | 12-in. | 11/26/1928 | Interference, reel 2 | Motion Picture Orchestra | Motion picture soundtrack : Orchestra | |
| Victor | CVE-49300 | 12-in. | 11/26/1928 | The barker : Exploitation record | Billy Murray | Speech, with organ | |
| Brunswick | XC2598 | 12-in. | 11/26/1928 | My boy | National Radio Advertising Co. Inc. | Radio test program : Dramatic scene | |
| Brunswick | XC2599 | 12-in. | 11/26/1928 | My boy | National Radio Advertising Co. Inc. | Radio test program : Dramatic scene | |
| Brunswick | XC2600 | 12-in. | 11/26/1928 | My boy | National Radio Advertising Co. Inc. | Radio test program : Dramatic scene | |
| Columbia (U.K.) | WBX429 | 12-in. | 11/26/1928 | Introcuction: Questo mar rosso | Artists vary | Opera | |
| Columbia (U.K.) | WBX430 | 12-in. | 11/26/1928 | Pensier profondo | Aristide Baracchi ; Luigi Marini ; Tancredi Pasero ; Gino Vanelli | Opera | |
| Columbia (U.K.) | WBX431 | 12-in. | 11/26/1928 | Quando un'olezzo di frittelle | Salvatore Baccaloni ; Aristide Baracchi ; Luigi Marini ; Tancredi Pasero ; Gino Vanelli | Opera | |
| Victor | BVE-48144 | 10-in. | 11/9/1928 | Where were you—where was I? (Exactly where we are) | Polly Walker | Female vocal solo, with orchestra | |
| Victor | BVE-48145 | 10-in. | 11/9/1928 | Billie | Polly Walker | Female vocal solo, with orchestra | |
| Victor | BVE-48400 | 10-in. | 11/26/1928 | Hijos del Mistí | Orquesta Internacional | Orchestra | |
| Victor | BVE-48401 | 10-in. | 11/26/1928 | En tu día | Orquesta Internacional | Orchestra | |
| Victor | BVE-48402 | 10-in. | 11/26/1928 | Adoratorio del sol | Orquesta Internacional | Orchestra | |
| Victor | BVE-49136 | 10-in. | 11/26/1928 | Donna non vidi mai | Max de Schauensee | Male vocal solo, with piano | |
| Victor | BVE-49137 | 10-in. | 11/26/1928 | Broken dreams of yesterday | Kay Kyser Orchestra | Jazz/dance band | |
| Victor | BVE-49138 | 10-in. | 11/26/1928 | Tell her (you really love her) | Kay Kyser Orchestra | Jazz/dance band | |
| Victor | BVE-Test-402 | 10-in. | 11/26/1928 | Carolina moon | Andrew Lawrence | Male vocal solo | |
| Victor | BVE-Test-403 | 10-in. | 11/26/1928 | Sleepy valley | Larry Braddin ; Mary Cowerd | Female-male vocal duet | |
| Victor | BVE-48098 | 10-in. | 11/26/1928 | Sometime, somehow, somewhere | Victor Orchestra | Orchestra | |
| Victor | BVE-48099 | 10-in. | 11/26/1928 | One sweet day | Victor Orchestra | Orchestra | |
| Columbia | W147530 | 10-in. | 11/26/1928 | How about me? | Milton Charles ; Hans Muenzer | Pipe organ solo, with violin obbligato | |
| Columbia | W147531 | 10-in. | 11/26/1928 | My mother's eyes | Milton Charles ; Ned Miller | Pipe organ solo, with male vocal solo | |
| Edison | N-597 | 10-in. | 11/26/1928 | My window of dreams | Waldo Mayo | Violin solo, with instrumental ensemble | |
| Edison | N-596 | 10-in. | 11/26/1928 | Dear, when I met you | Waldo Mayo | Violin solo, with instrumental ensemble | |
| Edison | 18901 | 10-in. | 11/26/1928 | Dear, when I met you | Waldo Mayo | Violin solo, with instrumental ensemble | |
| OKeh | W401392 | 10-in. | 11/26/1928 | Where the shy little violets grow | Detroiters ; Milt Shaw | Jazz/dance band, with male vocal solo | |
| OKeh | W401393 | 10-in. | 11/26/1928 | On the Alamo | Detroiters ; Milt Shaw | Jazz/dance band | |
| OKeh | W401394 | 10-in. | 11/26/1928 | You're the cream in my coffee | Little Molers ; Miff Mole | Jazz/dance band | |
| OKeh | W401395 | 10-in. | 11/26/1928 | Wild Oat Joe | Little Molers ; Miff Mole | Jazz/dance band | |
