Recordings made Wednesday, December 1, 1926
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-36479 | 10-in. | 12/1/1926 | Yonder comes my Lord with a Bible in his hand | Rev. J. M. Gates | Sermon and male vocal solo, with mixed vocal trio | |
| Victor | CVE-36480 | 12-in. | 12/1/1926 | Dry bones in the valley | Rev. J. M. Gates | Sermon, with three speakers | |
| Victor | CVE-36481 | 12-in. | 12/1/1926 | Jesus rose from the dead | Rev. J. M. Gates | Sermon, with mixed vocal trio | |
| Victor | CVE-36482 | 12-in. | 12/1/1926 | Lazarus in Heaven and the rich man in Hell | Rev. J. M. Gates | Sermon and male vocal solo, with mixed vocal trio | |
| Victor | CVE-36483 | 12-in. | 12/1/1926 | Blow, Gabriel, for it's Judgment | Rev. J. M. Gates | Sermon, with mixed vocal trio | |
| Victor | BVE-36484 | 10-in. | 12/1/1926 | Just as soon as my feet strike Xion, Lord I won't be troubled no more | Rev. J. M. Gates | Sermon and male vocal solo, with mixed vocal trio | |
| Victor | BVE-36487 | 10-in. | 12/1/1926 | Sad home of death | Rev. J. M. Gates | Sermon and male vocal solo, with mixed vocal trio | |
| Victor | BVE-36987 | 10-in. | 12/1/1926 | A lonesome boy's letter back home | Vernon Dalhart | Male vocal solo, with violin and guitar | |
| Victor | BVE-36988 | 10-in. | 12/1/1926 | The sad lover | Vernon Dalhart | Male vocal solo, with violin, guitar, and harmonica | |
| Victor | BVE-36989 | 10-in. | 12/1/1926 | To-night you belong to me | Gene Austin | Male vocal solo, with instrumental ensemble | |
| Victor | BVE-36990 | 10-in. | 12/1/1926 | It made you happy when you made me cry | Gene Austin | Male vocal solo, with piano | |
| Victor | BVE-37060 | 10-in. | 12/1/1926 | Saveria | Eduardo Migliaccio ("Farfariello") | Male vocal solo, with orchestra | |
| Victor | BVE-37061 | 10-in. | 12/1/1926 | Stammo aposto | Eduardo Migliaccio ("Farfariello") | Male vocal solo, with orchestra | |
| Gramophone | BS2480 | 10-in. | 12/1/1926 | La pastorela : Dúo | Emilio Sagi-Barba ; Luisa Vela | Vocal duet (soprano and baritone), with orchestra | |
| Victor | XCVE-142 | 12-in. | 12/1/1926 | Aires andaluces | Orfeón Clásico de la Secretaría de Educación de México | Male vocal chorus | |
| Victor | XCVE-143 | 12-in. | 12/1/1926 | Aires andaluces | Orfeón Clásico de la Secretaría de Educación de México | Male vocal chorus | |
| Victor | XVE-139 | 10-in. | 12/1/1926 | El tejón | Los Cancioneros del Bajío | Vocal chorus, with instrumental ensemble | |
| Victor | XVE-141 | 10-in. | 12/1/1926 | Güiri-güiri | Los Cancioneros del Bajío | Male vocal chorus, with instrumental ensemble | |
| Victor | XVE-140 | 10-in. | 12/1/1926 | El chilpayate | Los Cancioneros del Bajío | Mixed vocal chorus, with instrumental ensemble | |
| Victor | XVE-137 | 10-in. | 12/1/1926 | Hasta cuando chaparrita | Los Cancioneros del Bajío | Male vocal chorus, with instrumental ensemble | |
| Victor | [Trial 1926-12-01-01] | 10-in. | 12/1/1926 | I attempt from Love's sickness to fly | Horatio Connell | Bass vocal solo, with piano | |
| Victor | [Trial 1926-12-01-02] | 10-in. | 12/1/1926 | Who is Sylvia? | Horatio Connell | Bass vocal solo, with piano | |
| Victor | BVE-36485 | 10-in. | 12/1/1926 | Adam and Eve in the garden | Rev. J. M. Gates | Sermon, with mixed vocal trio | |
