Recordings made Thursday, April 27, 1916
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | B-17426 | 10-in. | 4/3/1916 | Oh, Joe, with your fiddle and bow, you stole my heart away | Peerless Quartet | Male vocal quartet, with orchestra | |
| Victor | B-17427 | 10-in. | 4/3/1916 | Arrah go on, I'm gonna go back to Oregon | Peerless Quartet | Male vocal quartet, with orchestra | |
| Victor | B-17542 | 10-in. | 4/27/1916 | The Honolulu blues | Peerless Quartet | Male vocal quartet, with mandolin and orchestra | |
| Victor | B-17547 | 10-in. | 4/27/1916 | I'm a-longin' fo' you | Elsie Baker | Female vocal solo, with cello and orchestra | |
| Victor | B-17549 | 10-in. | 4/27/1916 | On the Old Dominion line | Peerless Quartet | Male vocal quartet, with orchestra | |
| Victor | B-11569 | 10-in. | 2/6/1912 | My old Kentucky home | Elsie Baker | Female vocal solo, with orchestra | |
| Columbia | 48738 | 12-in. | 4/27/1916 | Danza de los bufones | Ernest Ansermet ; Serge de Diaghileff's Russian Ballet Orchestra | Orchestra | |
| Columbia | 48741 | 12-in. | 4/27/1916 | Che gelida manina | Hipólito Lázaro | Tenor vocal solo, with orchestra | |
| Victor | B-17541 | 10-in. | 4/27/1916 | Vals xelaju | Hurtado Brothers Royal Marimba Band of Guatemala | Marimba band | |
| Victor | C-17548 | 12-in. | 4/27/1916 | O Lord most holy | Elsie Baker | Female vocal solo, with violin, cello, and organ | |
| Victor | G-1526 | 10-in. | 4/26/1916 | Himno nacional de Bolivia | María Paz Gainsborg | Female vocal solo, with vocal chorus and piano | |
| Victor | G-1525 | 10-in. | 4/26/1916 | A los campos me retiro | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1529 | 10-in. | 4/27/1916 | Canción de amor | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1531 | 10-in. | 4/27/1916 | Decepción | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1530 | 10-in. | 4/27/1916 | El hechizo | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1532 | 10-in. | 4/27/1916 | Dios mío decíd por qué | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1534 | 10-in. | 4/27/1916 | Interrogación | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1524 | 10-in. | 4/26/1916 | El cisne | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1533 | 10-in. | 4/27/1916 | Dulce esperanza | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | G-1535 | 10-in. | 4/27/1916 | La alondra | María Paz Gainsborg | Female vocal solo, with piano | |
| Victor | B-17548 | 10-in. | 4/27/1916 | O Lord most holy | Elsie Baker | Female vocal solo, with violin, cello, and organ | |
| Columbia | 48737 | 12-in. | 4/27/1916 | Vogel als Prophet | Eddy Brown | Violin solo, with piano | |
| Edison | 4690 | 10-in. | 4/27/1916 | Are you half the man your mother thought you'd be? | Walter Van Brunt | Male vocal solo, with orchestra | |
| Edison | 4692 | 10-in. | 4/27/1916 | Come back to Erin, Mona darling | George Wilton Ballard | Male vocal solo and vocal ensemble, with orchestra | |
| Edison | 4691 | 10-in. | 4/27/1916 | [Experimental record] | Unidentified performer(s) or technical staff (Edison Records) |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, April 27, 1916," accessed November 25, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1916-04-27.
Recordings made on Thursday, April 27, 1916. (2024). In Discography of American Historical Recordings. Retrieved November 25, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1916-04-27.
Recordings made on Thursday, April 27, 1916." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 November 2024.
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