Recordings made Monday, February 27, 1928
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= Recordings are available for online listening. = Recordings were issued from this master. No recordings issued from other masters.
Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
---|---|---|---|---|---|---|---|
Columbia | W145685 | 10-in. | 2/27/1928 | There must be a silver lining (That's shining for me) | Stella Dance Band | Jazz/dance band, with male vocal solo | |
Gramophone | CR1227 | 12-in. | 3/17/1927 | Missa Papae Marcelli : Sanctus | Westminster Cathedral Choir | Male vocal chorus (unaccompanied) | |
Gramophone | CR1228 | 12-in. | 3/17/1927 | Missa Papae Marcelli : Benedictus | Westminster Cathedral Choir | Male vocal chorus (unaccompanied) | |
Victor | BVE-38221 | 10-in. | 3/16/1927 | Tango, op. 165, no. 2 | Fritz Kreisler | Violin solo, with piano | |
Victor | BVE-40359 | 10-in. | 1/12/1928 | Danse espagnole | Fritz Kreisler | Violin solo, with piano | |
Victor | PCVE-42014 | 12-in. | 2/21/1928 | Les preludes (Symphonic poem no. 3) | Alfred Hertz ; San Francisco Symphony Orchestra | Orchestra | |
Victor | PCVE-42029 | 12-in. | 2/27/1928 | Les preludes (Symphonic poem no. 3) | Alfred Hertz ; San Francisco Symphony Orchestra | Orchestra | |
Victor | PCVE-42031 | 12-in. | 2/27/1928 | Les preludes (Symphonic poem no. 3) | Alfred Hertz ; San Francisco Symphony Orchestra | Orchestra | |
Victor | PCVE-42032 | 12-in. | 2/27/1928 | Les preludes (Symphonic poem no. 3) | Alfred Hertz ; San Francisco Symphony Orchestra | Orchestra | |
Victor | BVE-42480 | 10-in. | 2/27/1928 | Por qué has venido? | Margarita Cueto ; José Moriche | Female-male vocal duet, with orchestra | |
Victor | BVE-42483 | 10-in. | 2/27/1928 | Forked deer | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42484 | 10-in. | 2/27/1928 | Marthis Campbell | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42485 | 10-in. | 2/27/1928 | The wild wagoner | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42486 | 10-in. | 2/27/1928 | Billy in the lowland | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42488 | 10-in. | 2/27/1928 | Black-eyed Susie | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42489 | 10-in. | 2/27/1928 | Grand horn pipe | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42491 | 10-in. | 2/27/1928 | Way up on Clinch Mountain | Jilson Setters | Male vocal solo, with violin and guitar | |
Victor | BVE-42492 | 10-in. | 2/27/1928 | The Arkansaw traveler | Jilson Setters | Recitation, with violin and guitar | |
Victor | CVE-43116 | 12-in. | 2/27/1928 | Chloe | Paul Whiteman Concert Orchestra | Orchestra, with male vocal solo | |
Victor | CVE-15743 | 12-in. | 3/25/1927 | Tambourin chinois, op. 3 | Fritz Kreisler | Violin solo, with piano | |
Victor | PBVE-42033 | 10-in. | 2/27/1928 | Le Cid : Ballet | Alfred Hertz ; San Francisco Symphony Orchestra | Orchestra | |
Columbia | W145681 | 10-in. | 2/27/1928 | Dreams that remind me of you | South Sea Islanders | Instrumental ensemble, with vocal (Hawaiian) | |
Columbia | W145682 | 10-in. | 2/27/1928 | Sailing along to Hawaii | South Sea Islanders | Instrumental ensemble, with vocal (Hawaiian) | |
Columbia | W145686 | 10-in. | 2/27/1928 | Indian cradle song | Lewis James ; Selvin’s Orchestra | Jazz/dance band, with male vocal solo | |
Edison | N-111 | 10-in. | 2/3/1928 | Christ is risen | Metropolitan Quartet | Male vocal quartet, with orchestra | |
Edison | N-112 | 10-in. | 2/3/1928 | Christ arose | Metropolitan Quartet | Mixed vocal ensemble, with orchestra | |
OKeh | W400355 | 10-in. | 2/27/1928 | Death bell blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400356 | 10-in. | 2/27/1928 | Worry blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400359 | 10-in. | 2/27/1928 | Happy blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400360 | 10-in. | 2/27/1928 | Labor blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400361 | 10-in. | 2/27/1928 | Helena blues | Mooch Richardson | Male vocal solo, with guitar | |
OKeh | W400363 | 10-in. | 2/27/1928 | Big Kate Adams blues | Lonnie Johnson ; Mooch Richardson | Male vocal solo, with guitar | |
OKeh | W400364 | 10-in. | 2/27/1928 | We're drifting on | Amory Male Quartet | Male vocal quartet, unaccompanied | |
OKeh | W400365 | 10-in. | 2/27/1928 | Keep your eyes on Jesus | Amory Male Quartet | Male vocal quartet, unaccompanied | |
OKeh | W400367 | 10-in. | 2/27/1928 | Oh! Beautiful city | Amory Male Quartet | Male vocal quartet, unaccompanied | |
OKeh | W400368 | 10-in. | 2/27/1928 | Hold to God's unchanging hand | Amory Male Quartet | Male vocal quartet, unaccompanied | |
Brunswick | E26693-E26694 | 10-in. | 2/27/1928 | Avalon | Five Pennies ; Red Nichols | Jazz/dance band | |
