Recordings made Monday, February 16, 1931
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-56897 | 10-in. | 2/16/1931 | Walkin' my baby back home | Parker Gibbs ; Ted Weems Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-56899 | 10-in. | 2/16/1931 | My favorite band | Parker Gibbs ; Art Jarrett ; Ted Weems Orchestra | Jazz/dance band, with male vocal duet | |
| Victor | BVE-67446 | 10-in. | 2/16/1931 | With all my heart | Paul Small ; The Troubadours | Instrumental ensemble, with male vocal solo | |
| Victor | BVE-67449 | 10-in. | 2/16/1931 | Consejos a las mujeres | Canario y su Grupo | Male vocal trio, with instrumental ensemble | |
| Victor | BVE-67450 | 10-in. | 2/16/1931 | Llanto del campesino | Canario y su Grupo | Male vocal trio, with instrumental ensemble | |
| Victor | BVE-56898 | 10-in. | 2/16/1931 | When you were the blossom of Buttercup Lane (And I was your Little Boy Blue) | Elmo Tanner ; Ted Weems Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | XVE-67140 | 10-in. | 2/16/1931 | Piedad | Agustín Calderón ; Ricardo Ferrara | Male vocal solo, with laúd | |
| Victor | XVE-67141 | 10-in. | 2/16/1931 | Riendo, llorando y cantando | Agustín Calderón ; Ricardo Ferrara | Male vocal solo, with laúd | |
| Victor | XVE-67142 | 10-in. | 2/16/1931 | El impuesto del alcohol | Agustín Calderón ; Ricardo Ferrera | Male vocal duet | |
| Victor | XVE-67143 | 10-in. | 2/16/1931 | Contestación de habanero al guajiro | María "La Matancera" ; Pedro Valencia | Female-male vocal duet, with laúd and elaue | |
| Victor | XVE-67144 | 10-in. | 2/16/1931 | Discusion entre Maria y Valencia | María "La Matancera" ; Pedro Valencia | Dialogue | |
| Victor | XVE-67145 | 10-in. | 2/16/1931 | Mi llegada a la Habana | Pedro Valencia ; Pedro Valencia | Male vocal solo, with laúd and claves | |
| Victor | BVE-67447 | 10-in. | 2/16/1931 | By special permission of the copyright owners, I love you | Chick Bullock ; Nathaniel Shilkret ; Victor Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-67448 | 10-in. | 2/16/1931 | I'm one of God's children | Chick Bullock ; Nathaniel Shilkret ; Victor Orchestra | Jazz/dance band, with male vocal solo | |
| Victor | BVE-67451 | 10-in. | 2/16/1931 | La gandulito | Canario y su Grupo | Male vocal trio, with instrumental ensemble | |
| Victor | BVE-67452 | 10-in. | 2/16/1931 | Los Cubanos dicen | Canario y su Grupo | Male vocal trio, with instrumental ensemble | |
| Victor | PBVE-61073 | 10-in. | 2/16/1931 | I got rhythm | The Rounders | Male vocal quartet, with piano | |
| Victor | PBVE-61074 | 10-in. | 2/16/1931 | Faded blue prints | The Rounders | Male vocal quartet, with piano | |
| Victor | MVR-61314 | 16-in. | 2/16/1931 | Bargain day | Hal Roach Studios | Motion picture soundtrack : Re-recording from film | |
| Victor | MVR-61315 | 16-in. | 2/16/1931 | Bargain day | Hal Roach Studios | Motion picture soundtrack : Re-recording from film | |
| Victor | MVE-67946 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67947 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67948 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67949 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67950 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67951 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-67952 | 16-in. | 2/16/1931 | Don't bet on women | Fox Film Corporation | Motion picture soundtrack : Film to wax transfer | |
| Columbia | W151309 | 10-in. | 2/16/1931 | God is with us | William McEwan | Male vocal solo, with violin, organ, and chimes | |
| Columbia | W151310 | 10-in. | 2/16/1931 | Merrily sing | William McEwan | Male vocal solo, with violin, organ, and chimes | |
| Columbia | W151311 | 10-in. | 2/16/1931 | I would be like Jesus | William McEwan | Male vocal solo, with violin, organ, and chimes | |
| Columbia | W151312 | 10-in. | 2/16/1931 | What a day of victory | William McEwan | Male vocal solo, with violin, organ, and chimes | |
| Columbia | W151313 | 10-in. | 2/16/1931 | Pardoning grace | William McEwan | Male vocal solo, with violin and organ | |
| Columbia | W151314 | 10-in. | 2/16/1931 | The sweetest song | William McEwan | Male vocal solo, with violin and organ | |