| Victor | BVE-36486 | 10-in. | 12/1/1926 | You've got to lay down and die some day | Rev. J. M. Gates | Sermon and male vocal solo, with mixed vocal trio | |
| Victor | BVE-37035 | 10-in. | 12/1/1926 | Tarantella faitatore | Eduardo Migliaccio ("Farfariello") | Male vocal solo, with orchestra | |
| Victor | BVE-37036 | 10-in. | 12/1/1926 | Iesce d'a casa mia | Eduardo Migliaccio ("Farfariello") | Male vocal solo, with orchestra | |
| Victor | BVE-37059 | 10-in. | 12/1/1926 | Lulu | Eduardo Migliaccio ("Farfariello") | Male vocal solo, with orchestra | |
| Columbia | W142974 | 10-in. | 12/1/1926 | 'Deed I do | Ruth Etting | Female vocal solo, with orchestra | |
| Columbia | W142975 | 10-in. | 12/1/1926 | There ain't no maybe in my baby's eyes | Ruth Etting | Female vocal solo, with orchestra | |
| Columbia | W142976 | 10-in. | 12/1/1926 | Lonely eyes | Al Handler Orchestra | Jazz/dance band, with male vocal duet | |
| Columbia | W142977 | 10-in. | 12/1/1926 | Oh how she could play a ukulele | Alamo Cafe Orchestra ; Al Handler ; Rick and Snyder | Jazz/dance band, with male vocal duet | |
| OKeh | W80232 | 10-in. | 12/1/1926 | Elsie Shultz-en-heim | Billy Jones ; Dave Kaplan | Male vocal solo, with piano | |
| OKeh | W80233 | 10-in. | 12/1/1926 | I found a million dollar baby (In a five and ten cent store) | Billy Jones ; Dave Kaplan | Male vocal solo, with piano | |
| OKeh | W80234 | 10-in. | 12/1/1926 | Kiss your little baby good-night! | Seger Ellis | Male vocal solo, with piano | |
| Brunswick | XE4136-XE4137 | 12-in. | 12/1/1926 | Stop condemning your brother | Sister Pearson ; Sister Worell ; Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Brunswick | XE4138-XE4139 | 12-in. | 12/1/1926 | Valley of dry bones | Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Brunswick | E20856-E20857 | 10-in. | 12/1/1926 | I’m tellin’ the birds, tellin’ the bees, how I love you | Ben Bernie ; Hotel Roosevelt Orchestra | Jazz/dance band, with male vocal duet | |
| Brunswick | E20850-E20852 | 10-in. | 12/1/1926 | Half a moon (Is better than no moon) | Ben Bernie ; Hotel Roosevelt Orchestra | Jazz/dance band, with male vocal solo | |
| Brunswick | E20853-E20855 | 10-in. | 12/1/1926 | The little white house (At the end of Honeymoon Lane) | Ben Bernie ; Hotel Roosevelt Orchestra | Jazz/dance band, with male vocal solo | |
| OKeh | W80235 | 10-in. | 12/1/1926 | Drifting from you blues | Gussie Alexander | Female vocal solo, with saxophone and piano | |
| Brunswick | E4124-E4125 | 10-in. | 12/1/1926 | Take in the sun, hang out the moon (Rock me in a cradle of dreams) | Peggy English | Female vocal solo, with orchestra | |
| Brunswick | E4126-E4127 | 10-in. | 12/1/1926 | Who’ll be the one? | Peggy English | Female vocal solo, with orchestra | |
| Brunswick | E4128-E4129 | 10-in. | 12/1/1926 | Daniel in the lion’s den | Sister Pearson ; Sister Worell ; Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Brunswick | E4130-E4131 | 10-in. | 12/1/1926 | Noah building the ark | Sister Pearson ; Sister Worell ; Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Brunswick | E4132-E4133 | 10-in. | 12/1/1926 | Three Hebrew children | Sister Pearson ; Sister Worell ; Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Brunswick | E4134-E4135 | 10-in. | 12/1/1926 | The prodigal son | Sister Pearson ; Sister Worell ; Rev. S. J. Worell | Sermon, with male vocal solo and mixed vocal trio | |
