Recordings made Saturday, February 10, 1923
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BA-213 | 10-in. | 2/10/1923 | Presentimiento | Roberto Díaz ; Julio N. Vega | Male vocal duet, with guitars | |
| Victor | BA-214 | 10-in. | 2/10/1923 | ¿Por qué cantó ...? | Roberto Díaz | Male vocal solo, with 3 guitars | |
| Victor | [Trial 1923-02-10-01] | 10-in. | 2/10/1923 | The officer and the motorist | Taylor Holmes | Recitation | |
| Victor | [Trial 1923-02-10-02] | 10-in. | 2/10/1923 | The victory ball | Taylor Holmes | Recitation | |
| Victor | [Trial 1923-02-10-03] | 10-in. | 2/10/1923 | Ballet master | Taylor Holmes | Recitation | |
| Victor | [Trial 1923-02-10-04] | 10-in. | 2/10/1923 | The night I played Hamlet | Taylor Holmes | Recitation | |
| Victor | [Trial 1923-02-10-05] | 10-in. | 2/10/1923 | The shooting of Dan McGrew | Taylor Holmes | Recitation | |
| Victor | [Trial 1923-02-10-06] | 10-in. | 2/10/1923 | The face on the bar room floor | Taylor Holmes | Recitation | |
| Columbia | 80853 | 10-in. | 2/10/1923 | Self mastery through conscious auto-suggestion | Émile Coué | Self-improvement instruction | |
| Columbia | 80854 | 10-in. | 2/10/1923 | Self mastery through conscious auto-suggestion | Émile Coué | Self-improvement instruction | |
| Columbia | 80855 | 10-in. | 2/10/1923 | Self mastery through conscious auto-suggestion | Émile Coué | Self-improvement instruction | |
| Columbia | 80856 | 10-in. | 2/10/1923 | Self mastery through conscious auto-suggestion | Émile Coué | Self-improvement instruction | |
| Columbia | 80857 | 10-in. | 2/10/1923 | The clinging vine | Columbians Dance Orchestra De Luxe | Jazz/dance band | |
| Columbia | 80858 | 10-in. | 2/10/1923 | I've been wanting you | Columbians Dance Orchestra De Luxe | Jazz/dance band | |
| Columbia | 98062 | 12-in. | 2/10/1923 | Mi chiamano Mimi | Rosa Ponselle | Soprano vocal solo, with orchestra | |
| Columbia | 98063 | 12-in. | 2/10/1923 | Stridono lassu | Rosa Ponselle | Soprano vocal solo, with orchestra | |
| Brunswick | 9895-9899 | 10-in. | 2/10/1923 | Egia mola | Isa Kremer | Female vocal solo, with piano | |
| Brunswick | 9896-9897 | 10-in. | 2/10/1923 | The Kleftman | Isa Kremer | Female vocal solo, with piano | |
| Brunswick | 9887-9890 | 10-in. | 2/10/1923 | Faded love letters | Billy Jones | Male vocal solo, with orchestra | |
| Brunswick | 9891-9894 | 10-in. | 2/10/1923 | My mother’s lullaby | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Saturday, February 10, 1923," accessed November 7, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1923-02-10.
Recordings made on Saturday, February 10, 1923. (2024). In Discography of American Historical Recordings. Retrieved November 7, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1923-02-10.
Recordings made on Saturday, February 10, 1923." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 November 2024.
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