| Victor | MRC-DR-8-31 | 16-in. | 2/16/1931 | Pathé audio review. Vol. 3, no. 8 | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MRC-D-1515 | 16-in. | 2/16/1931 | What a time | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MRC-D-1515[a] | 16-in. | 2/16/1931 | What a time | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MRC-2669 | 16-in. | 2/16/1931 | Ex-plumber | Educational Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MRC-2669[a] | 16-in. | 2/16/1931 | Ex-plumber | Educational Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MRC-DN-17-31 | 16-in. | 2/16/1931 | Pathé sound news. 1931 series, no. 17 | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-11010 | 16-in. | 2/16/1931 | Millie | RKO Radio Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-11010[a] | 16-in. | 2/16/1931 | Millie | RKO Radio Pictures | Motion picture soundtrack : Film to wax transfer | |
| Brunswick | E35862 | 10-in. | 2/16/1931 | Would you like to take a walk (Sump’n good’ll come from that) | Hal Kemp Orchestra | Jazz/dance band, with vocal trio | |
| Brunswick | E36081 | 10-in. | 2/16/1931 | Do I really deserve it from you | Ozzie Nelson Orchestra | Jazz/dance band, with male vocal solo | |
| Brunswick | E36082 | 10-in. | 2/16/1931 | Dream a little dream of me | Ozzie Nelson Orchestra | Jazz/dance band, with male vocal solo | |
| Brunswick | C7449 | 10-in. | 2/16/1931 | Just a gigolo | Lee Sims | Piano solo | |
| Brunswick | C7450 | 10-in. | 2/16/1931 | Yours and mine | Lee Sims | Piano solo | |
| Brunswick | E35856 | 10-in. | 2/16/1931 | Who stole the lock | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E35857 | 10-in. | 2/16/1931 | Cat came back | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E35858 | 10-in. | 2/16/1931 | Suckin’ cider | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E35859 | 10-in. | 2/16/1931 | When you come to the end of the day | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E35860 | 10-in. | 2/16/1931 | 4000 years ago | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E35861 | 10-in. | 2/16/1931 | Mammy’s little coal-black Rose | Otto Gray ; Oklahoma Cowboys | Instrumental ensemble, with male vocal solo | |
| Brunswick | E36077 | 10-in. | 2/16/1931 | No mo’ bench and board | Wilmoth Houdini | Male vocal solo, with jazz/dance band | |
| Brunswick | E36078 | 10-in. | 2/16/1931 | Sweet Papa Willie | Wilmoth Houdini | Male vocal solo, with jazz/dance band | |
| Brunswick | E36079 | 10-in. | 2/16/1931 | Honey I’m bound to go | Wilmoth Houdini | Male vocal solo, with jazz/dance band | |
| Brunswick | E36080 | 10-in. | 2/16/1931 | The cooks in Trinidad | Wilmoth Houdini | Male vocal solo, with jazz/dance band | |
| Brunswick | XC6944 | 12-in. | 2/16/1931 | Theme song | Unidentified performer(s) (Brunswick Records) | Radio transcription disc | |
| Brunswick | E35854 | 10-in. | 2/16/1931 | “Sign on” and local station announcement | Clyde S. Kittall | Radio transcription disc : Announcement | |
| Brunswick | E35855 | 10-in. | 2/16/1931 | Technical difficulties announcement and S.O.S. | Clyde S. Kittall | Radio transcription disc : Announcement | |
| Columbia (U.K.) | WL2786 | 10-in. | 2/16/1931 | Malgré moi | Basil Codolban ; Pizella | Male vocal solo, with orchestra | |
| Columbia (U.K.) | WL2788 | 10-in. | 2/16/1931 | Un tout petit baiser | Basil Codolban ; Pizella | Male vocal solo, with orchestra | |
| Columbia (U.K.) | WL2789 | 10-in. | 2/16/1931 | Ma Loulou... mon amour | Basil Codolban ; Pizella | Male vocal solo, with orchestra | |
| Columbia (U.K.) | WL2790 | 10-in. | 2/16/1931 | Lettre tendre | Basil Codolban ; Pizella | Male vocal solo, with orchestra | |
| Columbia (U.K.) | WL2787 | 10-in. | 2/16/1931 | Les yeux des femmes | Basil Codolban ; Pizella | Male vocal solo, with orchestra |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Monday, February 16, 1931," accessed November 7, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1931-02-16.
Recordings made on Monday, February 16, 1931. (2024). In Discography of American Historical Recordings. Retrieved November 7, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1931-02-16.
Recordings made on Monday, February 16, 1931." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 7 November 2024.
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