Brunswick | E26695-E26696 | 10-in. | 2/27/1928 | The Japanese sandman | Five Pennies ; Red Nichols | Jazz/dance band | |
Brunswick | E26697-E26698 | 10-in. | 2/27/1928 | Domanda e risposta | O. Castellucci Vagabondi | Orchestra | |
Brunswick | E26699-E26700 | 10-in. | 2/27/1928 | A questa po paese | O. Castellucci Vagabondi | Orchestra | |
Brunswick | E26701-E26702 | 10-in. | 2/27/1928 | Voce di campana | O. Castellucci Vagabondi | Orchestra | |
Brunswick | E26703-E26704 | 10-in. | 2/27/1928 | O male e panza | O. Castellucci Vagabondi | Orchestra | |
Brunswick | E7176-E7177 | 10-in. | 2/27/1928 | Sunshine | Scrappy Lambert | Male vocal solo, with orchestra | |
Brunswick | E7178-E7179 | 10-in. | 2/27/1928 | Chloe | Scrappy Lambert | Male vocal solo, with orchestra | |
Brunswick | E26687-E26689 | 10-in. | 2/27/1928 | Forever and ever | Bernie Cummins Orchestra | Jazz/dance band, with male vocal solo; without vocal (take E26689) | |
Brunswick | E26690-E26692 | 10-in. | 2/27/1928 | Rain or shine | Bernie Cummins Orchestra | Jazz/dance band, with male vocal trio; without vocal (take E26692) | |
OKeh | W400357 | 10-in. | 2/27/1928 | Doggone blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400358 | 10-in. | 2/27/1928 | Railroad blues | Tom Dickson | Male vocal solo, with guitar | |
OKeh | W400362 | 10-in. | 2/27/1928 | Fare thee well blues | Mooch Richardson | Male vocal solo, with guitar | |
OKeh | W400366 | 10-in. | 2/27/1928 | Do not wait 'til I'm laid 'neath the clay | Amory Male Quartet | Male vocal quartet, unaccompanied | |
Gennett | 13481 | 10-in. | 2/27/1928 | I got a home in that rock | Pace Jubilee Singers | Mixed vocal chorus and female vocal solo, with piano | |
Gennett | 13482 | 10-in. | 2/27/1928 | I heard the voice of Jesus say | Pace Jubilee Singers | Mixed vocal chorus, with piano | |
Gennett | 13483 | 10-in. | 2/27/1928 | God's gonna set this world on fire | Pace Jubilee Singers | Mixed vocal chorus, with piano | |
Gennett | 13484 | 10-in. | 2/27/1928 | The old family album at home | The Lombards | Comic scene, with piano | |
Gennett | 13485 | 10-in. | 2/27/1928 | The village blacksmith | The Lombards | Comic scene, with piano | |
Gennett | 13486 | 10-in. | 2/27/1928 | Strolling in the moonlight | Les Backer | Male vocal solo, with violin and piano | |
Gennett | 13487 | 10-in. | 2/27/1928 | Together | Les Backer | Male vocal solo, with violin and piano | |
Gramophone | BL3909 | 10-in. | 2/27/1928 | Waltz in F major | Claudio Arrau | Piano solo | |
Gramophone | BL3910 | 10-in. | 2/27/1928 | Hark, hark, the lark | Claudio Arrau | Piano solo | |
Victor | BVE-42481 | 10-in. | 2/27/1928 | Mendigo de amor | Margarita Cueto ; José Moriche | Female-male vocal duet, with orchestra | |
Victor | BVE-8939 | 10-in. | 2/2/1928 | Old folks at home | Fritz Kreisler | Violin solo, with piano | |
Victor | BVE-42482 | 10-in. | 2/27/1928 | Acuarela | Margarita Cueto ; José Moriche | Female-male vocal duet, with orchestra | |
Edison | 18213 | 10-in. | 2/3/1928 | Christ arose | Metropolitan Quartet | Mixed vocal ensemble, with orchestra | |
Edison | 18212 | 10-in. | 2/3/1928 | Christ is risen | Metropolitan Quartet | Mixed vocal quintet, with orchestra | |
Gramophone | BJ1275 | 10-in. | 2/27/1928 | No te engañes corazón | Lucio Demare ; Agustín Irusta ; Trío Argentino [Irusta-Fugazot-Demare] | Male vocal solo, with piano | |
Columbia (U.K.) | WL936 | 10-in. | 2/27/1928 | Caído del cielo | Orquesta Típica Argentina Salvador Pizarro | Instrumental ensemble | |
Columbia (U.K.) | WL941 | 10-in. | 2/27/1928 | Bandoneón | Orquesta Típica Argentina Salvador Pizarro | Instrumental ensemble | |
Columbia (U.K.) | WL938 | 10-in. | 2/27/1928 | Queja indiana | Orquesta Típica Argentina Salvador Pizarro | Instrumental ensemble | |
Columbia (U.K.) | WL940 | 10-in. | 2/27/1928 | Anoche a las dos | Orquesta Típica Argentina Salvador Pizarro | Instrumental ensemble | |
Columbia (U.K.) | WL937 | 10-in. | 2/27/1928 | Adiós muchachos | Orquesta Típica Argentina Salvador Pizarro | Instrumental ensemble | |
Victor | BVE-42487 | 10-in. | 2/27/1928 | The wild horse on Stoney Point | Jilson Setters | Violin solo, with guitar | |
Victor | BVE-42490 | 10-in. | 2/27/1928 | Little boy working on the road | Jilson Setters | Violin solo, with guitar |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Monday, February 27, 1928," accessed November 21, 2024, https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-02-27.
Recordings made on Monday, February 27, 1928. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod1.library.ucsb.edu/index.php/date/browse?date=1928-02-27.
Recordings made on Monday, February 27, 1928." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
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