| Gramophone | BS2481 | 10-in. | 12/1/1926 | Torerías | Carmen Flores | Female vocal solo | |
| Columbia | W95387 | 10-in. | approximately December 1, 1926 | Claveles de España | Rondalla Usandizaga | Instrumental ensemble | |
| Columbia | W95395 | 10-in. | 12/1/1926 | ¡Hey, hey! | Orquesta Típica Criolla | Instrumental ensemble | |
| Columbia | W95392 | 10-in. | approximately December 1, 1926 | Granada | Rondalla Usandizaga | Instrumental ensemble | |
| Columbia | W95391 | 10-in. | approximately December 1, 1926 | Tesorito | Rondalla Usandizaga | Instrumental ensemble | |
| Columbia | W95394 | 10-in. | 12/1/1926 | El tiburón del parque | Orquesta Típica Criolla | Instrumental ensemble | |
| Columbia (U.K.) | WL328 | 10-in. | 12/1/1926 | Triste gaucho | Orchestre Tano Genaro ; Urquiri | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | WL330 | 10-in. | 12/1/1926 | Colorado | Orchestre Tano Genaro | Instrumental ensemble | |
| Columbia (U.K.) | WL329 | 10-in. | 12/1/1926 | La pastora | Orchestre Tano Genaro ; Urquiri | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | WL331 | 10-in. | 12/1/1926 | Rosario | Orchestre Tano Genaro | Instrumental ensemble | |
| Columbia (U.K.) | WL326 | 10-in. | 12/1/1926 | Una pavada | Orchestre Tano Genaro | Instrumental ensemble | |
| Columbia (U.K.) | WL327 | 10-in. | 12/1/1926 | Una percanta | Orchestre Tano Genaro ; Urquiri | Male vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | WL332 | 10-in. | 12/1/1926 | Poco y bueno | Orchestre Tano Genaro | Instrumental ensemble | |
| Columbia | W95388 | 10-in. | approximately December 1, 1926 | Rosiya | Rondalla Usandizaga | Instrumental ensemble | |
| Columbia | W95389 | 10-in. | approximately December 1, 1926 | La bejarana | Rondalla Usandizaga | Instrumental ensemble | |
| Columbia | W95390 | 10-in. | approximately December 1, 1926 | La rivereña | Rondalla Usandizaga | Instrumental ensemble | |
| Victor | BVE-36949 | 10-in. | 11/19/1926 | Far away in Hawaii | Vernon Dalhart ; Carson Robison | Male vocal duet, with instrumental ensemble | |
| Columbia | W142938 | 10-in. | 11/16/1926 | Because I love you | Constance Mering | Piano solo | |
| Columbia | W142939 | 10-in. | 11/16/1926 | (I'm tellin' the birds—tellin' the bees) How I love you | Constance Mering | Piano solo | |
| Victor | BVE-36887 | 10-in. | 10/30/1926 | I'm tellin' the bird, tellin' the bees (How I love you) | Whispering Jack Smith | Male vocal solo, with 2 pianos | |
| Victor | BVE-36563 | 10-in. | 10/20/1926 | Caprice | Alexander Schmidt | Violin solo, with piano |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Wednesday, December 1, 1926," accessed November 25, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1926-12-01.
Recordings made on Wednesday, December 1, 1926. (2024). In Discography of American Historical Recordings. Retrieved November 25, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1926-12-01.
Recordings made on Wednesday, December 1, 1926." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 November 2024.
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