| Brunswick | E28698 | 10-in. | 11/26/1928 | The rosary | Lew White | Organ solo | |
| Brunswick | C2607 | 10-in. | 11/26/1928 | Won’t you tell me, hon’ (When we’re gonna be one) | Abe Lyman’s California Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | C2608 | 10-in. | 11/26/1928 | Don’t be like that | Abe Lyman’s California Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | E28699 | 10-in. | 11/26/1928 | Mighty lak’ a rose | Lew White | Organ solo | |
| Edison | 18902 | 10-in. | 11/26/1928 | My window of dreams | Waldo Mayo | Violin solo, with instrumental ensemble | |
| Brunswick | C2601 | 10-in. | 11/26/1928 | Baby | Abe Lyman’s California Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Brunswick | C2602 | 10-in. | 11/26/1928 | I can’t give you anything but love | Abe Lyman’s California Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | |
| Gramophone | BW2035 | 10-in. | 11/26/1928 | Ha felülek kis pej lovam hátára | Nagyváradi Bura Sándor cigányzenekara | Instrumental ensemble | |
| Gramophone | BW2037 | 10-in. | 11/26/1928 | Reszket a bokor (Shrub is rustling) | Budai Dalárda ; Szeghő Sándor | Male vocal chorus | |
| Gramophone | BW2038 | 10-in. | 11/26/1928 | Hymnus | Budai Dalárda | Male vocal chorus, with piano | |
| Gramophone | BW2036 | 10-in. | 11/26/1928 | Jobra lépunk, balra lépunk | Nagyváradi Bura Sándor cigányzenekara | Instrumental ensemble | |
| Gennett | 14462 | 10-in. | 11/26/1928 | If I only had a home | Kirk McGee and Blythe Poteet | Male vocal duet, with 2 guitars | |
| Gennett | 14463 | 10-in. | 11/26/1928 | A flower from my angel mother's grave | Kirk McGee ; Blythe Poteet | Male vocal duet, with guitar and mandolin | |
| Gennett | 14464 | 10-in. | 11/26/1928 | Love always has its way | Blythe Poteet | Male vocal solo, with guitar and mandolin | |
| Gennett | 14465 | 10-in. | 11/26/1928 | No one else can take your place | Kirk McGee ; Blythe Poteet | Male vocal duet, with guitar and mandolin | |
| Gennett | 14466 | 10-in. | 11/26/1928 | The house at the end of the lane | Kirk McGee ; Blythe Poteet | Male vocal duet, with 2 guitars | |
| Gennett | 14467 | 10-in. | 11/26/1928 | The Red River valley | Kirk McGee ; Blythe Poteet | Male vocal duet, with 2 guitars | |
| Gennett | 14468 | 10-in. | 11/26/1928 | She's funny that way | Norman Link | Male vocal solo, with fiddle (violin) and piano | |
| Gennett | 14469 | 10-in. | 11/26/1928 | Southern whistling coon | Blythe Poteet | Male vocal solo and whistling, with fiddle (violin) and guitar | |
| Gennett | 14470 | 10-in. | 11/26/1928 | Kicking mule | Kirk McGee and Blythe Poteet | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14471 | 10-in. | 11/26/1928 | Way down in Arkansas | Kirk McGee ; Blythe Poteet | Male vocal duet, with fiddle (violin) and guitar | |
| Gennett | 14472 | 10-in. | 11/26/1928 | C-h-i-c-k-e-n spells chicken | Kirk McGee and Blythe Poteet | Male vocal duet, with fiddle (violin) and guitar |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Monday, November 26, 1928," accessed November 1, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-11-26.
Recordings made on Monday, November 26, 1928. (2024). In Discography of American Historical Recordings. Retrieved November 1, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-11-26.
Recordings made on Monday, November 26, 1928." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 1 November 2024.
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